Sacha

Continuity mistake: While Casey is talking about his wife, all the front and back shots show his left hand on his face. But in a front angle he places a finger on his neck, the following back angle still shows all the hand on the face, the previous position.

Sacha ★

Continuity mistake: When Superman falls straight and unconscious off the Statue of Liberty he's facing a 9 o'clock direction. In the next angle he is facing 5, then lands facing 7.

Sacha ★

Continuity mistake: While the subway is running loose, Lois stares at something, an immediate POV reveals it's the bystanders on the platform. But this is all wrong, the train is inside a pitch black tunnel all the time.

Sacha ★

Continuity mistake: During the subway sequence, the carriage in front of Lois's is empty, but when the train comes to a stop it's packed with people.

Sacha ★

Continuity mistake: When Superman stops the subway train, there's a black man with a moustache, red shirt and a gabardine suit in the first line. Then he manages to appear meters behind, despite the jam on the platform. Then Lois appears behind him. Then she magically disappears and he appears back on the front.

Sacha ★

Continuity mistake: When Clark is about to leave the hotel, a man appears by the dark car on the right in less than half a second.

Sacha ★

Continuity mistake: Before Clark steps down off the trolley, a group of people surrounded by suitcases are seen on the back, but disappear when the angle changes.

Sacha ★

Continuity mistake: After nuclear Man crumples the cab's hood, there's another taxi behind starting to drive slowly towards the damaged cab. A frame later, a new angle shows that taxi repeating the previous movements but really fast.

Sacha ★

Continuity mistake: When Lacy is about to enter the elevator, a light brown rug has appeared on the floor behind, which disappears in the next wide shots.

Sacha ★

Continuity mistake: In the hotel, right before Lacy enters the elevator, the hall of the hotel is filled with plants, couches and people. A second later, while Clark is on the trolley, the hall is a vast, empty place for the trolley to wander around.

Sacha ★

Continuity mistake: When Superman is out on the balcony with Lois, a tall, wide building is reflected on the glass behind, but when the angle changes to Superman's POV the building is gone, and now there's just a vast open space and a thin skyscraper.

Sacha ★

Continuity mistake: When Luthor introduces Nuclear Man to Superman, a towel on a chair changes from ironed and flat to a big bundle in less than a second.

Sacha ★

Continuity mistake: When Superman cools the huge river of lava, a bunch of fresh white and red carnations can be seen inches away. Perhaps they are an ultra-heat-proof breed?

Sacha ★

Continuity mistake: When the bellboy picks up Clark with the baggage trolley, he makes a close turn to the right and drives parallel to the elevator. When the angle changes he is in a totally different position.

Sacha ★

Continuity mistake: Before French dies he starts to cough and there's suddenly less bullet holes in the windshield than in the previous shot.

Sacha ★

Continuity mistake: While running from the cops, French turns the car 90º to the left, but from a different angle it's still facing in the original direction.

Sacha ★

Continuity mistake: During the final shootout between the baddies and the cops, the pilot window of the grey GM is destroyed but appears perfect a second later.

Sacha ★

Continuity mistake: When Costello and French encounter the cops, the first shot shows the cops' car turning their lights on. In a new shot a second afterwards the lights on the middle and right side cars are out and they are turning them on again. On yet another new angle, the lights on the car on the left turn from off and on again in a split second.

Sacha ★

Continuity mistake: When Sullivan crosses the street there's a lot of people going to the right. From the CCTV recording there's just one person.

Sacha ★

Continuity mistake: While Queenan is talking to Costello out on the street, watch the people behind him. First there's no one, then we have a shot of a woman and a huge line of kids passing next to her. Then back to Costello and the woman, who hasn't moved, is now miraculously visible behind him. To add to the mess, the kids have vanished.

Sacha ★