Sammo

Continuity mistake: Inside Mike's apartment, Julie asks Fake Mike who is the guy in all those pictures. In close-up, you can see some frames have been readjusted to look better; look at the ornate silver frame next to the picture of Mike with a basketball. The two frames were a couple of inches apart; now they are closer. (00:53:25)

Sammo ★

Continuity mistake: On the basketball court, Mike shows off nailing a three-pointer on his first try when the captain couldn't land any. When he looks at Will Smith's ball flying over him and into the basket, the captain has a cigar in his mouth, but Joe Pantoliano in the reaction shot that follows has none. (00:50:45)

Sammo ★

Continuity mistake: Marcus ends the phone call with Julie, saying, "Mike to the rescue." He suddenly has his left hand on the microphone. (00:35:00)

Sammo ★

Continuity mistake: There's a rubber flower (a toy sunflower with sunglasses) on Mike's desk. When Captain Howard answers the phone, it goes from fully straight and vertical to hunched over as the shot changes. Throughout the whole duration of the scene, the flower is straight in the wider shots with Pantoliano standing by the desk, and 'wilted' when the framing is focused on Martin Lawrence. (00:33:20)

Sammo ★

Continuity mistake: Inside the Al Capone suit, Captain Howard asks the Bad Boys who the guy on the chair is. "Eddie Dominguez," says one. The captain is chewing gum, arms down at his side. In what's supposed to be an immediate follow-up, Martin Lawrence adds, "Yeah, the ex-cop." Joe Pantoliano in the foreground is taking a puff from a cigar instead. (00:29:05)

Sammo ★

Continuity mistake: When Martin Lawrence is under the desk with the rotting corpse on top, on the couch behind him there is a document with a slight pink hue. The document is straight throughout the scene, except for the shot when Lawrence gets up, when it's tilted. (00:20:10)

Sammo ★

Continuity mistake: When Mike is being randomly racist against the two Hispanic cops in front of the police locker, Will Smith's hands are close to his body, thumbs up, and he is half a step behind Martin Lawrence. One of the cops answers him with a "yo mama" joke, but in the foreground Will Smith's hands are in a different position and Lawrence is more distant from him and slightly behind. (00:13:50)

Sammo ★

Continuity mistake: At the breakfast table, Marcus asks Mike, "Why you put me in this, man?" His son is picking a bit of food from the plate. The phone rings across the camera cut, and the sentence continues ("I'm with my babies"), but the kid's hand is off the table by his hip. He's back chewing on the food, with that hand raised only when, a few seconds later, the exact camera angle from before is used again. (00:11:35)

Sammo ★

Continuity mistake: When Marcus is trying to convince his wife to give him some in the morning so he can be lighter on his feet, Martin Lawrence is sprawled with his left arm over the pillows in close-up, but in the wider angle he is in a much more normal position with his arm by his torso. (00:10:10)

Sammo ★

Continuity mistake: In his first scene with Marcus and his wife, the lighting on them changes constantly between shots, and the same can be said for the position of Theresa Randle's hands on Martin Lawrence. (00:09:30)

Sammo ★

Continuity mistake: When Martina Lawrence calls the bulky carjacker on his side a "big Popeye chicken-eating motherf…," the gun popping in frame from the top is held by a left hand. When the scene is shot with the camera on Will Smith's side, the guy is holding his gun with the right hand. It switches again, left or right depending on the camera angle used. (00:02:35)

Sammo ★

Continuity mistake: When a frustrated Lorne Michaels starts tearing apart the overcrowded board with too many sketches, in the first shot he claws out the lower half of the leftmost column, below "Commercial #1." In the next shot, though, the board is still fully stocked with post-it notes, and he tears them down in a different order. (01:13:30)

Sammo ★

Continuity mistake: After the scene with the elevator bringing up the bricks, Garrett Morris and Jane Curtin are having a chat, smoking together. Garrett asks, "You wonder exactly what it is you are doing here?" As he asks that, Kim Matula is leaning her head against her hand. The shot changes and it is dangling off the railing. (00:40:00)

Sammo ★

Continuity mistake: When Dr. Gallo is doing an echo on the pregnant Cecilia after she was assaulted in the baths, the cord of the probe is on either side of his hand depending on the shot. (00:40:20)

Sammo ★

Continuity mistake: Sister Cecilia is lying on the medical bed as the pregnancy is discovered. Father Sal Tedeschi whispers, "He believes you," as the cardinal says that it's a miracle. Álvaro Morte's hand is touching Sydney Sweeney's veil. She does not move her head in the reverse angle, but when we get back to the previous, the hand of the padre is far more distant. (00:35:50)

Sammo ★

Continuity mistake: Antonio visited his ex at his new educational centre. He confesses his hopes to his female friend, who tells him it's a bad idea. During this scene, Michela Giraud's hands change position noticeably between shots, sometimes during mid-sentence cuts. (00:24:00)

Sammo ★

Continuity mistake: Matt and John Eagle put the alligator in the cage in Chuck Norris' first scene. Both of them are significantly more covered in mud for their close-up that ends the scene, once they have already closed the cage and are taking a breather, compared to the rest of it. (00:09:25)

Sammo ★

Continuity mistake: When Paul and Vance are talking in Vance's office, his glasses alternatively face him or Paul, depending on the camera angle. (00:13:25)

Sammo ★

Continuity mistake: When Dave opens the car door to let Terry out, a newspaper, unmoved by the wind, appears at his feet. It wasn't there in the previous shot. (00:07:20)

Sammo ★

Continuity mistake: When Wheeler and Archer meet their boss at 3 AM, look at the agent holding the beacon. He holds it in one hand, then two as the shot changes. (00:07:10)

Sammo ★