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11001001 - S1-E15

Other mistake: When Picard and Riker set the Auto Destruct, the readout is in LEDs, rather than the regular display graphics normally used.

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Encounter at Farpoint (1) - S1-E1

Other mistake: As the Enterprise starts to turn to starboard (right) to escape the energy field Q set up, as the field is moving to port (left, indicating the ship is turning right) the starfield is also moving right, when it should be moving left.

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Loud as a Whisper - S2-E5

Audio problem: After the offer of refreshments has been declined, Harmony says "I have been expecting you", but her mouth doesn't move.

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The Outrageous Okona - S2-E4

Trivia: When Data selects a comedian, the name he selected was Ronald B. Moore. Mr. Moore is the Visual Effects Supervisor for the series.

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The Big Goodbye - S1-E12

Continuity mistake: Near the end, after being subjected to the snowy scene, only Mr. Leech has snowflakes on him. They're on him as he steps into the corridor, then they're suddenly gone.

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In Theory - S4-E25

Other mistake: In performing the "Lover's Quarrel" part, Data uses contractions, i.e, "don't" and "you're." When Jenna asks about it, he responds "You are not my mother", eliminating the contraction.

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In Theory - S4-E25

Character mistake: After Data asks Jenna about a drink, he uses a contraction in his response, saying "Excellent choice. I'll join you." He's supposed to be incapable of contractions at this point.

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The Naked Now - S1-E3

Visible crew/equipment: In Wesley's quarters, when the camera looks at Geordi, there appears to either be a person reflected on Wesley's device or a boom mic shadow plays across it.

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Show generally

Continuity mistake: In the Engine Room, after Geordi calls Wesley and Data, Wes turns around and drops his hands. In the next shot, his hands are back up in front of him.

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Show generally

Visible crew/equipment: Numerous times throughout the series, the screws that hold on the panel faces on the Conn and Ops positions are visible.

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Season 1 generally

Question: In Season 1, Episode 23 "Skin of Evil", Tasha Yar was killed. But in the three following episodes, in the opening credits, Denise Crosby (Lt. Tasha Yar) is still listed. Am I correct in thinking that the producers decided to use the original opening credits for the remaining three episodes of the season, and changed them after Gates McFadden left the series for Season Two?

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Lonely Among Us - S1-E7

Other mistake: As the ship approaches the energy cloud the second time, the registry number on the underside of the saucer is backwards.

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Gambit (2) - S7-E5

Other mistake: When the raiders' vessel fires on the Enterprise, only the starboard nacelle is hit. Right after the impact, Worf reports the port nacelle hit, then the starboard.

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The Mind's Eye - S4-E24

Other mistake: As the camera looks at the Enterprise as a transitional view, part of the decal for the registry number is visible.

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Rightful Heir - S6-E23

Continuity mistake: In the opening scene, Riker's rank pips are diagonal on his collar. Then in Worf's quarters, the pips are level as they should be.

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Lessons - S6-E19

Other mistake: After Picard joins Cmdr. Darrin in the junction, she kneels down. As she does, the opening down the Jeffries tube can be seen as a flat matte painting. (00:18:09)

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The Chase - S6-E20

Other mistake: As Beverly points to a planet on the monitor, the read out on the planet is upside down.

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All Good Things... (1) - S7-E25

Other mistake: When Picard first meets Data in the past, Data's rank insignia is wrong. He's always held the rank of Lieutenant Commander, signified by two gold pips, and one with black in the center. However, Data has one gold, one with black, signifying Lieutenant.

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The Neutral Zone - S1-E26

Revealing mistake: In the sickbay, the wall where the biobeds are located can be easily seen as a wall used for what would be in the Conference lounge. The alcoves have a fabric covering the windows, and it appeared to be a hastily done redress.

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The Neutral Zone - S1-E26

Continuity mistake: When the technician goes to revive Claire, in the long shot, her eyes open. In the close up, she "comes to" again, opening her eyes.

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