Super Grover

The Dalotek Affair - S1-E17

Visible crew/equipment: At MoonBase, when Nina announces the three UFO sightings, the shadow of the boom mic sweeps across the wall, above the monitor. (00:05:20)

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The Responsibility Seat - S1-E25

Visible crew/equipment: When SkyDiver is told to launch Sky One for the search, just as Waterman gets his jacket on, the boom mic pops up into view at the bottom right corner of the screen. (00:17:30)

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The Sound of Silence - S1-E23

Visible crew/equipment: While Russ and Anne are on horseback, Russ pursues the trespasser and threatens him with the rearing horse. When Anne calls out, "Russ," and takes off after him, the boom operator and boom pole/mic are visible at the left side of the screen, just as Anne passes the tree. (00:11:40)

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Exposed - S1-E2

Visible crew/equipment: Straker brings Paul Foster to SHADO Control and takes him into his office, then just as Straker says, "Ok, Alec, wheel them in," the boom microphone pokes into the shot at the left side of the screen. (00:44:05)

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Identified - S1-E1

Visible crew/equipment: Near the start, Henderson and Straker exit the plane and enter the Rolls-Royce, then just as the car passes the camera, the reflections of the camera, camera operator, and another crew member with an arm up holding a small screen are visible on the window. (00:03:40)

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Visible crew/equipment: When Lola begins "What It Takes" and sings, "Who's got what it takes to be my guy," we see the reflection of a camera operator with a Steadicam on the shoulder, at the left side of the screen. Three shots later, after Lola sings, "What it takes to get me all fired up," at the start of the shot, a camera is visible at the left side of the screen as it moves out of shot. Then, when Lola sings, "I'm waiting to find out," at the left side of the screen we see a camera operator standing beside a camera. (00:14:55)

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Visible crew/equipment: In the kitchen, when Connie takes the boxes of cupcakes to the storage room, she tells Mitchie to clean up. Right before Mitchie bends down, a horizontal orange tape mark in front of the steel sink is visible on the floor behind the canned goods. Then, when Shane walks into the kitchen and asks, "Do you work here," we can see a vertical orange tape mark. (00:27:45)

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Visible crew/equipment: When the two detectives drive into Sunrise Studios, Kincaid says he's going to talk to studio brass about the photos. Wallace gets out of the car, and Kincaid tells him to keep an eye on Sidney. As Kincaid drives off, we can see the reflection of the microphone and also a bit of the camera beside Kincaid. (00:52:45)

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Visible crew/equipment: When Jasmine spots the red truck, she tells Dylan to stay with Boomer, and she rushes over to the truck. Then, as Jasmine jumps up beside the driver's door, the reflections of the boom operator and boom pole are visible on the windshield, at the top left corner of the screen. (01:06:55)

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The Bobbie Fleckman Story - S5-E3

Visible crew/equipment: During the videotaping of the Brian Setzer Orchestra in the Sheffield home, some of the camera angles (not the norm) are so low that we can see the top of the set.

Super Grover ★

Dead of Winter - S2-E11

Visible crew/equipment: At the very start, the camera tracks past the ambulance entrance towards admitting, and when the camera turns as Rolando asks, "What's your ETA?" the reflection of the camera operator is visible on the glass. (00:00:20)

Super Grover ★

Dead of Winter - S2-E11

Visible crew/equipment: When Peter examines the little boy again and tells Jeanie and Susan to draw pre-op labs, just as Peter exits the room behind Jeanie, the reflection of the moving boom pole/mic is visible on the door's glass. (00:18:50)

Super Grover ★

Dead of Winter - S2-E11

Visible crew/equipment: When Mark and Doug are talking about Jen, Doug says, "If you can't make a marriage work, how the hell am I gonna," and just as Mark joins Susan at the desk, the reflection of the moving boom pole/mic is visible on the glass behind Mark. (00:22:15)

Super Grover ★

Visible crew/equipment: When Bond and Tiffany speed away from the Tectronics facility, three of the security guards are at their inoperative vehicle, and there's a reflection of film crew on the surface of the vehicle.

Super Grover ★

Visible crew/equipment: When Piccolo and Sayers see JC pinning the paper with Sunday's lineup, Piccolo begins to walk away. In the closeups facing Sayers, we can see the outline of the strip of tape holding the lavalier mic that's taped to his chest, under his shirt. In the shot facing Piccolo as he walks toward the door, we can see the bulge of the mic transmitter at his back. (00:25:15)

Super Grover ★

Visible crew/equipment: When Coach joins Piccolo and Sayers in their room, Coach tells them he wants to speak to both of them as it cuts to a medium shot, and the shadow of a boom mic moves around near the top right corner of the screen. (00:38:05)

Super Grover ★

Charlene's Flat World - S3-E9

Visible crew/equipment: At the end, when Riley returns with Charlene and Robbie because they couldn't be thrown off the edge of the world, the electrical cables for the animatronics are visible under and behind Earl.

Super Grover ★

Charlene's Flat World - S3-E9

Visible crew/equipment: During the trial, while the first witness gives his testimony against Charlene, when the prosecutor reiterates, "Disagreeing with the majority in a democracy," and the judge responds, "Well, that settles it for me," the blonde hair of the puppeteer is visible beside the judge, at the bottom left corner of the screen. (00:12:40)

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The Man Who Was Never Born - S1-E6

Visible crew/equipment: After Mrs. McCluskey faints, when Noelle kneels down beside her, the moving boom mic casts a shadow on the rug, at the right side of the screen.

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Fathers of the Bride - S3-E3

Visible crew/equipment: At the reception, Cathy takes Alex's hand because she wants him to meet someone, and in the next shot Phyllis crouches down. When it cuts to the next wide shot, the top of the set and the boom mic are visible at the top left side of the screen. The boom mic continues to be visible in the following few wide shots, when Cathy asks her mother why Alex was seated up in the balcony and how the mistake was made, then when Cathy walks away. (00:12:55)

Super Grover ★