Sacha

Continuity mistake: When Wendy tells Peter about Neverland, his fringe swaps from falling over his eyebrow to perfectly brushed by his forehead, between angles.

Sacha ★

Continuity mistake: After the kids have been abducted, Wendy tells Peter about Neverland. The pillows behind her swap from wrinkled to perfect between shots.

Sacha ★

Continuity mistake: In London, Liza grabs Jack by his scarf and drags him violently inside. When the angle changes, she is hugging him softly.

Sacha ★

Continuity mistake: In the plane, Peter's daughter shows a drawing with the plane burning. Depending on the angle she's either crouched next to the paper or standing away from the paper. This swaps back and forth.

Sacha ★

Revealing mistake: Set lighting screens are reflected on the office guy who's recording the baseball game.

Sacha ★

Continuity mistake: During the school play, Peter's phone rings and his wife turns her head to him. When the shot changes she's looking straight and turning her head again.

Sacha ★

Continuity mistake: During the opening school play, the girl with Peter Pan is standing tall. When the angle changes she is suddenly kneeling down.

Sacha ★

Continuity mistake: While Peter slides down the snow, the penguins disappear between shots.

Sacha ★

Continuity mistake: After being with the mermaids, Peter falls off the basket into a puddle and rolls down with his hair soaking wet. Then cuts to him crawling and his hair is dry.

Sacha ★

Continuity mistake: After the mermaid scene Peter is lifted in a basket. When the angle swaps to a close-up the basket is suddenly covered in leaves.

Sacha ★

Visible crew/equipment: White lighting screens are reflected on Peter's glasses when he looks up to see Rufio for the first time, and right afterwards when he runs away and bumps into a net.

Sacha ★

Revealing mistake: When the red-haired mermaid kisses Peter, she extends her arm and you can see the wrinkles of her disguise's fabric next to her wrist.

Sacha ★

Continuity mistake: When the boy touches Peter's face, Peter is kneeling and is slightly taller than the kid. Then he says "Here you are, Peter!", the angle swaps to a wide one where Peter is now in a lower position than the kid. Then back to the close-up and he is back to a higher position. The boy's hands are also always inconsistent between the front and side angles.

Sacha ★

Continuity mistake: When Harry jumps on the dragon, his hair is wet and messed, then it changes to dry and brushed and in the next angle, for a brief moment, it's back to wet and messed.

Sacha ★

Continuity mistake: Perry White is telling Clark about the terrorists while composing the headlines. Note the cut-out of the word IN under Paris. It swaps from straight to slanted between angles.

Sacha ★

Continuity mistake: When Hinx smashes Sr. Guerra's head against the table, it falls on some papers. When the angle changes they're gone.

Sacha ★

Continuity mistake: Bond leaves M's offices, walks through the patio, and crosses a rounded pattern on the center. In the close-up, he's several meters behind, walking by the pattern again.

Sacha ★

Continuity mistake: When M scolds Bond about the Mexico incident, the position of the newspapers on the table changes between shots.

Sacha ★

Other mistake: When Madmartigan runs aways from the dragon, he cuts the catapult and launches a stone against a baddie, who falls off his horse. Watch the guy behind, he is the worst stuntman: He slowly steps off his horse and then suddenly throws himself to the floor for no reason at all.

Sacha ★

Deliberate mistake: At Lois' penthouse, before Superman says goodbye, the image is sharp and clear. Cuts to a close-up, and then check the next wide angle where he says goodnight and flies away: It's blurry and grainy because it's not live, but a screen with a previously shot scene to allow for the camera to turn left and, in a matter of seconds, no cuts at all, show Superman magically and quickly transformed into Clark Kent.

Sacha ★