Sacha

Continuity mistake: When Abuelita clinks the bottle to make a toast, Ramsey lowers her fork. The shot changes, and she is eating and then lowers it again.

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Continuity mistake: During lunch, Tej stands up to avoid sitting next to Roman and leaves an empty chair in between them. Shot changes, and he is back on his previous chair (the empty chair is gone).

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Continuity mistake: During lunch with Abuelita, Mia grabs a soda while Ramsey serves herself some salad. Shot changes and Mia's arms are lowered, and Ramsey is drinking from a glass.

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Continuity mistake: When Hernan is watching the vault, Dante's pocket square changes style between shots. Check how the left side suddenly stands out.

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Continuity mistake: When Abuelita is about to hug Toretto, she lowers and spreads her arms, while Mia raises hers. Shot changes, and Mia's arms are lowered, and Abuelita's are raised.

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Continuity mistake: When Han is given the phone with his Tinder profile, he leaves a plastic wrap aside and holds it with both hands. A shot later, he's grabbing it with his right hand while the left holds the plastic wrap, and yet a shot later, the phone and the wrap have swapped sides.

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Revealing mistake: During the heist at the beginning of the movie, despite there being two cars skidding, the underground road is covered in multiple skid marks from previous takes.

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Revealing mistake: During the chase on the bridge, when the Terminator opens the door of the moving car to shoot at the truck behind, it is obviously stuntman Peter Kent and not Arnie.

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Revealing mistake: When the Terminator stabs the guy leaning over the pool table, on the last shot of him, aching, check a protruding hump on his back, revealing where a safety pad was placed under his clothes.

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Continuity mistake: After being visited by Reese, Sarah runs down the corridor. Note the window shadows on the floor: There are two sets of shadows plus a blurry third one. Sarah runs past the second set towards the third, then the shot changes and she has moved back to the first set where she began her run.

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Persona Non Grata - S6-E1

Continuity mistake: S6E1 In Paris, when Dodi tells his girlfriend they'll soon be in Malibu, her fringe is neatly brushed. A shot later, her fringe is parted.

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Persona Non Grata - S6-E1

Continuity mistake: When Prince Charles reads a letter during Camilla's birthday, the paper he holds with both hands is suddenly held with just one. (00:29:07)

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Persona Non Grata - S6-E1

Continuity mistake: When Diana holds the "Paris next week?" card, her index finger is behind the card but on top of it when the shot changes.

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Continuity mistake: When Indy grabs the dial, his thumb surrounds its border, touching the carved words on it. When the shot changes, his hand is suddenly on the left side of the dial.

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Continuity mistake: On the boat, when Indy lights up the wax block, it is next to the edge of the table, together with the whiskey bottle, lighter, and cork. Two seconds later, the block is on the center of the table and the rest of the objects are on the opposite side they were.

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Continuity mistake: On the boat, when the kid hands Helena the dial, she touches it with her right hand. A shot later, her right hand is away and her left arm is leaning towards the dial.

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Continuity mistake: When Logan is talking to Laura while it snows, the amount of snow on Logan's shoulder in the close-ups remains unchanged all the time. However, later, when the shot changes to a wide angle, most of the snow is gone. Too fast for it to melt.

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Continuity mistake: When Michelle tries to reach for the statue, in the close-up there's a dim light shining and a small souvenir license plate next to it. Also, there's a white bag to the left of the shoe. In the wide angle, the light is brighter, the license plate is gone, and the white bag is now to the right of the shoe.

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Character mistake: When Dr. Walker and Michelle are dancing at the club, the people around can't help but stare at the camera.

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Other mistake: When the movie starts and the reverend is talking, he smacks the Bible. Right afterward, a kid in the audience can't help staring at the camera.

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