Inigo Montoya: Who are you?
Westley: No one of consequence.
Inigo Montoya: I must know.
Westley: Get used to disappointment.
Inigo Montoya: Okay.
Nigel: The numbers all go to eleven. Look, right across the board, eleven, eleven, eleven and...
Martin: Oh, I see. And most amps go up to ten?
Nigel: Exactly.
Martin: Does that mean it's louder? Is it any louder?
Nigel: Well, it's one louder, isn't it? It's not ten. You see, most blokes, you know, will be playing at ten. You're on ten here, all the way up, all the way up, all the way up, you're on ten on your guitar. Where can you go from there? Where?
Martin: I don't know.
Nigel: Nowhere. Exactly. What we do is, if we need that extra push over the cliff, you know what we do?
Martin: Put it up to eleven.
Nigel: Elevn. Exactly. One louder.
Martin: Why don't you just make ten louder and make ten be the top number and make that a little louder?
[Pause.]
Nigel: These go to eleven.
George Bailey: Just a minute... Just a minute. Now, hold on, Mr. Potter. You're right when you say my father was no businessman. I know that. Why he ever started this cheap, penny-ante Building and Loan, I'll never know. But neither you nor anyone else can say anything against his character, because his whole life was... Why, in the 25 years since he and his brother, Uncle Billy, started this thing, he never once thought of himself. Isn't that right, Uncle Billy? He didn't save enough money to send Harry away to college, let alone me. But he did help a few people get out of your slums, Mr. Potter, and what's wrong with that? Why... Here, you're all businessmen here. Doesn't it make them better citizens? Doesn't it make them better customers? You... You said...what'd you say a minute ago? They had to wait and save their money before they even ought to think of a decent home. Wait? Wait for what? Until their children grow up and leave them? Until they're so old and broken down that they... Do you know how long it takes a working man to save $5,000? Just remember this, Mr. Potter, that this rabble you're talking about...they do most of the working and paying and living and dying in this community. Well, is it too much to have them work and pay and live and die in a couple of decent rooms and a bath? Anyway, my father didn't think so. People were human beings to him. But to you, a warped, frustrated old man, they're cattle. Well in my book, my father died a much richer man than you'll ever be!
Ken: You coming up?
Ray: What's up there?
Ken: Well, the view.
Ray: The view of what? The view of down here? I can see that down here.
Ken: Ray, you're about the worst tourist in the whole world!
Ray: Ken, I grew up in Dublin. I love Dublin. If I'd grown up on a farm, and was retarded, Bruges might impress me. But I didn't, so it doesn't!
Messenger: What makes this woman think she can speak among men?
Queen Gorgo: Because only Spartan women give birth to real men.
Billy: Eat shit and die, Ricky.
Ricky: Eat shit and live, Bill.
Yoda: We are what they grow beyond.
Fred's Dad: I should have ejaculated in your mother's anus instead the night you were conceived.
Peter Quill: You're like Mary Poppins.
Yondu: Is he cool?
Peter Quill: [Pause.] Hell yeah, he's cool.
Yondu: I'm Mary Poppins, y'all!
[At Sterling, when arrows rain down on the Scots.]
Stephen: The Lord tells me he can get me out of this mess, but he's pretty sure you're fucked.
Julia Knight: Dick me dead, and bury me pregnant.
Ricky Baker: It was a relaxing song... and a relaxing sausage.
Ned Pepper: What's your intention? Do you think one on four is a dogpaw?
Rooster Cogburn: I mean to kill you in one minute, Ned. Or see you hanged in Fort Smith at Judge Parker's convenience. Which'll it be?
Ned Pepper: I call that bold talk for a one-eyed fat man!
Rooster Cogburn: Fill your hand, you son of a bitch!
Gigi: Girls are taught a lot of stuff growing up. If a guy punches you he likes you. Never try to trim your own bangs and someday you will meet a wonderful guy and get your very own happy ending. Every movie we see, Every story we're told implores us to wait for it, the third act twist, the unexpected declaration of love, the exception to the rule. But sometimes we're so focused on finding our happy ending we don't learn how to read the signs. How to tell from the ones who want us and the ones who don't, the ones who will stay and the ones who will leave. And maybe a happy ending doesn't include a guy, maybe... It's you, on your own, picking up the pieces and starting over, freeing yourself up for something better in the future. Maybe the happy ending is... Just... Moving on. Or maybe the happy ending is this, knowing after all the unreturned phone calls, broken-hearts, through the blunders and misread signals, through all the pain and embarrassment you never gave up hope.
Running Buffalo: Swell party, where's the whisky?
Jack Sparrow: Who makes all these?
Will Turner: I do. And I practice with them... Three hours a day.
Jack Sparrow: You need to get yourself a girl, mate. Or perhaps the reason you practice three hours a day is that you've already found one and are otherwise incapable of wooing said strumpet. You're not a eunuch, are you?
Check-Out Woman: Are you here all by yourself?
Kevin McCallister: Ma'am, I'm eight years old. You think I would be here *alone*? I don't think so.
James Pepper: You know, there's an old saying, Miss Sally. There's no law west of Dodge and no God west of the Pecos. Right, Mr. Chisum?
John Simpson Chisum: Wrong, Mr. Pepper. Because no matter where people go, sooner or later there's the law. And sooner or later they find God's already been there.
Flynn Rider: They just can't get my nose right.
Hamm: Hey, do you want a S'more?
Scotty: Some more what?
Hamm: No, no. Do you want a S'more?
Scotty: I haven't had anything yet, so how can I have some more of nothing?
Hamm: You're killing me Smalls.