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Continuity mistake: When Santino says he's sorry about John's wife, he's looking at one photo that has got a sparkly frame. When the camera changes, the frame is now wood effect. (00:20:20)

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Continuity mistake: Just before John shoots the Russian in his kneecaps, he is thrown flat on the floor. When the camera changes he is sat up. (00:11:40)

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Continuity mistake: When walking along the cars at the start, John is level with the first car. Camera changes and now he is level with car 2. (00:06:45)

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Pilot - S1-E1

Visible crew/equipment: When Alex, Hesh and Salvatore stop on the bridge, T markers can be seen on the floor where people stop. (00:41:30)

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Pilot - S1-E1

Factual error: Alex has a cast on his whole leg. However his trouser leg is under the cast. (00:41:10)

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Pilot - S1-E1

Continuity mistake: Carmela tries to persuade Meadow to go into NYC and go to the Ritz. When she does she has her arm hanging at her side with gloves visible. Camera changes and now her arm is in front of her and the gloves are no longer visible. (00:37:50)

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Pilot - S1-E1

Continuity mistake: When Christopher is trying to get rid of the body into the bin, his arms are constantly changing between crossed and hanging at his side. (00:30:30)

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Pilot - S1-E1

Continuity mistake: Tony gets out of the car near the start and there is no glass on the floor, when he calls Christopher over, broken glass on the ground has appeared.

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Pilot - S1-E1

Visible crew/equipment: As the ducks fly away, a crew member can be seen stamping their foot in order to scare the ducks. (00:06:40)

Pilot - S1-E1

Continuity mistake: At the start, the woman opens one door and calls for Mr Soprano. The camera then shows the room she's come from and both doors are open. (00:02:10)

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Continuity mistake: After subduing one of the henchmen at his house, John sees another one come behind his staircase's side glass pane. He shoots the henchman, putting a bullet through the glass. The shot changes to him finishing the henchman, but when the shot goes back to the stairs seconds later, the bullet hole has disappeared from the glass. (00:29:55)

Revealing mistake: When Viggo pushes the car off the edge and it hits the ground, as it rolls you can see that the engine/transmission, drive shift and tank have been removed. (01:26:00)

Continuity mistake: In the opening scenes where he gets his mustang back, he hits the guy who comes over the roof and busts the windshield, but in the very next shot the windshield is pristine. (00:07:45)

Chicago - S2-E16

Continuity mistake: When Haywire jumps, Mahone has 1 hand on the rail. We then see Haywire falling from an overhead shot. In this shot, Mahone's hand is no longer on the rail. (00:41:15)

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Chicago - S2-E16

Continuity mistake: When Haywire stands up near the end he has both hands on the top rail. Camera changes and 1 hand is now on the middle rail. (00:40:35)

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Chicago - S2-E16

Continuity mistake: Link leans over to open the train cab with his left hand and not holding the white rail. Camera cuts to inside the cab and now he's holding the white rail with his left hand and opening the door with his right. (00:27:40)

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Chicago - S2-E16

Continuity mistake: When Link falls on top of the train, his position changes instantly between camera cuts from on all fours to stood up. (00:27:30)

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Chicago - S2-E16

Continuity mistake: Brad picks up just the folder in the truck. However the shot changes, and now the bundle of money is in his hands too. (00:17:45)

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The Message - S2-E15

Continuity mistake: When the girl asks Haywire how he will know where he's going, she has her hand on her hip. Camera changes and her arm is outstretched. (00:16:40)

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The Message - S2-E15

Visible crew/equipment: When Paul, Link and Michael kidnap the camera man, a white T mark is visible on the floor. (00:03:36)

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