Sacha

Continuity mistake: On the boat, when looking for the shark, Ben lifts the speed handle and puts his hands away from it. When he grabs it again, couple seconds later, with the boat moving fast, the handle is down and he lifts it again.

Sacha ★

Continuity mistake: The crew is reflected on the glass on the wall when Ben visits Cat in her apartment.

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Continuity mistake: When a guy is playing frisbee with his dog on the beach, the sky keeps swapping from sunny to cloudy.

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Continuity mistake: Cat places a GPS and camera on the shark's right side of the tail, but the images they receive are from the left side of the tail.

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Continuity mistake: Cat places a GPS on the shark's tail, and the gadget sticks out as if someone had placed it from behind. But she was on the right side, and aimed straight, so there's no way for the GPS to be in that position.

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Continuity mistake: On the boat, the crew is filming the shark approaching. When it swims, bait suddenly appears hanging from the air, which changes to a humongous piece of bait half a second later, together with the climate, that swaps to cloudy, and then in a change of angle the bait is gone and it's sunny again.

Sacha ★

Continuity mistake: Before the cameraman is about to be attacked by the shark, he says he's filmed a great scene and gives a high five to Cat two times. The second one, she lifts her right arm but immediately the shot cuts to a close-up where she has her arm down, yet the sound of hands touching is heard.

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Continuity mistake: The shark is about to attack the cameraman but instead bites a wooden plank on the boat and withdraws back to the ocean, causing no human or material damage. However, in the following close-up, bite marks appear on the wood.

Sacha ★

Continuity mistake: In Playa del Rey, the 2 guys watch Cataline's butt and she calls their attention. The glasses on the face of one of them keep swapping from being well placed to up by his forehead.

Sacha ★

Continuity mistake: Seen from inside the train-driver's seat, the tunnel is darker and with lights on both sides, but a shot of the tunnel alone shows it brighter and with no lights on the left side. Then it cuts back to the previous angle and everything changes back.

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Continuity mistake: Superman walks to a building in front surrounded by grass and with no people or traffic nearby. However, immediately after, a close-up shows him approaching a totally different place, crowded with people and a traffic jammed street.

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Continuity mistake: When Superman flies together with Lois his hair moves a lot because of the wind; but when he flies alone it stays perfect.

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Continuity mistake: Superman walks towards the UN and there are benches in front of him. In the next wide angle they've disappeared.

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Continuity mistake: When the train driver passes out, several (speeded-up) shots of the tunnel and the shots of the bystanders on the platform show that the train is moving really fast, but in between there's a shot of Lois at normal speed, and the lights of the tunnel seen through the windows show that the train speed is quite low.

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Continuity mistake: When Nuclear Man destroys Metropolis, he stands by the Metropolis Tower entrance, but disappears and reappears randomly depending on the angle.

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Continuity mistake: On the moon, nuclear Man grabs a rock with a huge hole underneath and holds it over his head. The angle changes and the rock has changed to a different one with a solid bottom.

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Continuity mistake: Nuclear Man lands in Metropolis and the cab driver on the left swaps several times from having his arm inside the car in the wide angles, to outside the cab's window in the close-ups.

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Continuity mistake: When Nuclear Man arrives at the Statue of Liberty he lowers his arms twice.

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Continuity mistake: When Mrs. Warfield waits for Clark in her office, there's a white sculpture on the table. From the back it's away from a brown object, from the front it's very close to it.

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Continuity mistake: On the terrace, when Superman and nuclear Man are about to fight, the rope next to the lamp on the wall keeps changing positions between shots.

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