Buffy The Vampire Slayer

Beneath You - S7-E2

Continuity mistake: Shortly after the opening credits we see Buffy, Dawn and Xander driving to the new high school. As they're talking, the rest of the credits roll by onscreen. Just after "Producer: Marc David Alpert" is shown, there is a side-angle shot of the car and you can see Xander's left arm resting outside on the open door window. But in the following shot he has both his hands on the steering wheel.

THGhost

Same Time, Same Place - S7-E3

Continuity mistake: In episode 'Same Place, Same Time', Gnarl cuts Dawn across the stomach paralysing her and ripping her shirt, but when Buffy and Xander are carying her home there is no tear in her shirt or any blood. Also when Buffy goes back to kill Gnarl he tears her shirt but seconds later the rip has gone.

Help - S7-E4

Continuity mistake: When Cassie and Dawn were talking, just before Cassie got kidnapped, Cassie put her hand on Dawn's shoulder, but in the next shot, her hands were by her side.

Buffy The Vampire Slayer mistake picture

Help - S7-E4

Continuity mistake: Towards the end, when Buffy stops the arrow, when she first grabs it her hand drops down to Cassie's mouth level, and her arm's bent at the elbow. When we cut to another angle it's now held at arm's length and at about eye level.

Jon Sandys

Selfless - S7-E5

Continuity mistake: In the flashback to St. Petersburg, 1905, just after the burning man runs out of the room, Halfrek mentions the Revolution. Between shots, Anya's champagne glass switches from her left hand to on the table and back.

THGhost

Him - S7-E6

Continuity mistake: When Dawn is in Principal Woods' office to talk about the accident, she gets up and leaves. Her bag is still hanging from the chair, but she has it in the next scene.

Sleeper - S7-E8

Continuity mistake: When Anya is sneaking into Spikes room after she closes the door the shot goes to spike and the sheet is lying square across his stomach and the camera goes back to Anya she then walks over to the chest of drawers and we see spike in the shot and the sheet is now lying at an angle so we can see his hip.

julie sheridan

Sleeper - S7-E8

Continuity mistake: Willow tells Buffy that the Big Bad's lies were very convincing, she then debates whether it was trying to confuse them, mess them up or just trying to be cruel. As she says this, Buffy's fringe changes position between shots.

THGhost

Sleeper - S7-E8

Continuity mistake: When Anya pretends to want to have sex with Spike again, she holds a stake up in her right hand. In the shots facing Anya she holds it at a horizontal angle. But in the shots behind her, she holds it at a diagonal angle.

THGhost

Showtime - S7-E11

Continuity mistake: When Buffy is discussing the Turok-Han with the potential Slayers in her dining room, one of them says that it almost killed Buffy. Rona then spreads both her arms out and says, "What chance do we have?" In the following shot, her left arm is down by her side and her right arm is resting on the dining room table.

THGhost

Showtime - S7-E11

Continuity mistake: Towards the end of the episode, during Buffy's fight with the Turok-Han, at the construction location, her shoes are very obviously some sort of practical flat shoe, but during her speech afterwards, she is wearing fashion boots with heels.

The Killer In Me - S7-E13

Continuity mistake: Spike tells Buffy about drugs The Initiative would give him when his chip started firing after he was first captured. This is wrong in two ways: firstly, we saw most of Spike's time in captivity, and he escaped before they could drug him, and secondly, he didn't even know he had a chip until he escaped and tried to kill Willow.

Shay

The Killer In Me - S7-E13

Continuity mistake: When Willow is out with Kennedy, Willow tells her that she doesn't get why she likes her. As she says "I still don't get it", she pulls her hair back over her left ear. Then when she says "Why you like me" in the following shot, her hair is hanging back down over her left ear again.

THGhost

Halloween - S2-E6

Continuity mistake: Willow is turned into a ghost. Throughout the entire episode, she can't touch anything (can't turn the pages of a book, etc.), yet towards the end when she and Giles go to Ethan's shop, and she leaves, you can hear that she opened and closed the door, even though she can walk through walls and can't actually touch the door. The curtain moves when she leaves too. (00:34:05)

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Touched - S7-E20

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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The Yoko Factor (1) - S4-E20

Question: At the last moment before leaving for good, Angel pauses to tell Buffy "I don't like him" [Riley], to which she replies with a large smile "Thank you." Why does she take this comment surprisingly well? From an ex boyfriend to her new boyfriend? It's not like it sounds like a friendly warning of any sort, nor a joke given the tense situation between the two guys in the episode. And the smile on Buffy's face does not make her response look ironic either, more like loving/caring. Is that a cross over reference to another dialogue in the Angel series?

AnthonyA

Chosen answer: Angel is saying that he is still jealous and Buffy recognizes that this is his way of saying he wishes that they could be together. That is why they both smile.

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