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Continuity mistake: When first on the bridge, Chekov's hair is fuller than when he goes to the sickbay.

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Knight Rider [Pilot; a.k.a. Knight of the Phoenix] (1) - S1-E1

Visible crew/equipment: As Michael leaves the House of the Rising Sun after asking about Tanya, the lighting rig is reflected in the dark lens covering the brake lights.

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Knight Rider [Pilot; a.k.a. Knight of the Phoenix] (1) - S1-E1

Other mistake: As Michael is driving to Millston, he asks about a radio. When KITT first asks "What would you like to hear?", the red square that indicates he is speaking doesn't blink until the camera does a close up on it.

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The Corbomite Maneuver - S1-E11

Continuity mistake: As the bridge shakes after the object is destroyed, Bailey's chair goes from tilted to upright between angles.

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The Corbomite Maneuver - S1-E11

Continuity mistake: The cube holding the ship in place is spinning counter clockwise, from left to right, on its axis. When the camera is looking at the bridge, the colors are going from left to right, rather than right to left to match the cube's movement.

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The Big Dish - S4-E24

Visible crew/equipment: As the two German officers come out of Klink's office and approach the radar truck after Kinch leaves, the shadow of the cameraman, the camera, and the camera tripod are plainly visible on the left side of the scene on the ground.

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Trivia: As Killian is addressing the crew, watch the end credits on the monitor over his left shoulder. The entire list is totally nonsensical.

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Continuity mistake: As Fireball deflects the barrel Richards throws at him, his flight jets disappear and reappear between shots.

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Other mistake: When Killian's guard goes to enter his code to open the gate, it starts to open when he touches the first digit, rather than after the last digit.

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Audio problem: When Mick is talking about the network uplink being hidden, his lips don't move.

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Continuity mistake: When Richards is overpowered and pulled out of the pilot's seat in the chopper, his communications earpiece is still attached to him. As he's slammed into the back wall, it's suddenly gone.

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Other mistake: In the opening sequence of the Huey flying over the crowd, the uniforms of all five men stay unruffled, despite the doors and windows being open, which would allow the wind to pass through.

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Requiem for a Lightweight - S1-E3

Audio problem: When Margie is saying she is impressed, Trapper replies "I should hope so", but his mouth doesn't move.

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Give and Take - S11-E14

Trivia: In the swamp, there's a black and white photo of a lady hanging over Winchester's area that can be seen behind Mulcahy as he rants at Charles. If you look closely, it's the same photo referred to many times by Frank Burns as a picture of his mother.

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Planet of the Dead - S4-E15

Continuity mistake: On the alien ship, when the Doctor is told the bad news about the bus, his hand with the phone drops to below chest level. Then it's suddenly at chin level. (00:32:30)

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Assignment: Earth - S2-E26

Other mistake: Early on, there is a shot of the control room. There is a read out that is counting down from "5 04 15", meaning that the launch would be in just over five hours, not less than one minute.

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Assignment: Earth - S2-E26

Continuity mistake: The shots of the rocket Scotty cycles through are of different times. There is one shot of the rocket at the launch site, followed by one of the transport taking the rocket to the site.

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Assignment: Earth - S2-E26

Continuity mistake: As Kirk talks to Chekov on the screen, his hands are flat on the table, and there is a collection of data tapes in front of him. After the angle change, his hands are clasped on the table, the tapes have been replaced by a data pad, and Kirk appears to be frozen.

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Other mistake: While exploring the attic, Lane sees a yellow chair in the attic. Trouble is the attic opening is much too small for that size of chair to have gotten through.

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Cocoon (1) - S1-E1

Other mistake: After the funeral, McGarrett walks up to his friend. You can see not only McGarrett reflected in the man's shades, but the spotlight illuminating him following him along the wall.

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