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Visible crew/equipment: After disabling the guards, Damon and Clooney go to open the vault. The camera's reflection can be seen on the vault door as the shot pulls back. You can also see the crew member operating it.

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Now - S6-E5

Continuity mistake: In the scene in the garage near the beginning of the episode where the characters are gathering supplies, the sun is on them in one shot. In the reverse shot, they are dark and the sun is no longer shining into the garage. Then back to them, it is again.

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Continuity mistake: During the beginning credits with Tom Cruise as Austin Powers, he parachutes into his car. The sky during this sequence goes from a few clouds (mostly just blue sky) to overcast, and back to blue sky and a few clouds.

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Audio problem: The federal agents from various agencies show up and basically prevent the townspeople from killing graboids, and they're arguing with Burt about it. One of the government agents yells something, and it is loud enough to clip the audio (distortion).

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Audio problem: When Ben and Elaine go on their first date, they're driving really fast in his car and talking. When each of them talks, the wind noise is evident in the audio. This means they used the original audio on scene, instead of replacing it later (known as ADR). The cuts in the audio here are very noticeable.

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Continuity mistake: The weather changes at least twice during the end sequence at Meteor Crater. Take a look at the clouds in the background of all of the shots, especially those looking at the San Francisco Peaks (near Flagstaff, AZ). The extreme long shots of the helicopters coming show dark clouds, while the wide shots show a mix of cloud free and then cloudy skies.

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A Song for the Soul - April 7, 1963 - S4-E15

Revealing mistake: When Al jumps into the shot out of nowhere on the steps after the record producer leaves, Sam and the two girls abruptly move, giving away the technique to achieve Al showing up. The transition is usually smoother, this one happens to be rough and noticeable.

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Try - S5-E15

Continuity mistake: Sasha is pinned by the walker, but saved by Michonne. As she is standing up, the leaves in her hair disappear between shots.

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Spend - S5-E14

Visible crew/equipment: When Sam comes to visit Carol with items in his hand, he walks through the front door of the house. Carol shuts the door after she lets him inside. As she does this, you can see the reflection of a black sheet or tarp of some kind covering the door area where the camera reflection would be.

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Them - S5-E10

Revealing mistake: After it starts raining there is a shot looking at the road in The Distance. Notice how the rain is only falling in a small area and stops just beyond where the group is at. The road is dry from there on out.

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The Dog - S1-E3

Audio problem: In the house as the walker is shot nearly point blank, the sound of the shotgun goes off before the flash.

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Continuity mistake: Bond is fighting henchmen up on a moving platform at the newspaper. During the fight with the first guy, in several shots the platform isn't moving, then it is, then it isn't.

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Continuity mistake: After Bond is done "meeting" with Paris, she puts her dress back on, including two straps for her shoulders. They disappear in the next shot, and never reappear.

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Visible crew/equipment: When Darryl first discovers the large TV, it is off and you can see his reflection in it. The camera starts to track backwards and you can see movement on the couch. A shadow changes, that of the camera operator.

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Running For Honor - June 11, 1964 - S4-E12

Character mistake: When Sam first sees his reflection in the locker room mirror, his counterpart comes into the scene just a tad too late, making the reflection not match.

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Permanent Wave - June 2, 1983 - S4-E5

Trivia: The little boy in this episode is Joseph Gordon-Levitt.

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Continuity mistake: The sky changes several times during the sequence when the two thugs want Defens' briefcase.

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Miss Deep South - June 7, 1958 - S3-E6

Revealing mistake: Connie and Sam are talking in their room, while Sam is looking at his female self in the mirror. As Connie walks back into the shot, her shadow is cast on the wall behind the mirror. This indicates she came from the opposite direction that is possible in the reflection had this not been the mirror trick. In reality, she would have been coming from behind Sam, not from in front and wouldn't have cast a shadow on the wall with the mirror.

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Easter egg: On the feature disc in the menu where you can access the director's commentary and deleted scenes, click to the right to see a baseball player light up. The director will explain who the voice is.

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Continuity mistake: The sun changes considerably when Doc is leaving to walk into the corn and the previous and following shots. When it cuts to Shoeless Joe, the sun is at his back. Back to Doc leaving, the sun is setting.

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