The Ricardos Are Interviewed - S5-E7
Visible crew/equipment: When Ricky's new agent stops by the apartment to talk to him, Fred and Ethel are standing in front of the desk, and there's a T-mark on the floor in front of Ethel's feet. (00:04:50)
6th Jan 2017
The Ricardos Are Interviewed - S5-E7
Visible crew/equipment: When Ricky's new agent stops by the apartment to talk to him, Fred and Ethel are standing in front of the desk, and there's a T-mark on the floor in front of Ethel's feet. (00:04:50)
6th Jan 2017
Homecoming - S5-E6
Visible crew/equipment: During the episode a small tape mark is visible on the floor between the coffee table and the couch, and a T-mark can be seen on the floor near the desk, such as when Lucy starts telling her guests about their "fabulous" trip, Ethel stands at the T-mark and a female guest stands at the tape mark. (00:07:05)
6th Jan 2017
Visible crew/equipment: When Ethel walks into her hotel room and tells Lucy and Fred about having to push the motorcycle to three different places, the second camera (or other equipment) keeps moving in and out of shot at the right side of the screen. (00:13:00)
6th Jan 2017
Visible crew/equipment: When Ricky is with John Wayne in his dressing room at the studio, getting yet another set of footprints on the block of cement, three T-marks are visible on the floor. One of those T-marks can be seen closeup when Wayne is lying on the table for his rubdown. (00:18:10)
6th Jan 2017
Visible crew/equipment: When Molly walks into the "memory lane" tent at the carnival, four shots in we can see the reflection of a crewmember (moving dark silhouette) on the glass display beside the entrance. Then as Molly turns the crank and looks into the Mutoscope, in the wideshot we can see a crouching male crewmember hiding behind the case, at the left side of the screen. (00:28:15)
1st Jan 2017
Visible crew/equipment: After Molly coughs up blood while she's with Dorothy, when it cuts to Julie walking into the Humanichs lab, as the camera pans to the right we can see the reflection of a crewmember (crouching behind a cup) on the glass wall. (00:35:55)
1st Jan 2017
One for the Road (1) - S11-E26
Visible crew/equipment: When Rebecca leaves Don at the table to relax while she gets champagne to "celebrate the answer", it cuts to an overhead shot as we hear the TV host introduce Salman Rushdie and Dr. Ruth, and the set lighting can be seen as well as the boom and mic moving around at the top of the screen. A few minutes later the mic can be seen bobbing again in the overhead shot from the same angle. (00:03:20 - 00:08:20)
16th Dec 2016
Visible crew/equipment: After JD tells Schatze that Tom came to the wedding and he isn't wearing a tie, just as Schatze says, "Who does he think he is anyway, crashing my wedding," we can see the shadow of the boom mic drop into view on the wall, at the left side of the screen. (01:27:55)
9th Dec 2016
Visible crew/equipment: When Nisi and Mickey first walk into the bathroom Mickey asks why there are two toilets, and in the next shot the microphone pops up into view at the bottom of the screen.
9th Dec 2016
Visible crew/equipment: While Ed, Chico, and Louie are at the diner, when Anita pours Louie some coffee Chico comments that she's a strange girl, and in the next shot the boom mic dips into view at the top of the screen. (00:14:30)
9th Dec 2016
Visible crew/equipment: While Ed is speaking with the judge in her chambers Chico is brought into the room, and just as Chico tells the judge that he's never in his life seen Ed, the boom mic dips into view and moves around at the top of the screen.
9th Dec 2016
Visible crew/equipment: After Chico tells Ed and Louie about the girl in the see-through blouse who sits beside him in the jury box, when Louie asks Chico to tell them about the trial, the boom mic dips into view at the top of the screen.
2nd Dec 2016
Visible crew/equipment: After Potter tells Klinger that his lawyer, Schaeffer, is a fake who's impersonated a chaplain among other things, when Schaeffer tells them that 25 couples are living in sin, in the next shot two curved chalk actor's marks can be seen on the floor. (00:35:45)
2nd Dec 2016
Goodbye, Farewell, and Amen - S11-E16
Visible crew/equipment: While Klinger is on the phone trying to set up BJ's transportation home, just as Winchester walks into the office pointing out the company clerk the shadow of the moving boom can be seen on the wall, and it's also visible when Winchester takes the mailbag and dumps the contents. (00:42:50)
2nd Dec 2016
Don Juan and the Starlets - S4-E18
Visible crew/equipment: After Fred fibs to Lucy about Ricky spending the night, when Fred walks over to the door just as Ethel walks in, we can see the shadow of the boom mic moving at the top, right corner of the screen. (00:18:30)
2nd Dec 2016
Visible crew/equipment: At the start, when Lucy pulls into the "gas station" the thin cable pulling the Pontiac is visible in front of the car, and when Ethel walks in front of the car note that the actress quickly glances down and steps over it, just as she says they're lost. Additionally, the glass windshield and rearview mirror are gone.
2nd Dec 2016
First Stop - S4-E14
Visible crew/equipment: While Lucy and Ricky are lying in the sagging mattress "canoe", when the train passes and their bed rolls towards the bunk bed, the end of the set wall is visible at the right side of the screen. (00:17:30)
2nd Dec 2016
California, Here We Come! - S4-E13
Visible crew/equipment: When they're all finally in the Pontiac ready to leave NYC, just as Ricky starts to drive away we can see cables jiggling under the Pontiac, to the left of the front tire, pulling the car. Funny to see how Ricky puts his hand on the gear stick, but never actually does anything with it. (00:23:40)
2nd Dec 2016
California, Here We Come! - S4-E13
Visible crew/equipment: When "Mickey" takes his mother-in-law's suitcases to the back, just as Lucy and her mother sit down on the couch, we can see the bright shadow of something moving across the piano behind them. (00:06:50)
1st Dec 2016
Visible crew/equipment: When Lucy and Mrs. Littlefield bring out the soup and then salad, at the start of the shots just as they leave the kitchen, the shadow of another camera can be seen on the edge of the set's "wall" at the right side of the screen. (00:20:25)
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