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Visible crew/equipment: After Brian transfers Mia in the FBI building, there is a shot of a red car with chrome bumpers. In the bumper you can see a cameraman walking forwards with the camera. (00:24:15)

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Revealing mistake: When Dom and Letty get out the car at the crash scene, there is a light reflected in the paintwork quite low. When the camera pans out you can see it's not the moon due to its position, and there is no other light source around that could cause the light to be reflected so low on the car. (00:19:15)

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Continuity mistake: When Mia hugs Dom in the garage, her hands keep changing position and grasp on Dom's shoulder. (00:16:50)

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Visible crew/equipment: When the guy on the roof stands and takes aim at the window in preparation for Brian, the film crew are reflected in a window behind him. (00:13:00)

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Continuity mistake: When the truck driver shoots at Dom at the start, we see his window smash in on him. Camera changes and it smashes again, but this time it smashes out, on to the road. (00:03:50)

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Visible crew/equipment: Just after Dom says "T, you're up," a camera moves across Han's truck and up to the window. When it moves the shadow of the camera can be seen on the orange paint, moving. (00:03:00)

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Visible crew/equipment: When Han does the handbrake turn right at the start, you can see the camera car reflected in the chrome bumper in the closeup. Slo-mo helps but is not required. There are also skid marks from previous takes. (00:02:00)

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Visible crew/equipment: When Dom gets out his car right at the end, the camera crew are reflected in the door. (02:01:00)

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Other mistake: Throughout the entire chase scene at the end, the vault creates sparks on the road. Yet when they get to the bridge, no sparks appear. This cannot be due to the vault being empty at this point, as the vault itself is 10 tonnes, as mentioned earlier in the film. (01:49:00)

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Continuity mistake: Throughout the vault scene, the amount of police cars in pursuit is constantly changing. In one shot you have 4 black and white cars and 2 yellow 4x4's. Next shot the 4x4's have gone. (01:45:00)

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Continuity mistake: There is one point during the vault scene where a cop is leaning out the passenger window shooting at Brian and Dom while driving down the pavement. However when that car crashes just 2 seconds later, he's not in the window, which has been wound up. (01:47:50)

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Other mistake: Throughout the vault scene, Brian and Dom have black cars. Several times they bump into each other without getting any damage. (01:47:10)

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Revealing mistake: When Dom and Brian skid to hook up the safe at the police station, tyre marks are visible on the ground from previous takes. (01:41:50)

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Continuity mistake: When Hobbs is knocked off his feet by the RPG blast, the amount of dust on his shirt keeps changing. (01:36:15)

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Continuity mistake: When Hobbs and Dom are fighting, there is a shot where there is a yellow hammer by Hobbs' head, which disappears instantly. (01:32:25)

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Visible crew/equipment: When Neves is talking to Dom in her apartment, a stage light is reflected in the TV. (01:18:40)

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Revealing mistake: Reyes shuts the safe after putting a price on Brian and Dom's heads. We see him close the safe from a camera angle inside the safe. When the safe is shut there is a light reflected on the inside of the door that can't be coming from anything that's known to be in the safe - must be the camera or similar. (00:55:25)

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Continuity mistake: When Dom and the gang burn all the money, they smash one guy pretty good, broken nose and cuts over his face. When this guy explains what happened to Reyes, there are no marks on his face. (00:49:30)

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Revealing mistake: Dom pours petrol over the money to make a point to Reyes. When he does, he pours a small bit on the top and chucks the can away. When he throws the lighter, the entire mound goes up instantly. Even areas with no petrol, and nowhere near the lighter. (00:47:05)

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Continuity mistake: When Paul and Mia jump off the roof in the favellas, in one shot Mia is in a sitting position in the air with her legs out in front of her. Camera cuts and she's now in a walking position, as if she would land on her feet. (00:33:45)

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