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Triangle at Rhodes - S1-E6

Factual error: When Poirot leaves customs with Mademoiselle Lyall, one of the supposed Italians asks in that language "What's happening, what is this noise?", which does not make sense in context, especially with the officer just shrugging and showing him the card. (00:32:55)

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Triangle at Rhodes - S1-E6

Continuity mistake: Sitting down with Miss Lyall as she coughs, Valentine invariably has her left hand up when shot by the right side, just the elbow on the armrest, while every time she is shot from the left side she has the whole arm leaning on the chair, hand down. (00:29:00)

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Triangle at Rhodes - S1-E6

Other mistake: The man in front of Poirot in the line to embark argues supposedly in Italian with the officer: he does it in broken Italian but trying to pronounce informal words (even an incredibly explicit and vulgar curse at the end!) with unnatural cadence and a very thick Spanish accent. (00:28:30)

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Triangle at Rhodes - S1-E6

Deliberate mistake: The day of his scheduled departure, Poirot overhears conversations (mainly the one from the window of his room) he couldn't possibly be hearing given the long distance outdoors and the tone of voice. His reactions are shown as if he could hear and not simply see and infer the meaning. (00:23:00)

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Triangle at Rhodes - S1-E6

Continuity mistake: Poirot at the ruins meets Mrs. Gold, and he starts telling her more about the local findings. You can see in the faraway shot how next to the fence two guys are working by the goat. One of them has a black beret, the other the typical saharienne outfit. Change shot, and as Poirot lets out a "What a beautiful day" remark, the dude in black becomes another man in khaki instead. (00:13:20)

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Continuity mistake: At the dinner table, the doctor says "My sole concern is for the welfare of my patients." Pay attention to Lockhart during the two following reverse shots: in both those shots the same two elder patients walk by in the background crossing the screen from left to right carrying their plates. (00:46:00)

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Stupidity: During the movie, the bad guys keep the main character alive and free to roam the facility at will (even if they made him sign an incriminating form at the very beginning stating he's an inmate) doing absolutely nothing to restrict his freedom till the very end - he even retains personal effects like his broken Rolex and lighter, his wallet full of cash! He breaks into every forbidden area, picks up fights, damages property, escapes multiple times and 'corrupts' the person the whole facility is built for. He is worth absolutely nothing to them and has nobody waiting for him or that will look for him.

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Continuity mistake: Back after the little adventure at the burg, Hannah gets up from bed. By the window she turns and asks the doctor "When?" and clings to the doll bringing her hands closer, but in the subsequent shot (when Volmer says "Come here") her grip has loosened again and her hands are at distance. (01:23:00)

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Factual error: Speaking with Miss Watkins, the protagonist learns of the backstory of the complex, and how in 1814, the local baron was running all sorts of experiments on "his own peasants." The movie though is set in Switzerland, where the power of nobilty was considerably lower and less traditionally 'feudal' than in most neighbouring countries (and stayed as such even after the Congress of Vienna). In particular this castle supposedly is in the canton of Graubünden (aka Grisons), where within the context of the Three Leagues you'd have been hard pressed finding a 'baron' ruling lands, a radical prohibition of nobility, titles and particles having been enacted, surely with no life and death powers over his serfs.

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Continuity mistake: As the train enters the gallery, a close-up shows the box of Nicorette on top of a left corner of the blister pack. When the camera pans (the voice on the phone mentions Delaware), cardboard and blister are side to side, flat. New close-up when he spits the gum, and the two elements are again one on top of the other before he grabs the blister, putting it then back side to side. (00:04:00)

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The Third Floor Flat - S1-E5

Continuity mistake: When Jimmy reads the solicitor's letter, the date is 5 October 1935. Hastings wrecks his car here but in Murder in the Mews, taking place on the 6th of November, he has it again. Assuming that he has been able to get his car back to form entirely restoring/replacing the ruined sections (Japp tells him that it's now just "an expensive scrap of metal"), in that episode the car needed ordinary maintenance work, while going by the events of this episode it would have been fresh off the car shop instead.

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The Third Floor Flat - S1-E5

Character mistake: As Poirot reconstructs the facts in the flat (and he explicitly says "consider the FACTS"), he lays out that "a letter which was found at the scene of the crime with John Frazer written on the bottom." But the letter simply said "Frazer", the first name was just Japp's random conjecture based on the initials on another evidence being J.F. (00:27:40)

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The Third Floor Flat - S1-E5

Continuity mistake: As Poirot stands from the late dinner with the young socialites to go talk to Inspector Japp next to the door, he leaves his napkin on the table. The napkin changes between shots, going from mostly straight to crumpled (when Mildred says "How dreadful!") to straight again. (00:22:20)

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The Third Floor Flat - S1-E5

Continuity mistake: As the two porters are carrying the piece of furniture, the draping on top of it goes all the way down one side when they have just unloaded it from the van, and the opposite side when they are bringing it up Whitehaven Mansions' stairs getting cranky at the doorman. (00:01:40)

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Four and Twenty Blackbirds - S1-E4

Factual error: Great accuracy went into the dates of this episode - Hastings is following the outcome of the so called "Verity's Match", the 2nd test of the 1934 Ashes series, Australia vs England. The events then should happen between the 22nd and the 25th of June, 1934, compatible with the murder happening on the 16th, and being discovered 3 days after. This however puts it a year before "Murder in the Mews", previous episode where Poirot's dentist was referenced, and that happened in 1935 as stated in the letter to the Chinese laundry.

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Four and Twenty Blackbirds - S1-E4

Plot hole: In the denouement, Poirot says explicitly that the culprit sent the letter to the victim - but the letter in question, in this dramatization was stated earlier (in a change from Agatha Christie's original) to be an invitation to the art gallery, and the culprit is not the manager/art gallery owner! In the actual short story the letter was a personal message of entirely different nature, written and authored by the culprit.

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Four and Twenty Blackbirds - S1-E4

Continuity mistake: When the milkman places the third bottle on Mr. Gascoigne's steps, they are placed in the sun. When the neighbour approaches, the whole road shows no particular sunlight. Which is fine, as a sudden change of that kind is ordinary. When the other neighbour pops by the corner and inquires, there's a close-up of the bottles, and again there's visible and directional light, pointed differently than the first instance. (00:08:45)

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Murder in the Mews - S1-E2

Stupidity: Hard to swallow that a group of vastly experienced policemen smart enough to figure other tricks out (such as the abnormal position of the gun) would be in any doubt about the victim being left or right handed when she is still wearing their watch on the right wrist - and attention is called by Poirot upon that particular detail right from the start.

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The Adventure of Johnnie Waverly - S1-E3

Plot hole: Forgiving the implausibility that nobody checks their own watch at the time of the kidnapping, the clock in the living room strikes 12 supposedly ten minutes early: everyone blindly storms from the room when the chimes have not yet ended, and reaches the supposed perpetrator who is by the side entrance. They talk to him briefly and the clocktower signals now the real noon. It's hard to see how 10 full minutes could have passed, and even harder when everybody runs back to the house, to find the clock there signaling 12:11: it took them a mere minute to get there, what took them so long the first time? (00:30:00 - 00:31:30)

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The Adventure of Johnnie Waverly - S1-E3

Plot hole: When he is taken away from the mansion, Johnnie is hammering with his fists on the car windows, as if he was genuinely in distress and resisting the kidnapping. But as we know, that's not what is happening, he knows his captor well and came willingly. (00:31:25)

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