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Revealing mistake: When Superman drops Nuclear Man down the power plant chimney, the city behind swaps from a real image to a cheap blurry painting.

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Revealing mistake: During the Metropolis destruction, when a cab crashes against the cab in front, the first car's trunk blows out and the FX system (an air-bag similar system) to make this happen flies all over the place.

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Revealing mistake: After Nuclear Man destroys the cab's hood, the shot changes and there's a thick string running behind him all along the car, and the cab driver is stretching out to pull it. Probably he was activating some sort of bad FX.

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Revealing mistake: When Nuclear Man's fingers hurt Superman's nape, part of the Statue of Liberty's tablet disappears.

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Revealing mistake: After Superman leaves the Statue of Liberty, a thick string is noticeable under his cape to keep it up and fluttering.

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Revealing mistake: When the missile is launched, Superman flies to catch it. However, his face has some sort of stocking over the upper part and the man looks nothing like Christopher Reeve. It was either a stunt double, a bad special effect, or a cheap mannequin.

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Revealing mistake: When Gatsby and Tom are racing (a CGI achieved scene), note that the passengers' hair barely moves. (01:32:00)

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Revealing mistake: When Nuclear Man lands in Metropolis before destroying everything, watch the truck and cab on the left and you'll realise that they are a painting. Not a realistic painting, but a cheap, unfinished one.

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Revealing mistake: After Nuclear Man bursts the cab's hood, watch behind and you'll see the wiggling cable that pulls the prop car.

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Revealing mistake: The first time we see Clark, he is crossing the crowded street towards the subway entrance. Note that none of the cars are moving except for a cab in the front. If you watch behind Clark you'll see that the street ends in a flat wall, revealing it's a backlot set.

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Revealing mistake: When the movie ends and Superman grabs Lenny and Lex's car, they both become black and white coloured and semi transparent.

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Revealing mistake: Underneath Lenny's car when it flies away in the quarry there's no pipes, no nothing, just a black plank, revealing the car's a cheap prop.

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Revealing mistake: The witch grabs a branded iron and burns the baby's hand. Although she is holding it, the hand doesn't move a single inch, revealing it's a prop.

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Revealing mistake: When the ferret grabs the arrow with its teeth and runs away, the shot changes and it's very obvious that the arrow has been attached to some sort of collar around the animal's neck.

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Revealing mistake: When the savages raid the village, one passes a meter away from a woman who cries in pain and turns her head to show a bloody wound. Problem is, he missed her by way too much.

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Revealing mistake: Every time Dar's village is from the hill, it is a blatant scale model or matte painting where all the people and animals are suddenly missing.

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Revealing mistake: During the shooting in Candieland, right before Django bursts a man's head, a man next to Django who he uses as a shield has his chest burst. The blood pack is very noticeable.

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Revealing mistake: When Django kills big John Brittle, right when he smashes his face on the floor, a cushion pops-up. Most probably hidden among the leaves to soften the fall.

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Revealing mistake: When Helen drops the machine gun down the stairs and it starts shooting, watch the railing with the broken splinters and you'll notice that we are always seeing the very same shot repeated over and over again.

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Revealing mistake: When Ellis Brittle lays dead on the cotton field, a blood pack visibly protrudes from his chest.

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