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Other mistake: As Fozzie corrects the car to keep from crashing, watch the two of them in the long shot by the church. They are bouncing very rapidly as they come to a stop, suggesting the film was sped up. Also, Fozzie looks to the left of the steering wheel to shift gears, rather than the right, where the shifter would be, on the transmission hump.

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Continuity mistake: As Hopper asks Kermit about being rich and famous, he goes to stroke the back of Kermit's head. As the angle changes, Hopper's hand is under Kermit's chin.

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Continuity mistake: When Kermit and Fozzie meet Big Bird, their car stops about fifteen feet behind him, at the end of some dark tire tracks. But when the camera looks at the pair in the car, they're looking directly at their left, and Big Bird converses with them looking to his left in quarter profile to them. When they leave, their position is about ten feet back from the end of the marks, a good twenty feet from where they originally stopped.

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Other mistake: When Fozzie backs his car into Hopper's and then leaves, the front of the Caddy shows no damage, despite the severity of the hit. Not even a speck of paint on the bumper.

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Factual error: The TV remotes of the day wouldn't control more than one TV at a time, yet they all come on and go off at the same rime.

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Continuity mistake: After Kermit is tossed over the crowd in the El Sleazo, he catches on a ceiling fan, and it swings a bit from the impact. After a shot of the bartender speeding up the fan, it is no longer swinging. This is impossible with any weight on one blade. When Kermit is slung off the fan, you can see the fan is not on at all, Kermit is at the piano, and just about everybody in the place is still looking at the fan.

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Revealing mistake: When Fozzie comes out on stage and starts his act, you can see lines around him, suggesting he was matted into the scene. He also reacts a second too late to the gun being shot by him, and he doesn't cast a shadow.

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Continuity mistake: When Jones' water ski is about to be run over, he calls "DIVE! DIVE!" and goes underwater. After it's safe, he comes back up, starts out again. When he comes up, water is flooding off his head. The next second, it's dry.

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Audio problem: In the yacht club, Jones is fighting the bad guys. As Nogata jumps is to help, you hear him yell "BANZAI!" His mouth doesn't match the yell.

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Audio problem: When Hightower is driving and does the U-turn, you hear tires squealing in a take off, but as the camera is in a close up on Hightower, you can see the car is already at cruising speed.

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Continuity mistake: When Hightower is demonstrating dog commanding, one rips the cadet's sleeve off. Hightower tosses it back, and the cadet catches it. The next second, it is suddenly on his arm, his bare shoulder exposed.

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They Call the Wind Korea - S7-E7

Continuity mistake: When Klinger is coming over the hill at the end of the episode, the camera shows him in the outdoor setting, and the spot he's on has sparse vegetation. When the camera goes to a close up of him, the trees and shrubs are thicker and closer to him. This alternates a couple of times.

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Continuity mistake: When the hired thug is driving a disguised Bond to the Osato Building, the thug looks back at him. The forward view does not show the hood, wheel or dash of the car. After he goes back to driving, Bond peeks up to see where they're going, and now you can see the dash, and wheel. Also, when the thug looks around, the mirror shows only a blurred image of Bond, not the face and back of the thug's head. As Bond sees the building, the camera can now see only the thug's reflection in the mirror. Finally, they were in a downtown area with no dead end in sight. Then suddenly, there's the building. With no turns, that's a fast moving car.

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Continuity mistake: In the fight scene in the Osato building, Bond uses a couch as a battering ram against the guy that carried him in. After the third hit, Bond drops the couch after the attacker flips over it onto the floor. The next moment, he has the couch up ram-style, and the other man is back up, in the place where he can be hit again, a good five feet from where he was on the floor on his back.

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Audio problem: When Bond is talking to Henderson, the man suddenly goes rigid. Bond discovers a knife in the man's back, and crashes through the door to get the murderer. When he does, there's a sound of breaking glass, yet there was no glass, broken or otherwise.

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The Enemy - S3-E7

Other mistake: While down in the pit Geordi makes a couple of spikes to climb out with. When the phaser beam is melting the ore, the metal goes molten about two inches in front of the beam. Also, the spikes are rounded, like handles. The molds he made would have left a flat side.

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Revealing mistake: After leaving space dock, the Enterprise is shown flying by the camera. As it does, there is a shaft of blue light directly underneath the ship. This can only be a poorly disguised pole under the model. (Corrected in the Director's Edition.)

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Revealing mistake: When the Enterprise is leaving space dock, look at the right (starboard) side of the ship. You can see the shape of the mounting arm the model was mounted on, even though it was blacked out to look like space, and it also blocked out the bottom of the dock. The footage was reused from Star Trek: The Motion Picture.

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Remember Me - S4-E5

Other mistake: Toward the end, Beverly gets in the turbo lift to go to Engineering. As it starts, you see the lights to her left strobe top down. This is to indicate movement. However, since the lift was at the bridge level, the lights should have gone from bottom up, showing that the lift is going down.

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The Return of Major Bonacelli - S4-E25

Continuity mistake: Klink poses for a picture in quarter profile of the right side of his face for Bonacelli, who is actually getting a shot of the guns. Later, you see the picture, and Klink is fully facing the camera.

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