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The Core Fighter's Escape - S1-E7

Continuity mistake: The two geezers-in-chief of the mutiny wear a turtleneck and a cardigan respectively. The number of stitch stripes on both keeps changing throughout the episode.

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The Core Fighter's Escape - S1-E7

Other mistake: The Core Fighter has been launched using the catapult that shot it over Garma and Char's position. Despite the need to move forward and the huge momentum built being shot like a missile by White Base, when Amuro dogfights with Char's capsule he flies in all directions around it, and Char's ascended almost vertically. (00:14:00)

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Other mistake: At the beginning of the trip we see close-ups of the passports of the three girls being stamped. The date is 19 Jun 2010. During the climax of the movie Emma's boyfriend puts a copy of "Le Parisien" on the counter, and the date there is Jun 10 2010. (00:12:00 - 01:26:20)

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Continuity mistake: Realizing they are missing the necklace, the three girls get on the balcony looking for Riley and staring at the clock. When she says "At noon", Meg is leaning on the railing with the side of her hand, but her hand is in frame in the following shot, flat on the palm. (01:16:20)

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Continuity mistake: Grace is in front of the horse stall after the polo match, closing the door. Her hand is still on the door when she is shot from the front, but both arms are hanging low in the intermediate view with the camera behind her. (01:00:00)

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Continuity mistake: In the scene with Meg meeting Riley who just changed by the bikes on the promenade, the same couple of extras (woman with a cyclamen dress, a guy in a grey T-shirt carrying a blue towel) walks together when Meg knocks down the vespa, and then seconds later they appear in separate shots, still coming from the same direction as before. (00:46:00)

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Continuity mistake: Meg loses her balance leaning into the Vespa by Riley. She hangs on to him with her hand on his upper arm, his shoulder and nowhere to be seen in the space of three cuts. (00:46:05)

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Continuity mistake: Meg walks away from the other two on the beach. She reaches a step; there's a couple hanging out there. In the first shot the arm of the guy is on his lap, but seen from the front he has the hand on the step he is sitting on, and only then he raises it to his knee. (00:46:05)

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Continuity mistake: On the beach, Emma makes a bit of a blunder with her "who died" comeback line, and awkward silence falls between the three girls. Grace turns around towards Meg who is leaving. The tip of Selena Gomez's ponytail flips above the shoulder when she turns; in the rest of the sequence some shots have her black hair above the shoulder, others no hair there, everything is behind her back. (00:45:25)

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Male Unbonding - S1-E3

Continuity mistake: Jerry was forced to take the phone call thanks to Kramer. He is holding the receiver in a different way between shots - look at the position of the index, on the microphone in the second shot. (00:03:50)

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Continuity mistake: Santa is at the Chicago police station, and the cop enters the room placing a can with his effigy. During the scene, the policeman's hands are close together or far apart depending on the shot. (00:52:00)

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Other mistake: At the beginning of the movie, Kate is going through old tapes recorded by her dad on a TRV280 handicam. The second tape shows her as a baby in her dad's arms and it's dated Dec 25 2007. She starts a recording on a leftover blank tape and we see the date; Dec 24 2018. Her brother taunts her holding the camera out of her reach and tells her "You're 10 years old. Almost 11!", and she asks "So?" She should have said "You jerk, you don't even know my age?" She is 11 already. (00:01:00 - 00:04:15)

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Male Unbonding - S1-E3

Continuity mistake: In the hallway scene at the beginning, Jerry is holding a magazine. When the man comes out of the elevator, he is holding the magazine The Opposite way - easy to tell because of the Marlboro ad in the back, now flipped. (00:01:55)

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The Robbery - S1-E2

Character mistake: When Jerry is selling his couch to Elaine, he tells her to take it out of the door and leave - but since the arrangement is that she would move to his place, that does not make sense. (00:12:10)

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The Robbery - S1-E2

Continuity mistake: Jerry is being grumpy on The Couch with his friends for giving up The Apartment, arms crossed. Notice his right sleeve, down till the wrist. When Carol enters the room with her husband for the first time, Jerry is still with his arms crossed but the sleeve is up, mid-length. (00:20:35)

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The Robbery - S1-E2

Character mistake: At the end of the episode, the waitress introduces her next door neighbour, a hot redhead. After saying her line, she leaves, and George says "Nice to meet you..." and is stuck shaking hands with Carol, who he already met before and invited him to the party to begin with. (00:21:45)

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Other mistake: In the first minutes, once the protagonist finds the RSVP invite goes to talk to Cordelian, who invites them "While YOUR here, why don't you sit down?"

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Continuity mistake: At the beginning of the movie, the waiter is wheeling the cart out of the building. Two workers are loading the van, with Saman to order them around. One is wearing a hat, the other isn't. Hatless Guy walks out of the van first and is sprinting back towards the building, with Hat Guy noticeably behind, but in the next shot Fabrizio passes the cart to Hatless Guy and Hat Guy is already way past them both. (00:01:30)

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Audio problem: Jay's friends are playing Old Maid on the porch at night. Her sister asks the guy to pass her the spiked soda. She drinks and then puts the can down. Several seconds pass, but in the next shot Paul retrieves the can reacting to it as if the girl just put it down - in fact there is even a metallic sound, which is impossible consider Kelly's movements and Yara talking between shots. (00:22:00)

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Continuity mistake: When Hugh brings Jay to the edge of the parking lot to show her "it", the naked woman "it" is shaped as is wearing flipflops, which she does not wear when she slowly walks on the platform. Quite the funny little off-camera wardrobe adjustment to make for a zombie-like supernatural entity on a path of death and destruction. (00:20:20)

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