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Continuity mistake: When Emily picks Jefferson's glass, she is holding the bottle of expensive champagne at the bottom of the cloth, and at the top in close-up. (00:22:25)

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Continuity mistake: On the ship, Emily plans to kill her lawyer who just left her cabin. She holds the bottle of heart medicine, and in close-up the fingers are positioned differently on it. (00:20:05)

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Continuity mistake: Emily Boynton tells her lawyer to stop the affair with her daughter-in-law and leave. He threatens her (not quite clear with what) and tells her "I want those children of yours to have a chance." Notice Emily's shadow, perfectly clear under the window. Next shot, and there's no shadow. (00:19:15)

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Continuity mistake: When Dr. King approaches Poirot with the scopolamine syrup, in close-up Ustinov's hand is a bit lower on the glass, and, the woman in the background, who had her hand up, has it down; not that she has a choice, since you can tell she is forced to keep firmly her hand down her side to hold in place her skirt (the wind would otherwise make it flap around all over the place). (00:17:55)

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Continuity mistake: Nadine tells her husband Lennox that they should disappear when they hit Jaffa. Lennox asks her "What do we use for money", his left arm folded, hand up. Close-up, and it's hanging all the way down. (00:17:30)

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Continuity mistake: When Poirot moves across the beach volley (ship volley?) court, a girl in an ample blue skirt is moving left to right towards him, and is completely gone at the cut. (00:16:45)

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Factual error: The movie presents the location of Qumran as a tourist destination with intensive excavations. In 1937, Qumran was definitely not a tourist spot; it was not unknown, but the name value of the area was established only after the discovery of the Dead Sea Scrolls a decade later.

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Continuity mistake: Poirot's stomach is upset by the effluvia of the 'dead duck' that some random prankster exposes in front of him. Visible fumes are in front of Peter Ustinov, immediately gone in the wider angle. (00:14:25)

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Continuity mistake: When Miss Quinton finds her lost cigarette case, Dr. King in the background is laughing. She changes position, but in Poirot's reaction, which should be in perfect continuity since the quarrel does not pause, she is sitting with her arms perfectly still. (00:14:00)

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Factual error: Carrie Fisher and David Soul kiss in 1936 Trieste in front of a poster for the stock cube "Arrigo" from local food company Arrigoni. Sounds fine, but the ad used was launched in 1939. (00:11:30)

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Continuity mistake: Nadine reads Cope's inscription on the cigarette case in close-up. One of his fingers is on the right side of the box, and it's absent in the next angle. And when he closes it, Carrie Fisher's right hand which was lowered, is at bosom level. (00:12:00)

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Audio problem: When Carrie Fisher and David Soul make out in Trieste, a performer at the local restaurant is supposed to be singing the popular Italian song "Torna a Surriento", but his lips barely even move and it's self-evident that he's not the one singing. (00:11:30)

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Factual error: The Italian flags used in the city that stands in as Trieste are all modern flags of the Italian republic, with just the tricolour. In 1936 the flag would also have the coat of arms from Savoy, being still a kingdom. (00:08:30)

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Continuity mistake: Hearing that Cope is around, Nadine asks "He's not here, is he?" as she stands up from the bench. Without her handbag, that is suddenly there at the cut. (00:09:50)

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Continuity mistake: The family is sightseeing London, and the eponymous Tower. A yeomen warder points up; Nadine is looking where he's pointing assuming a different position in the two shots, with the sunlight being as well different. (00:05:45)

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Continuity mistake: After the will was read, Mrs. Boynton tells the 'children' that she has a lovely surprise. Carrie Fisher in the wide angle changes position leaning her chin against the back of her hand, and repeats the gesture in a subsequent shot. (00:04:15)

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Other mistake: At the beginning of the movie, Ginevra is reading the magazine but is interrupted by the outbreak of a thunderstorm. There is no rain at all, though, just the sound effect of thunder, with the car already wet at the beginning of the take to try to establish the illusion. (00:00:40)

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Continuity mistake: When Paola stands and leaves with vague promises of strudel deliveries, Patrizia's hands are joined. Cuts to her watching Paola leave, and she's smoking, hands apart. (01:43:25)

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Murderous Intent of Below Freezing 15 Degrees - S2-E9

Continuity mistake: When Suzumori brings the beverage to Kindaichi and Miyuki, the cup's handle faces her in the wide shot, faces the guests in the close-up. (00:10:10)

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Plot hole: It's not solely the adaptation's fault, but in the visual medium it sticks out more. We know that the killer used nail polish to simulate the blood the first time around, and then throws away the stained handkerchief and replaces it with a clean one which will be stained in real blood. The problem is, you see the fake blood, which is nail polish, drip down his pants and soak his hand; while the pants may not be too much of a problem since the doctor cuts them off in the proximity of the wound (even if we see a drip in the uncut part, it's likely that Poirot never took a look at them), Simon still has a hand covered in paint, which has also a characteristic odor as Poirot remarks in a different part of the movie, and wouldn't come out easily. Somehow that goes entirely unnoticed, and it wouldn't take the sharp instinct and senses of Poirot to pick up on the anomaly, you'd think. He was also of course mighty lucky that nothing spilled on the couch or carpet.

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