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Revealing mistake: When the boys take the boat out, almost every shot shows smoke coming from the rear. If you look closely, the smoke isn't coming from the motor but next to it.

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Continuity mistake: At the party, Larry talks to Jack. Jack is looking directly at Larry but the scene switches angles and Jack's head is tilted down instantly.

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Audio problem: When Henry is at bat, his mother is berating the pitcher. She starts saying you stupid mother... and it cuts to Gary Busey completing the sentence. He says "God damn," but his mouth doesn't match. Chances are he said the f-word but it was changed in post for ratings issues.

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Continuity mistake: The little boy that is identified as a nephew is sitting right of the father at the beginning. He disappears when Danny puts money in the jar and we can see the father. His chair is even empty.

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Visible crew/equipment: When James is in the phone booth and he gets the call about Tommy, the camera moves in really quickly. The reflection of the lens is visible for some time as James talks on the phone. Left of screen.

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Trivia: When the bad guys are chasing the bus and people are screaming, you can hear a Wilhelm scream during the scene. It happens around the time the tires are shot out.

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Other mistake: There is a car chase between a station wagon and a sports car. The sports car hits the rear of the station wagon, hard, but neither car is damaged.

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Revealing mistake: When Julie is talking to Stuart about her future, snow is falling in front of her. We can also see the wind is blowing, as it moves her hair. The snow, obviously CGI, is still falling straight down, and doesn't interact when the wind blows.

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One Minute - S3-E7

Continuity mistake: The man with the bulletproof vests is against the boxes in pain. In the closer shot, he takes his hat off. Cut to a wider shot, his hat is back on. (00:24:58)

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Green Light - S3-E4

Continuity mistake: Schrader is pulled along side a road and receives a phone call about El Paso. The sky goes from being overcast to fairly clear between the different angles. (00:30:50)

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Continuity mistake: When Depp is getting to the airport at the end, the sun angle changes a number of times. The side shots looking at the car show it going down. Moments later, the sun is higher in the sky.

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Continuity mistake: At the restaurant during the end of the film, they arrive at nighttime. When the scene ends moments later, the sun is starting to come up. Not enough time has passed. It would've been evident through the windows behind the actors.

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Over - S2-E10

Audio problem: The message from Walt that Skyler listens to at the office is different from the audio earlier in the episode. Walt says "no" when we see him, but on the recording he doesn't say it.

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Mandala - S2-E11

Continuity mistake: The candles on the cake at the party change height a few times during the sequence.

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Visible crew/equipment: When the duo go to the cave when its raining, there are flashes of lightning. In the initial shot, when the lightning flashes you can see the shadow of the camera, bottom screen.

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Continuity mistake: During the beginning, the main character tunes a radio to 104.9 to hear the announcement about the vigil. When she tries the radio again after seeing her death, she tunes to 98.9. The same audio plays.

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Visible crew/equipment: After the accident at the farm happens, the pregnant woman and the cop drive off and we the side of the white van. The camera is reflected in it before the shot dissolves into the smoke.

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Continuity mistake: When Clouseau is trying to get into bed with his wife and things keep happening, the bed makes itself while he gets the milk. The top sheet was messy in the previous shots.

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Continuity mistake: At the very end of the film when the bed crashes through the wall, Olga has disappeared from the very first outside shot. She is then back to the left of Cato in the next shot. This was likely done because she was completely nude and the audience would've got a good look at her.

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Revealing mistake: When the castle starts to disappear at the end, lines are visible on the matte painting where the pieces were. As the remainder of the castle disappears, a significant line in the painting is visible on the left side during the remainder of the shot.

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