Sammo

Factual error: As his secretary Raquel tried to tell him, Max has his kid with him because he gets to see him on weekends, and that's 'his weekend'. Good but...it is not the weekend. This is Wonder Woman 1984, and the robbery happened on July 1st, Sunday, and this scene happens two days after that. Maxwell's "weekend" is happening on a Tuesday. (00:36:25)

Sammo ★

Plot hole: Diana never formally expresses her wish to the stone (as opposed to the coffee guy), but for the rest of the movie it is stated that wishes have to be spelled out explicitly, even if just in agreement with a very leading question. (00:24:00)

Sammo ★

Continuity mistake: Throughout the whole scene where she first interacts with Diana, Barbara's briefcase changes orientation in the closer shots on Kristen Wiig. For instance when she gets all giddy about the FBI involvement and asks "They're coming here?" the clasp on the suitcase is to the left (towards her hands), but then she replies "My help?" and the metal parts are exactly in the opposite direction. (00:21:00)

Sammo ★

Factual error: As Barbara Minerva is introduced together with her comical inability to walk properly on heels, she passes by "Henry" the elephant at the Smithsonian. But the elephant is on the newly designed infographic podium of our present day, inaugurated in 2015. In 1984 he'd have been on a simpler, differently designed stand. (00:20:10)

Sammo ★

Continuity mistake: The criminal is holding the kid hostage dangling her outside the platform. His partners in crime try to talk him down; the curly haired guy with the sage jacket is waving with one arm, then the other; the bag switches hands. (00:14:40)

Sammo ★

Factual error: Very nice of the production department to set a scene up inside the iconic "Commander Salamander" store. They could however remove the display rack from Paintglow, which sports the internet address of the company rather prominently. (00:12:00)

Sammo ★

Factual error: In one of the first establishing shots featuring Max's voice saying "Welcome to the future", a girl with a very movie 80s attire jogs in the street and she passes by a billboard with a Budweiser ad with girls on a beach towel. But it's an ad released in 1987. (00:11:20)

Sammo ★

Continuity mistake: Max's secretary tells him that the Wall Street Journal wants to interview him; she holds the phone with the right hand on the microphone and the left hand above it, but she's waving the phone in her right in the next shot, the left hand being on the cable, several centimeters below. (01:00:40)

Sammo ★

Continuity mistake: When Diana picks up the receipt at the bottom of the artefact's box, the slip changes position between her hands between shots, and she is holding it with just the left hand in close-up, with both in the wider angle. (00:40:00)

Sammo ★

Kick-Off for the Future - S1-E3

Trivia: International versions change Roberto's message to his coach at San Paulo FC, adding for some reason that he met a girl he fell in love with. This girl is never referenced nor appears, since, well, she does not exist? Roberto mentions that he met Tsubasa instead, who he wants to bring to greatness. (00:12:40)

Sammo ★

The New Soccer Star - S1-E1

Other mistake: Tsubasa's mom calls him because the movers' truck is leaving. He kicks the ball outside the window, and is downstairs to catch it, quite the impossible feat especially when you factor in that he kicked the ball with not much of a vertical trajectory, almost in a straight parabolic pattern out of the window, and meanwhile he also found time to wear and fasten his shoes. And it's not even played up as something strange. (00:03:00)

Sammo ★

A Career Begins - S1-E2

Continuity mistake: When Ryo tells Roberto that a drunkard like him is unfit to be the coach, next to him there's someone with an orange jersey, but there's nobody wearing that color in the wider shots. (00:21:10)

Sammo ★

A Career Begins - S1-E2

Other mistake: Needless to say, having a football on your belly can't cushion the impact with a truck. Even forgiving this obviously cartoonish impossibility, still the way Tsubasa lands looks all kinds of wrong, with the forward momentum instantly halted as the ball touches the ground again. (00:14:25)

Sammo ★

A Career Begins - S1-E2

Continuity mistake: In the flashback, Tsubasa's father all of a sudden between cuts has his hand on top of the head before realizing that the kid is missing. (00:10:15)

Sammo ★

A Career Begins - S1-E2

Continuity mistake: Tsubasa dribbles 9 to 11 players in his first sprint, never stops advancing when tackled (he jumps over the offenders), dribbles 5 more, but in front of the penalty area there are at least 8 new guys ready for him. (00:07:05)

Sammo ★

A Career Begins - S1-E2

Continuity mistake: Tsubasa is athletic and quick and goes straight towards the goal starting from the kick-off spot at midfield, but a couple of opponents he dribbled try to tackle him again, and are incoherently shown as tackling from the front even if they came from behind. (00:07:00)

Sammo ★

A Career Begins - S1-E2

Continuity mistake: In his first dribble, Tsubasa goes past 3 opponents, but there's just one behind him in the next shot. (00:06:50)

Sammo ★

A Career Begins - S1-E2

Continuity mistake: Throughout the episode, the ranks of the team Tsubasa battles against keep changing and going back and forth between 10 to about 13 people.

Sammo ★

Revealing mistake: The Son of Hercules brings to the nearby village the old man that died on the beach. You can see the 'corpse' move his arm to assist Mark Forest as he dismounts him from the horse.

Sammo ★

The New Soccer Star - S1-E1

Audio problem: When the handball team captain is about to throw, the ball bounces making the sound it'd make if he were bouncing it indoors, not on a grass field. (00:13:40)

Sammo ★