Deliberate mistake: While Tony stands beside his car, the first assassin shoots at him, and when Tony dives into the front seat we see the car's dashboard. After struggling with the second assassin, when Tony crashes into the parked car, in the shot from inside the car, there are two issues: the car has a different style dashboard with no air vents, and the rearview mirror is missing; then it reappears.
Continuity mistake: [This will soon have an episode change from "Pilot" to "show generally"] During the show's opening credits for the entire run of the series, when Tony drives up to the NJ Turnpike toll gate, the lane 7 machine spits out a toll ticket, and Tony reaches for it. It then cuts to a close-up as Tony grabs hold of the toll ticket, but this ticket machine is now different; note all the stickers. The close-up was shot at another lane's ticket machine.
I Dream of Jeannie Cusamano - S1-E13
Revealing mistake: When the shrink locks the door on Tony, they argue and she calls the police. When she finally calms down she approaches the door to unlock it but you can see the door move before she ever sticks a key in it or touches the knob. (00:25:20)
Factual error: During Tony's assassination attempt he struggles with one of the "hit men" for control of a pistol. One can see that the pistol does not contain a magazine.This would limit the shooter to 1 shot, providing the pistol is not equipped with a "magazine disconnect" if it is than it can not be fired at all. It seems unlikely that a "hit man" would be so ill prepared.
Continuity mistake: At the end of the show, Tony is making an ice cream sundae for himself and A.J. He gets a Path-mark store brand aerosol can of whipped cream. When the camera cuts to closer look at Tony the can changes to a Redi-whip brand of whipped cream. (00:49:00 - 00:50:00)
Visible crew/equipment: As Alex, Salvatore and Hesh walk along the bridge, if you watch the right side of the screen you can see a crew member wearing a purple T-shirt and holding a piece of equipment high in the air. (00:39:39)
Continuity mistake: During the scene in the office of Bada Bing, Pauli, Christopher, Tony, Silvio and Pussy are all together and the TV is on. Pussy is reading something and Christopher is lifting weights. In between shots, the weights change from Chris's right arm to his left and back again. It could be argued that he changes arms when the camera is off him, but there is one instance where it definitely happens too quickly for this to be the case.
Nobody Knows Anything - S1-E11
Character mistake: When Tony tells Dr. Melfi he feels as though a safe might fall on his head, she replies, "a feeling of pending doom." A woman of her intellect and education should know the proper word is "impending." "Pending" means something awaiting a conclusion. "Impending" means about to occur.
Visible crew/equipment: As the ducks fly away, a crew member can be seen stamping their foot in order to scare the ducks. (00:06:40)
The Legend of Tennessee Moltisanti - S1-E8
Continuity mistake: When they drive in the Lexus, around 33 min into the scene, you can see the headrest on the driver's seat moving up and down as the shot changes from him to Tony and back. Happens several times. (00:32:55)
Audio problem: In the first long shots of Visiting Day playing at the club, the lead vocal is heard, but the singer is standing well back from the mic and does not appear to be singing.
Continuity mistake: When Hesh and Massive Genius are talking on the porch, Hesh is leaning forward and picks up a glass of ice tea. A second later, in the next shot he is sitting back in his chair, and is no longer holding the glass.
Visible crew/equipment: After Tony gives Dr Cusamano the box of Cuban cigars, when the telephone rings, Tony walks over to answer it, and a crouching crew member is visible at the bottom right corner of the screen.
Continuity mistake: When Christopher is trying to get rid of the body into the bin, his arms are constantly changing between crossed and hanging at his side. (00:30:30)
Continuity mistake: Tony gets out of the car near the start and there is no glass on the floor, when he calls Christopher over, broken glass on the ground has appeared.
Visible crew/equipment: During the dinner scene, in some of the shots facing Junior, the reflection of the boom operator (wearing a watch) holding up the boom pole/mic is visible on the glass, toward the top left side of the screen. Additionally, in two shots facing Junior (POV beside Carmela's right shoulder), we can see part of a black reflector screen (collapsible type) between Junior and Carmela.
Visible crew/equipment: Livia and Junior have a chat about Tony while waiting in line for a movie matinee. It then cuts to the Soprano house, and in the next overhead shot of Tony sprawled on his bed, we can see the T-mark on the floor near the door. In a moment, Lilliana knocks and enters to remind Tony of his appointment.
I Dream of Jeannie Cusamano - S1-E13
Continuity mistake: Tony, Carmela, and the kids end up at Nuovo Vesuvio during the storm. When Artie serves the dinner, AJ picks up a piece of pasta with his fingers, and in the shot facing Tony as he reaches across the table to AJ, he's holding his dinner knife, but in the next shot facing AJ, it's a fork in Tony's outstretched hand, not the knife.
Answer: I'm not sure which person you're referring to here specifically, but the meaning is someone who makes a habit of constantly going to funeral calling hours (normally 2pm-5pm and 7pm to 9pm) for morbid entertainment or gossip purposes (elderly ladies, for example).
Ryan Grubb