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Go - S1-E21

Continuity mistake: When the Vice President throws her glass into the fire, she raises her hand and points at Paul. Camera changes and her hand is lowered. (00:27:30)

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Tonight - S1-E20

Continuity mistake: When Sucre is removing the clothes from the toilet they are still fairly blue. When the camera changes they are pristine white. (00:30:30)

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Tonight - S1-E20

Visible crew/equipment: When the train drives off as Abruzzi is on the phone, the film crew and equipment are reflected in the window. (00:13:40)

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Tonight - S1-E20

Continuity mistake: When Abruzzi is on the phone arranging a plane for that night, the train in the station that is seen leaving changes between shots. The number painted on the outside of the front door changes from 3434 to 3410 and the number in the passenger window changes from 418 to 425. These are metal numbers not an LCD display. The destination, Kimball, stays the same. (00:13:35)

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Tonight - S1-E20

Continuity mistake: In the 'previously on Prison Break' Segment, the way Nikola gives Michael Sara's keys is completely different from the previous episode. Michael is seen to open his hand in this episode but when he actually received the keys he never opened his hand. (00:00:15)

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The Key - S1-E19

Continuity mistake: When Sucre is telling Michael about Avocado he takes his blue shirt off and puts it on his bunk. Camera changes and you can see him put it on his bunk again. (00:33:35)

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The Key - S1-E19

Continuity mistake: When Lincoln is talking to Aldo about him (Aldo) sacrificing just one life instead of millions in a war, Aldo has his gloves in his hands. Camera changes and his hands are out on the bodywork of a car. (00:27:10)

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The Key - S1-E19

Continuity mistake: When Sara asks what Michael wants, she has her hand by his ear. Camera cuts and it's down by his chin. (00:11:20)

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Bluff - S1-E18

Continuity mistake: When Michael pulls the pocket watch out of his pocket to give back to Westmoreland, the chain is still in his pocket. Camera cuts and now the chain is in his hands. (00:40:45)

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Bluff - S1-E18

Visible crew/equipment: When Geary is being escorted out the prison he has a quick chat to Bellick. When he does a fur covered boom mic pops into shot on the lower right hand side of the screen. (00:39:00)

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Bluff - S1-E18

Continuity mistake: When Haywire has Michael up against the wall, his grip on Michael's throat changes. Note Haywire's finger position. (00:20:00)

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Bluff - S1-E18

Continuity mistake: Michael sits Haywire down and gives him a pen and pad to draw on. When the camera changes the pen and pad are closer together and the pen has rotated. (00:14:50)

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J-Cat - S1-E17

Continuity mistake: Throughout this episode the length of Michael's hair is constantly changing. (00:30:25)

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South by Southwest - S6-E17

Visible crew/equipment: At the very start, when the NCIS agent stops at the mail box, there is a reflection of someone moving once he has stopped. There is no-one else in the area, meaning it's one of the crew. (00:00:05)

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Dead Reckoning - S6-E20

Character mistake: At the start, Kort takes the gun from one guy and uses it. He then places it at the second man's body without wiping it for prints. When he swaps his gun though, he wipes it for prints. Why didn't he wipe the first gun he used? (00:00:50)

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Hide and Seek - S6-E19

Visible crew/equipment: When Gibbs sits down to interview Noah, a red tape marker can be seen on the floor. (00:27:40)

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J-Cat - S1-E17

Visible crew/equipment: When Michael is being dragged to solitary, a camera shadow is seen on his back. (00:12:50)

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Hide and Seek - S6-E19

Continuity mistake: The second time we see McGee bidding on clubs there is 1m 24s remaining. 3 seconds later he closes the window when Gibbs walks in, and there is 1m 24s still left. (00:21:00)

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Hide and Seek - S6-E19

Continuity mistake: When Gibbs asks the kid where he got the gun, he has a notepad in his hand. Camera cuts and it's now a pen. (00:05:25)

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Hide and Seek - S6-E19

Continuity mistake: When looking at the playboy magazine at the start, the pages change between shots. (00:01:50)

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