Super Grover

Continuity mistake: When the Horntail is out for Harry's blood, in the overhead shot, as he hangs on the window frame his sleeve is pulled up showing his bare arm. However, in the next close-up as he still grips the frame, his sleeve is tucked tightly into his glove. (01:00:50)

Super Grover ★

Continuity mistake: When Harry is attacked by a multitude of Grindylows he sustains numerous injuries, particularly the one on his jaw and neck. The position and characteristics of that wound repeatedly change in the following shots.

Super Grover ★

Continuity mistake: After Frank places the kettle on the burner, when he steps in front of the sink in the wideshot, the window is behind the sink, in front of Frank. There are plants on the sill that reach the window handles. However, after Frank sees the mansion light and puts the teapot down, in the close-up of the window the center plant is gone and the left plant is different. (00:01:30)

Super Grover ★

Continuity mistake: When Frank Bryce places the silver water kettle on the flame, the round ceramic lid rests on the counter, beside the small ceramic teapot. However, in the next shot, as Frank steps toward the sink, the ceramic lid is actually on the small teapot. (00:01:20)

Super Grover ★

Continuity mistake: When Rita grabs Harry to interview him, in the next shot, as the Quick-Quotes Quill springs up, the paint can, brushes, etc are on the steps. Their positions change in the Quill's first close-up, as it writes in the notebook. (00:39:55)

Super Grover ★

Continuity mistake: During numerous close-ups on the bridge deck, such as when Brody is behind the wheel, as Hooper shouts, "Our injectors got scored from the salt water in the fuel," the three large gauges over the steering column are seen. The center gauge has a wide shiny chrome trim, and a partial black face with a silver center. However, in the extreme close-up of the gauge panel, it is an entirely different style RPM gauge, and it now has a blackish rusty trim, and a solid black face. (01:41:00)

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Continuity mistake: After the cleats are ripped off, the size, shape and characteristics of the exposed area of wood underneath significantly changes in some of the following shots. (01:44:50)

Super Grover ★

Visible crew/equipment: After tying off the cleats, the shark pulls Orca causing it to tip. As Hooper and Brody fall backwards onto the deck, in this close-up the white tape mark is visible on the black anti-slip mat - where Quint will land the machete in a subsequent shot. (01:43:00)

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Pilot (2) - S1-E2

Continuity mistake: On the airplane, when Kate lifts the glass of juice with her handcuffed hands, in this close-up the cuff round her right wrist has the single bar facing out. However, when the turbulence hits, in another close-up of her hands, the same cuff is on the opposite way, it now has the double bar facing out. (00:31:10)

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Whatever the Case May Be - S1-E12

Continuity mistake: When Shannon helps Sayid with the French translations, and particularly later when they sit on the beach, she wears a pink shawl which repeatedly changes position - on and off her shoulder and arms, the entire time. (00:20:35)

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Born to Run - S1-E22

Continuity mistake: When Kate and Tom find the buried lunchbox, in the close-up, as Kate opens the lid the baseball cap is upright, yet, in the next shot just as she removes it, it lies on its side. (00:22:55)

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Exodus (1) - S1-E23

Continuity mistake: When Danielle approaches the beach campsite, in his close-ups, Walt hides beside a tree and holds it with his left hand. However, in the shot between his close-ups, facing Danielle, Walt is hunched over with his hands leaning on his knees. (00:03:30)

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Exodus (1) - S1-E23

Continuity mistake: In the hotel room, while Walt watches TV and when Michael runs after him, the pillows, things on the table, etc., move around between shots. (00:01:20)

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Born to Run - S1-E22

Continuity mistake: At the motel, when Kate asks for the envelope addressed to Joan Hart, the employee searches through the box with many envelopes sticking out of the box. However, in the next shot, as he finds it no other envelopes are visible, and when he hands it to her, her sunglasses are now upside down. (00:01:50)

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The Greater Good (a.k.a. Sides) - S1-E21

Continuity mistake: When Sayid is in Essam's apartment, while they are holding their glasses of tea, the positions of the glasses change between shots. For example, in one close-up the handle is under Essam's fingers, but in the next shot it's on the other side. (00:12:30)

Super Grover ★

Exodus (2) - S1-E24

Revealing mistake: After Charlie receives a large gash on his forehead, from Danielle's trap, Sayid tries to seal it. When Sayid pours gunpowder in the cut, he leaves a large thick trail beside Charlie's eye and on his cheek, which he does not wipe away. There is a tight close-up of Sayid igniting the gunpowder with the flame. The gunpowder beside his eye and on his cheek should have seared his skin, but it does not. The only severe wound Charlie has later is the closed charred wound on his forehead, and though he does wipe his face back at the cave, the skin on his cheek and beside his eye are fine. (00:51:25)

Super Grover ★

Exodus (2) - S1-E24

Continuity mistake: When Charlie inadvertently releases Danielle's trap, he is hit by a downpour of falling rocks. The blood on his face, hands, etc., noticeably changes between shots. (00:49:55)

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Exodus (2) - S1-E24

Continuity mistake: When Sayid and Charlie find Danielle and Aaron, the baby is wrapped in Danielle's sweater. The sweater jumps on and off Aaron's face, etc., depending on various camera angles. (01:07:30)

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The Greater Good (a.k.a. Sides) - S1-E21

Continuity mistake: At the Beachcraft crash site, when Locke hands Sayid the gun, in the shot facing Locke the metal tool chest on the airplane is closed, yet, it's wide open in the next shot. (00:25:50)

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Season 1 generally

Continuity mistake: On the airplane, the same passengers are seen in numerous shots with different main characters, and purportedly Kate and Marshal Mars (row 25) are in the same cabin on the opposite side of Jack, Rose and Locke (rows 23 & 24), yet are not seen in shots where they should be seen - though in shots of Jack and Rose, during the turbulance, the same woman and man (behind Locke) fly up as in the Kate and marshal shot. Some examples: When Kate and the marshal are shown during the turbulance, note the red-haired man with the black shirt beside the marshal and other men behind, and in one shot of Kate and the marshal, a woman and man both fly up to the ceiling of the cabin. In some shots of the turbulance, when the red-haired man is seen, the marshal and Kate are gone, replaced by other passengers. Just before the tail section breaks off, men behind the red-haired guy have either changed seats or disappeared, and so forth. Row numbers seen on the luggage compartments overhead are inconsistent with passenger seating. Such as when the tail section breaks off, the man is pulled out from row 26, yet the number above reads 13, or when Claire boards the numbers overhead are 20, 21, 22, yet Jack is in row 23, which is the second row behind the wall. The interiors of the Oceanic airplane also significantly differ in various shots. One example - the seats on the airplane have blue square velcro coverings on the passengers' seat headrests, and long, wide magazine racks on the divider wall behind Locke, but when they carry Locke onto the airplane, they don't exist.

Super Grover ★