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Cover - S1-E3

Other mistake: The footage from Simon's CCTV cameras that shows Alex hitting him does not match the actual scene; for instance, look at the very last supposed camera shot with Alex pulling the hood up on her head; she uses the wrong arm (left instead of right) and Simon is in a weird position in the middle of the entrance, almost facing the opposite direction and not in a corner like in the original scene. (00:30:10 - 00:34:00)

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America - S1-E2

Continuity mistake: Shelby is talking to Caleb with the sack of garbage in between them. Caleb tells her she has a tissue (possibly a "happy" one) stuck to her arm. Behind her, one of the agents is pacing towards the right, to one of his colleagues and past him. In the close-up of Johanna Braddy saying "They shouldn't have let you back in", the man return in frame, repeating the left to right walk that was already well over, and when the close-up is done he is where he was at the end of the previous wider shot. (00:10:50)

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Run - S1-E1

Continuity mistake: A woman asks to use the restroom. While the owner tries to say that it's out of order, a customer who just finished using it returns it. The keyholder is in different position between shots, with the most noticeable difference being the fact that the key is on one end or the opposite in the reverse shot. (00:03:25)

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Run - S1-E1

Continuity mistake: In the opening scene with Max and Simon, Max looks at Simon go as he holds the coffee cup; he holds it turned in a different direction though, as shown by the blue bottle being visible or not. (00:03:05)

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Other mistake: A common dispatch mission is called "Lord Pavo" and asks to use "his" control of the wind to perform a task. Pavo Mayura is a female.

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Other mistake: One of the trivia questions asks 'What does the "ninth art" refer to?'. The answer marked as correct is "Jianxi province", which, as self evident, is not. A previous version of the game had it down as "video games", which wouldn't have been right either.

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Character mistake: The MC introduces Boggy in his ending saying that "He ARREVED on the scene like a meteor" and "his climbed up the stairs to stardom."

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Other mistake: Celebrating the tournament win of one J.McCoy in his ending, the commentator says that "this is what AMERECA is all about."

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Continuity mistake: At the "written by" screen with Al Pacino and Christopher Walken meeting, the shadows of the building run perfectly parallel to the fence and through the whole length as far as it can be seen. The two exchange 30 seconds of dialogue and an awkward hug, and drive off. The shadows have changed entirely; they start about halfway at the gate, with an oblique angle. (00:04:05)

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Revealing mistake: Oliver Reed heroically pummels a venomous snake made of rubber (therefore invulnerable to his heavy hits). (00:58:30)

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Other mistake: The end credits list the cast, so it says, "in order of their disappearance." But it's not true; Ilona is listed before Martino, who disappeared earlier than she did (52:30 vs 58:20), Blore is listed before Armstrong, who's been dead longer, and Lombard is the very last, while he was the Indian number two.

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Audio problem: When Mr. Owen does a shot of billiards as he starts to explain the evil plan, there are just two balls left in total (the cue ball and an object ball). The shot happens off-camera, but the sound dubbed in implies that one of the balls clashed with a third one. (01:31:30)

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Other mistake: Despite Blore having shorted out of the generator the night before, when the last survivor gets back to the hotel for the finale, all the lights in the lobby are back to normal. The killer is smart, but not an electrician. (01:30:25)

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Plot hole: In this adaptation, set in Persepolis, the killer couldn't possibly predict that the third-to-last Indian would use binoculars to check out of the corpse in the ruins, and he'd have to lurk in the ruins, with very limited to non-existent cover, in the sun, for a chance to push someone much larger than them, who also happens to be on their own.

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Continuity mistake: Four suspects are left. To check the noise, Vera insists with Lombard saying "I wanna go with you." Notice that one of the three candles in the candelabrum is not lit - the flame fizzled out when she walked too briskly from the bed to the door. In the corridor though, all three candles are burning. (01:23:10)

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Continuity mistake: Lombard and Vera are in bed together, in a much chaste way (he's wearing a full turtleneck). He tells her that he found the letter in his friends' belongings. Her hand is on her own cheek, but at the cut (happening while she is mid-sentence) her hand is on his arm as he reached down to cope a feel. (01:22:25)

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Continuity mistake: When Strategist Wang uses the magnet tied to a pole to sedate the caged Tao Tei, the pole ends with a hook that does not appear in the POV shots. (00:59:00)

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Plot hole: The Chinese army displays a great variety of (often anachronistic) weapons and they spent considerable resources arming and reinforcing the Great Wall to challenge the beasts who have been plaguing their land every 60 years for thousands of years. but despite having records of magnets being effective against them, with magnets being well known to them for centuries (early magnetic compasses were available in the IV century BC, and the movie is set in the XI century) they made no use of that at all.

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Continuity mistake: Vera gets in her room with the other three 'Indians' outside. She carries no candles or other mean of illumination. Yet in the scene when she strips, starting right past the door, the room is brightly lit and a candelabrum is on her bedstand. Her candles went out during the incident that made her scream, so it makes no sense that there'd be warm light waiting for her in her room. (01:17:00)

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Continuity mistake: Lombard asks the Doctor how would he know what was going through the Judge's mind, and Armstrong answers "I know because he took me into his confidence." Behind him, Blore is hunched over, with both hands together over the table. Armstrong turns his attention to Vera, and Blore now is sitting in a different pose, with his chin over his hand. (01:15:10)

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