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And Then There Were 7 - S1-E11

Continuity mistake: When Michael goes through the wall for the first time, he lifts the grate and his hand is in the middle of the grate. When the shot changes, his hand is now at the edge of the grate he is moving. (00:11:10)

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Sleight of Hand - S1-E10

Continuity mistake: When Patterson brings the tray to Linc at the start, the position of the milk on the tray changes between shots. Note the corner of the tray. (00:09:40)

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The Old Head - S1-E8

Continuity mistake: Michael hands out sledgehammers at the end and passes one to Abruzzi with the head facing down. Abruzzi then passes this one to Lincoln but the head is now facing up. (00:39:00)

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The Old Head - S1-E8

Continuity mistake: Bellick visits Westmoreland in his cell and puts his cigs in his pocket as he walks into the cell. When he sits down, he puts the packet away again. (00:25:40)

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Riots, Drills and the Devil: Part 2 - S1-E7

Continuity mistake: When we see a military truck driving onto the grass at the start, it is by a white patrol car. When the shot changes to a ground level shot, the patrol car has gone. (00:03:10)

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Riots, Drills and the Devil: Part 1 - S1-E6

Continuity mistake: We see Sarah banging on the window of the sick bay at the end. When she does this, she is banging with one hand and resting her other hand on the glass. The hand that is on the glass changes position during instant cuts. (00:41:00)

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English, Fitz or Percy - S1-E5

Continuity mistake: When Nick and Veronica are trying to get the original tape, the folder and clipboard on the desk keep moving and changing positions between shots. Note the gap between them. (00:29:50)

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Cell Test - S1-E3

Continuity mistake: When Sucre is on the phone and finds out Marie-Cruz is with Hector, the way he is holding the receiver changes between shots, with time to adjust his grip. (00:06:05)

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Allen - S1-E2

Continuity mistake: Just as Bellick starts to look through Michael's cell, the position of the battery on the table changes between close-up shots without being touched. (00:14:30)

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Allen - S1-E2

Continuity mistake: When Lincoln is taking a selfie with Veronica, his hand is not on her shoulder. Camera cuts and now his hand is on her shoulder. (00:12:00)

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Pilot - S1-E1

Factual error: Lincoln Burrows is scheduled to die on May 11th, 2006. When Veronica learns of the priest's death, we see a wall planner on the wall with May 11th circled in red marker. The day on the wall planner is Wednesday. However, May 11th, 2006 was a Thursday. (00:32:00)

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Pilot - S1-E1

Continuity mistake: When Michael puts the duck down in front of Abruzzi, the position of the cigarettes on the table in the middle change without being touched. (00:14:30)

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You Better Watch Out - S10-E10

Continuity mistake: When Jimmy is talking about the smell of dead bodies, his mask is either on or off depending on the shot. (00:02:40)

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Canary - S10-E14

Continuity mistake: When Gibbs chucks the photos down on the desk in front of Khan, they change position without being touched. (00:14:40)

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Canary - S10-E14

Continuity mistake: When Khan is on the phone to his lawyer, he asks Gibbs who he is and holds the phone out by his ear in the rear shot but lower in the frontal shot. (00:05:20)

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Hereafter - S10-E15

Continuity mistake: When Leon enters his office at the end, the way Deputy Director holds the folder changes between shots. (00:36:20)

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Hereafter - S10-E15

Visible crew/equipment: When DiNozzo first speaks to the two Privates, the camera and an operator are reflected in his sunglasses. (00:05:20)

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Hereafter - S10-E15

Continuity mistake: When Crow falls off The Wall, the blood trail from his nose is different on the floor to when he was on The Wall. It's smaller. (00:00:55)

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Hit and Run - S10-E13

Continuity mistake: In the evidence locker, Ziva opens a folder and the white notepad is on the left-hand side. Camera changes to behind her, and now the white pad is on the right. (00:26:40)

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Shell Shock Part II - S10-E7

Continuity mistake: When DiNozzo is asking, "When was the last time Ms Fenton saw Mr Kersey?" his hand is constantly changing position between instant cuts. (00:13:10)

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