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We'll Always Have Paris - S1-E24

Continuity mistake: The red towel Picard holds goes from draped over the front of the arm rest, to over his hand between angles.

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Visible crew/equipment: As the Tin Man gets to the end of his song, he's dancing in front of three mirrors. If you look past him as he's centered in the middle mirror, you can see the camera lens looking out of the canvas at him.

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Rats Like Cheese (2) - S1-E8

Visible crew/equipment: When the photographer is getting a picture of the princess, you can see the shadow of the boom mic on him.

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The Interview - S4-E24

Trivia: Toward the end, as you hear clips from the characters, they show a chopper landing at an Aid Station. If you look closely, you can see the shot is re-used from the opening of the earlier episode "Smilin' Jack".

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The Bus - S4-E6

Continuity mistake: The "KILROY" Hawkeye writes on the window as BJ looks out was in the center with his fingertip. Later, as Hawkeye looks out, the "KILROY" is now closer to the frame, and the lettering is different, a small capital A in front of it, and lines above and below it.

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Welcome to Korea - S4-E1

Continuity mistake: In the Commander's office, Frank's arms go from being in front of MacArthur's picture frame, to gone, and back again in a matter of a few seconds.

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Welcome to Korea - S4-E1

Other mistake: In the opening, when the flags were raised, the United Nations flag is hung upside down.

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Big Mac - S3-E21

Trivia: During the clean up scene, a bugle call is heard playing over the P.A. System. Assuming that the scene was shot in the late afternoon (5 p.m. possibly), the call being played is called "Retreat", done when the U.S. Flag is lowered and folded for the day.

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Smack in the Middle (2) - S1-E2

Continuity mistake: During the fight, the breather Batman has disappears, but suddenly returns afterwards. (00:21:50)

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Smack in the Middle (2) - S1-E2

Revealing mistake: After Batman tosses his Batarang up to get to Molly, the lifting wire attached to him is plainly visible.

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White Gold - S3-E23

Frank: Well, he, uh, ordered me to leave. He's a superior officer.
Henry: He's a superior psycho. His head's so twisted, he's gotta screw his cap on.

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Private Charles Lamb - S3-E14

Frank: What kind of a jackass do you think I am?
Radar: Oh, you'd know that better than me, sir.

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Up at Bat - S3-E1

Revealing mistake: When Gilligan huddles next to a boulder in the cave he's in, the boulder rocks easily, showing that it's a prop.

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Drive, Lady, Drive: Part 1 - S3-E9

Visible crew/equipment: Numerous times, especially in this episode, in a close up on Ponch's face the camera, crew, and lighting rigs are reflected.

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Love and Marriage - S3-E20

Visible crew/equipment: As Hawkeye and Trapper sit down to talk with McShane, the shadow of the tip of the boom mic can be seen on the door on the right side of the shot. (00:08:25)

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Aid Station - S3-E19

Visible crew/equipment: As Hawkeye walks into the Aid Station, the shadow of the camera plays across his entrance. Also, the area he walks through is extremely well lit, despite the fact the sun is behind the station, indicating stage lighting.

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The Consultant - S3-E17

Visible crew/equipment: At the chopper pad, as the scene plays out, reflections of the lighting rigs can be on the chopper canopy.

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Mad Dogs and Servicemen - S3-E13

Visible crew/equipment: As the medics take a stretcher off The Bus, and then Hawkeye goes into The Bus, the shadow of the recording equipment boom plays across them.

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A Full Rich Day - S3-E12

Continuity mistake: As Lt. LeClerq stands beside his commander, the Commander starts to look to his left, and drops his hand. When the angle changes, he drops his hand again.

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Adam's Ribs - S3-E11

Revealing mistake: As Radar, Henry, Klinger and Trapper get up to answer the emergency call, the outside background can be seen in the upper right corner of the shot, showing it was done on a sound stage.

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