Buffy The Vampire Slayer

Welcome To The Hellmouth (1) - S1-E1

Continuity mistake: The scene where Xander is on his skateboard, he becomes distracted seeing Buffy walk up the stairs and accidentally hits the pole. When the camera pans back, you can see Buffy is out of view, and is nowhere to be seen. Because she was still at the top of the stairs when Xander hit the pole, you should have been able to see her walking in the background.

Welcome To The Hellmouth (1) - S1-E1

Continuity mistake: When Buffy meets Angel, Angel is walking down the alley and Buffy swings around a pole and kicks him from behind. Except you can tell in the first shot that Angel is too far ahead of her - she couldn't have reached him to kick him. She's only able to reach him through the power of editing, as the shot cuts, and he's suddenly closer to her. She also somehow flips backwards yet lands in front of him. The scene looks cool in motion, but makes absolutely no logistical sense if you watch closely.

TedStixon

Welcome To The Hellmouth (1) - S1-E1

Continuity mistake: In the beginning, when Darla and the boy break into the school, the boy breaks through a window, reaches in, and unlocks the window from inside. When he does this, as the shot changes, the broken glass around the window changes slightly between cuts. (Noticeably, the glass wedged between his hand and the window vanishes.) Additionally, in the first shot, there's a microscope right next to the window, about an inch away. In the next shot, it seems to have moved about four inches to the left.

TedStixon

Welcome To The Hellmouth (1) - S1-E1

Continuity mistake: When the Master first starts to appear, rising out of the pool, the top of his head is wet. But in the next shot (a wideshot) where you see him continue to rise, he's bone dry. This is because in the first shot, the actor is really coming out of the liquid, whereas in the next shot, he's added through visual effects. He obviously was supposed to look "dry" the entire time, but because the first shot was done with an actor rising out of the pool on-set, there was no way for him to emerge dry.

TedStixon

Welcome To The Hellmouth (1) - S1-E1

Continuity mistake: When Jesse asks Cordelia if she wants to dance at the Bronze, and she replies "With you?", she goes from facing downwards to facing sideways towards Jesse between cuts. They try to hide the continuity mistake with editing (cutting the shot as an extra is partially obscuring the frame as he walks by), but you can see clear as day that she goes from looking down to looking sideways instantly.

TedStixon

Welcome To The Hellmouth (1) - S1-E1

Continuity mistake: When Buffy meets Willow at the Bronze, a drink basically magically materializes in Buffy's hands at one point. She points to the bartender like she wants a drink, but a few shots later (when she says "How come?") she suddenly has a drink in her hand without having picked it up in any previous shot. She also goes from not sipping her drink to sipping it between cuts just a few shots later.

TedStixon

Welcome To The Hellmouth (1) - S1-E1

Continuity mistake: This is hard to describe. When Buffy and Joyce are talking in her room, Joyce keeps pulling pillows off Buffy's bed and re-arranging them. However, at one point, when the shot cuts back to her, she's holding a different pillow than in her last shot. This technically wouldn't be a mistake since she's off camera except in the shots facing Buffy, there's a mirror behind her with her bed in view, so we should have Joyce put down the first pillow and pick up the second one... and we don't.

TedStixon

The Harvest (2) - S1-E2

Continuity mistake: A cut scene shows the sun had just gone down right before Buffy heads to the Bronze and Joyce tells Buffy she will make them dinner if she chooses to come downstairs. This would assume it is evening. When Buffy kills Luke she says sunrise is in 9 hours. Considering this episode takes place in March, that would mean the sun would have gone down around 7pm. But 9 hours from sunrise would be around 10pm.

The Harvest (2) - S1-E2

Continuity mistake: When Buffy is shown pulling the secret chest out of her closet with weapons against the vampires, the window behind her shows daylight, but when she steps out of her window it is fully dark. There is also a cut scene right before that shows it was twilight, but there was late afternoon sunlight shining through the windows of her room. It's not possible for the sun to go down that fast.

Witch - S1-E3

Continuity mistake: At home Buffy helps her mother open a crate. She tears off the cover and leaves it hanging by the side. Next shot the lid is back on. Not nailed anymore of course, but there was no time to put it back on.

Buffy The Vampire Slayer mistake picture

Teacher's Pet - S1-E4

Continuity mistake: When Buffy finds Dr. Gregory's glasses on the lab floor she places them on the table, from the long shot she places them at the left end of the table near a plastic tub with a white lid, with the glasses open. Then it cuts to a close up where they are in front of a book on the right side of the table and are closed. Then cut back to the long shot and they are in the original place. (00:10:25)

troy fox

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Touched - S7-E20

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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Chosen answer: "So goes the nation" seems to have been used on many occasions, with various different US states in the "As .... goes" section. Most commonly it seems to be California that's considered to lead the way, but probably most other states have appeared in the lead role at some point or another. Other things have also been used - no less a person that Pope John Paul II said "As the family goes, so goes the nation...". The origin of the quote format is unclear - in US politics it goes back into the 19th century, when it was Maine that held the title spot, but, while no definitive origin is known, it seems highly likely that it goes back considerably further than that.

Tailkinker

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