Visible crew/equipment: When Station 51 is dispatched to a vehicle accident in the canyon, en route there's a shot from the POV of the top of Engine 51, with the dome light in front of the camera, and the reflection of the covered camera, which is mounted on the engine's roof, is visible in the dome light's chrome surface.
Visible crew/equipment: After Cora is rescued from the cactus patch, when Harry annoys her and tells her to keep a stiff upper lip while she's lying on the gurney, the reflections of crew members and two reflector screens are visible on Harry's red bike helmet.
Visible crew/equipment: When Johnny and Roy help Cora crawl along the ladder from the cactus patch located in a secluded area, just as Johnny tells her to take it nice and slow, the camera moves a bit too far to the left and then shifts back to the right, but not before we are able to see a crew member, equipment and a large patio-style umbrella.
Visible crew/equipment: When Roy treks across the ladder to get to the woman in the cactus patch, the outlines of the lav mic transmitter and wire are visible at the back, right side of Roy's shirt. Then, when Johnny's on the Biophone with Rampart, the outline of the mic transmitter is visible at the back, left side of Johnny's shirt.
Visible crew/equipment: When Brackett walks out of his office, Betty walks over to him and asks if it's okay to go to Dixie for help with the nurses' scheduling problem, and the bulging outline of the mic transmitter is visible on the back of her uniform, directly under its zipper.
Visible crew/equipment: When deciding how to rescue Cora from the middle of the cactus patch, Mike parks Engine 51 at the side of the road, beside the hill with the cactus. During the rescue there are closeups of Cora's husband standing beside Engine 51, and we see other things reflected on the engine instead of just the side of the hill. Additionally, his position in the closeups differs from where he stands in the wideshots.
Visible crew/equipment: While Roy is hanging off the side of the building with the second victim, Johnny's trying to tie off the swaying sign, then after he asks for some slack the second time, there's an overhead shot from the roof, and we can see the shadow of the camera and a bit of a crew member, at the bottom of the screen. Then a few shots later, from the same POV, we still see the camera's shadow, and we also see the leg of a crew member (white sneaker and dark pants) walk into the shot and back out, at the left of the screen.
Visible crew/equipment: At the scene of the swaying sign accident, when Roy and Johnny get the gear out of the squad the outlines of the mic transmitters are visible on the left side of Johnny's shirt and right side of Roy's. Once they're on the roof both of the mic transmitters' outlines are on the right sides of their shirts, and later when Roy and Gil are pulled up onto the roof, the bulging outline is visible again at Roy's right side.
Daisy's Pick Blind Date - S4-E7
Visible crew/equipment: After rescuing the injured man from the burning theater, when Roy and John are on the roof getting the stokes with the victim onto 36's snorkel, we can see a crew member's arm/hand, wearing a white patterned long sleeve shirt, standing at the right side of the screen.
Daisy's Pick Blind Date - S4-E7
Visible crew/equipment: When Roy and Johnny are with the hypothermic refrigeration engineer, the outlines of the mic transmitter and wire are visible on the back, left side of Johnny's shirt. Note that when Johnny and Roy are in the ambulance with the patient, Johnny is not wearing the lavalier transmitter and wire anymore.
Daisy's Pick Blind Date - S4-E7
Visible crew/equipment: After Brackett's examination of Jerry, the unconscious 3 year old, when he goes to the waiting room and introduces himself to Jerry's parents, the top of set can be seen over treatment 1.
Daisy's Pick Blind Date - S4-E7
Visible crew/equipment: When the unconscious little boy is loaded into the ambulance, we see the actors' chalk x marks on the ground, where Roy, the boy's father, and mother are all standing.
Daisy's Pick Blind Date - S4-E7
Visible crew/equipment: After the hypothermic victim is rescued from the ice house, just as the attendants wheel the stretcher into the ER, at the end of the hallway, the top of the set is visible where the ceiling should be.
Visible crew/equipment: While en route to the accident, just as we hear the dispatcher inform Engine 51 that the fire is out, in the exterior shot of Squad 51 there's black tape covering much of the lightbar's chrome atop the cab, which vanishes when they roll up on the accident scene.
Visible crew/equipment: When Roy and Chet find the unconscious boy in the camper, and Roy tends to the young boy, the outlines of the mic transmitter and wire are visible on the back, right side of Roy's shirt.
Visible crew/equipment: When Roy and Johnny are tending to the man with possible paralysis, who is lying on the ground, the bulging outlines of the lavalier mic transmitter and wire are visible on the back, left side of Johnny's shirt.
Visible crew/equipment: When Brackett walks into the adjoining treatment room to talk to Pete about his pregnant wife, and tells him to sit, the legs (wearing jeans) of the cameraman/crew member are reflected on the chrome of the gurney, as he walks forward when the camera dollies in for a closeup.
Visible crew/equipment: When Johnny, Roy, and the two ambulance attendants lay the injured pregnant woman onto the stretcher, two crew members' hands and a foot become visible as the camera pans too far to the right.
Visible crew/equipment: At the home of the pregnant woman who was shot, the only ones there with Dora are Pete, Roy, Johnny and Vince. When the two ambulance attendants bring in the stretcher, a crew member's entire right arm (wearing short, white sleeve with pinstripes) comes into view on the right side of the screen, as the camera pans back.
Visible crew/equipment: When Johnny and Roy are at the home of the pregnant woman who was shot, the bulging outline of the mic transmitter is visible on the back, left side of Johnny's shirt.
Answer: I was rewatching a few first season episodes of Charlie's Angels (1976), and in S1xE6 "The Killing Kind," I recognized the same actor. So, to finally fully answer your question, the two baseball players in School Days are played by Rod Perry and Sean Fallon Walsh.
Super Grover ★