Visible crew/equipment: At the rock quarry, when John is pulling up the stokes Jason is standing to his left, and just as the banister bar breaks in front of John, it's amusing to note that we can see a crew member's hand gripping the back of Randolph Mantooth's pants, at the right side of the screen.
Visible crew/equipment: During the structure fire, while the first teenager is being carried down the ladder from the attic window, in the two closeups of Captain Stanley if we look past Engine 116, in the background we can see Universal Studios' GlamorTrams driving by, which provided tours of the studio's backlots. This rescue was filmed at the "Corner House" located on the original "Colonial Street" in the studio's backlot.
Visible crew/equipment: When the police officer who was struck by lightning is wheeled into the ER, just as Dixie, Brackett, and Early walk up the hallway, the two tape marks are visible on the floor right outside the doorway of treatment 2, where Dixie is about to stand. Additionally, we can see the outline of the transmitter wire on the back of Dixie's uniform.
Visible crew/equipment: When Station 10 arrives first on scene at the factory fire, as 10's third rig pulls up and lays the line in the wide shot, at the left of the screen in the background, we can see the hidden second cameraman who is shooting the footage from that angle, of all the rigs pulling in and turning.
Visible crew/equipment: During the factory fire, the Battalion Chief tells dispatch over the HT, "Fire through the roof, send me a third alarm," then in the next shot we see Engine 36 arrive, and when the engine comes to a full stop we can see two tripod lighting rigs and stacked film canisters, at the right of the screen.
Visible crew/equipment: During the factory fire, after the Battalion Chief tells 127 over the HT, "Take the steamer hydrant at Fifth and Crocker, lay a three-and-a-half down the driveway..." three shots later there's a closeup of a spraying hose, and we can see in the background another cameraman and crew member shooting footage with a handheld.
Visible crew/equipment: When 127's snorkel is raised to rescue the man who was electrocuted atop a utility pole, as he's being loaded, in the first closeup within the snorkel, we can notice two things. We can see someone wearing denim at the left of the screen between 127's guy and Johnny, and we also see the ground past Johnny's head. Then as the snorkel is still being lowered, in the shot from the same POV, once again at the left we see that crew member wearing denim, who is outside the snorkel basket, and also see the ground, but the ground has not changed. This reveals that these two closeups were shot at ground level.
Visible crew/equipment: When Roy and John walk into the apparatus bay they stand behind Squad 51, and in this wide shot we can see that the floor area around the squad has nothing on it, but when Squad 51 is dispatched to 'traffic accident with injuries', there is now a long black tape line on the floor, near the front tire.
Visible crew/equipment: When Squad 51 is dispatched to 'traffic accident with injuries', while en route as Johnny says "Hang a left, I know a shortcut," the shadow of filming equipment becomes visible on the hood of the squad.
Visible crew/equipment: On scene at the traffic accident with Paula, after Johnny brings the IV bottle to Roy, it cuts to the overhead shot of the ambulance arriving, and a large reflector screen is visible at the left of the screen.
Visible crew/equipment: In the treatment room, when Brackett gives the diabetic man an insulin shot, there is an actor's tape mark on floor at Dixie's feet, that we can see under the gurney.
Visible crew/equipment: During Squad 51's rescue of the hunter who was injured on the cliff, in the closeups of Copter 10's pilot, at the right upper corner of the screen above the windshield, we can see the edge of the white screen used to block the view through the windshield.
Visible crew/equipment: When Squad 51 stalls and the guys call for assistance, when Charlie shows up and walks over to the squad, the reflection of the camera rig tracking backward can be seen in the squad's vent window. The reflection of location set lighting is also visible on the spotlight and squad.
Visible crew/equipment: After Station 51 is dispatched to the structure fire, en route Squad 51's engine stalls and starts again, then while they continue driving when the dispatcher cancels the run the reflection of the filming vehicle can be seen on the squad's surface.
Visible crew/equipment: When Squad 51 is dispatched to 'man injured', in the exterior shot of the squad while en route, when the dispatcher cancels the run the reflection of the filming vehicle can be seen on the side of the squad.
Visible crew/equipment: Right after rescuing the two injured climbers, when John and Roy are in the back of the pickup truck with them, just as the pickup drives off to follow Sheriff Bittner's squad car, we can see the reflection of crew and the camera rig on the Land Rover's windows.
Visible crew/equipment: When Station 51 is dispatched to the plane crash, we hear Captain Stanley respond, "KMG365," and as he walks in front of the engine the partial reflection of the cameraman is visible on the windshield, right in front of Mike who's sitting in the driver's seat.
Visible crew/equipment: While John's trapped with the two men in the cave-in, he digs and finds the opening to the pipe, and when he starts shouting up to Roy, the cameraman's knee/leg is right beside John's left hand, at the lower right corner of the screen. It really is.
Visible crew/equipment: When Roy and Johnny load the woman who fainted onto the ambulance, the curly haired attendant gets in the back with Roy and the patient, but en route Roy is alone with the patient, and when Roy tells them to pull over we see the silhouette of the curly haired attendant sitting in the front passenger seat. Then when the ambulance pulls over, only the driver is in the front.
Visible crew/equipment: At the scene of the traffic accident, after Captain Stanley tells Johnny and Roy that the victim may have a fractured pelvis, just as Johnny places the Biophone on the roof of the car the camera's angle tilts down to face the victim, and we can see the reflection of the cameraman/crew member on the car window.
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