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Revealing mistake: There are no keys in the Jeep when we see the breakdown happen. You can see the steering wheel and where the keys should be. How is this car even moving? (00:08:05 - 00:08:35)

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Careful What You Wish For - S2-E17

Continuity mistake: At the beginning of the episode, a bunch of money falls from a building. Of course people are grabbing it but when the First Responders show up, everything has miraculously been cleaned up. No money to be found. With the amount that has fallen and the chaos, there would likely be some left over. The street is squeaky clean.

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Trivia: During the chase with the ark, the truck Indy is driving comes around a turn. The sound effect the truck makes is a lion roaring.

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Deliberate mistake: When the cop car is ramming the back of the trunk of Dorff's car, you can tell it is a Ford. The filmmakers however, have put gaffer tape over the logo.

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Factual error: Throughout the film Stephen Dorff talks to the other agent on the CB. CBs have no way to receive while transmitting, yet the two men overlap each other's conversations.

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Visible crew/equipment: As the bad guys are leaving the dig site for Cairo, there is a shot of the black vehicle (lead car) looking right at the driver. On the bottom of the shot is a shadow of film equipment that shouldn't be there. The shot lingers, so the shadow is very visible. (01:22:50)

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Continuity mistake: Arnold holds a hot stick of metal to Marion's face in her bar, threatening her. In the opposite angle, the metal is nowhere to be seen when it should be right next to her face. Cut back to the other angle and we see it again.

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Visible crew/equipment: At the hotel where Indy knocks on Elsa's bathroom door, she opens it and shuts the music off. The camera pulls backward and its shadow is visible on the left side of the door frame. It's fairly large.

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Continuity mistake: During the boat chase in Venice, one of the boats blows up. A small piece of it with a motor comes flying out. In the next shot which is a wide shot, that piece of boat is gone.

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Trivia: Near the beginning, the kids are watching something on TV with a man transforming another man's face. This is the second episode of the 1963 television show The Outer Limits, known as The Hundred Days of the Dragon. Part of the plot of this episode involves a man wearing a mask and makeup pretending to be someone else. That's the plot of Mrs. Doubtfire as well.

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Visible crew/equipment: Camera equipment is visible in the scene where we first see the Real Estate King's vehicle at the motel. It is reflected near the license plate of the car.

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Visible crew/equipment: When KC tells Eddy that she wants to be with him, the camera starts moving to the left. As it does, a shadow creeps onto Eddy's shoulder and stays there the rest of the scene.

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Continuity mistake: When Sinatra comes down to Esther Williams to serenade her by the pool, she has just been swimming. When she meets up with him by the tree she is dry as a bone. Even her swimsuit is dry.

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Continuity mistake: During the fight, a stop sign is ripped off a bus and thrown to the ground. It disappears in the next shot.

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Trivia: Michael Cera's theatrical film debut.

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Continuity mistake: At the end when Big Ern is taunting Roy, he starts shaking his arms when "Showdown" starts. He is standing up in the shot before. In the next shot he starts standing up and repeats the action.

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Continuity mistake: When the small band of troops comes up the mountain to take pictures and read the sign, one of them snaps a photo of the view. We see a static shot of what he is looking at, trees covered in snow and fog in the valley. Later however, we see the same view. There is no snow on the trees and no fog down below.

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Continuity mistake: During the beginning, the sky changes numerous times. In some shots it's just plain blue sky. In others it's full on cloudy. It goes back to sunny when the kids leave the school. Also you can tell some shots were filmed later in the day. Use the sun angle to see this.

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Visible crew/equipment: At the end when all of the papers are falling from the building, there is a wide shot. On the right hand side of the shot looks to be some kind of blower machine making the papers come out.

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Revealing mistake: A jump cut is visible when Frankie Sharp starts receiving the show in his limo. Notice how his feet shift slightly when the image changes.

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