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Revealing mistake: During the final shooting, a bullet hits a lamp post, causing a spark. A grey tape glued over the original metal surface is noticeable to help produce the spark.

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Continuity mistake: When the mobster grabs Crystal by the balls, Crystal stretches his left arm. Shots alternate between front and back, and from the front the sleeve covers the wrist, but from the back the watch is visible.

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Continuity mistake: When the cop is shown on the TV news breaking the van's rear glass to get the gold, the amount of glass left differs between shots.

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Continuity mistake: When Fish is on top of the van and slides towards the windshield, his hand and the drumstick he holds are either against the windshield or away from it, depending on the angle.

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Continuity mistake: When Fish is talking at the coffee place with Curtis, the glasses on the table keep moving around between shots.

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Continuity mistake: When the van stops and Fish's body is sent flying away, the position of his body on the ground differs between shots.

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Continuity mistake: While in the bus stop, Fish looks at the Rolling Stone magazine that a man is reading. The wide shots show the cover folded, but in the close-up it's straight.

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Continuity mistake: When the Italian farmer starts to shout, Trevor raises his right arm to comfort Hannah. In the next shot it's down, and he doesn't raise it until much later.

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Continuity mistake: When the movie begins, Trevor enters the lab and his pal is holding the frozen object with his left hand. Half a second later he holds it with the opposite hand.

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Continuity mistake: During the scene where Trevor is told that the funds for research have ended, he crosses his arms, then the angle changes and the arms are at rest and he crosses them again.

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Continuity mistake: When Hancock gets inside the van with the first group of baddies, bullets impact on his face and glasses, yet make no damage. Angle focuses on the baddies and when back to Hancock his glasses are suddenly totally messed up.

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Visible crew/equipment: White squared screens used for lighting are reflected on Hancock's glasses most of the time throughout the movie.

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Continuity mistake: When the kids are dancing in the McDonalds parking lot, there's a girl in white with a red skirt, then a big gap on the right followed by a group of kids. With a change of angles, the gap is filled with people that have appeared out of nowhere.

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Continuity mistake: When Jessie and Carlos walk to the church ruins, a big bruise on his nose suddenly appears for a couple of seconds, only to disappear briefly after.

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Continuity mistake: When the two girls are walking on the platform, and Jessie is talking about how she met her husband, a woman in a brown coat walks by twice in less than a second.

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Continuity mistake: Tucker shows his ID bending its left side in the wide angles, yet in the close-up it appears straight.

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Factual error: We're told over and over that Vicky is an expert on Barcelona and Catalonia, for she has written a thesis. She visits Avilés (Asturias) with Juan Antonio, where he tells her he was born a few blocks from there; however, during their dinner at night the actress mistakes and tells him that he's from Catalonia, instead of Asturian. Anyone with a such an expertise on Catalonia will know that. Besides, it's not real life, but a screenplay, so either Woody Allen screwed up, or the actress did.

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Visible crew/equipment: When Vicky is trying on many dresses for her last date with Juan Antonio, a crew member's legs are reflected on the mirror on the wall. (01:22:54)

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Visible crew/equipment: In the restaurant were Juan Antonio invites the girls to Oviedo, lighting equipment and screens are reflected on Vicky's glass of wine.

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Visible crew/equipment: When Vicky and Cristina are eating with Judy and her husband, a man standing in front of Vicky is reflected on her sunglasses. Wide angles, however, they're seated around a table, with no one else around.

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