Visible crew/equipment: When Officer Romero and Arthur are alone in the house, handcuffed to the brass shelving unit, as she says, "Help me or I will crush you like a damn bug," a crewmember wearing glasses and a blue shirt is seen crouching on the floor, at the bottom right of the screen. (00:53:05)
Visible crew/equipment: After Wesley sets the ROUS on fire, as the ROUS is writhing on the ground, you can see a crew member (fire safety?) walk into view beneath one of the roots of the trees on the right-hand side. (00:47:35)
Visible crew/equipment: In Mary Ann's kitchen, just as Ray comments, "Ok, well you hungry? I'll get you some food," the clear reflection of a male crewmember moving around is visible in the glass window behind Ray. Then just as he says, "This is ketchup and mustard," another older male crewmember is visible directly in front of Rachel's reflection. (00:35:45)
Visible crew/equipment: At the end, when Sarah puts her glasses on, a light screen is reflected in them. (01:38:45)
Visible crew/equipment: On the way to the theater Peter intercepts a police officer chasing a couple of criminals. At the end of that scene one of the police cars has a tremendous wreck that swings the car sideways. There is a clear shot of the driver with a black helmet on.
Visible crew/equipment: When moving into their apartment Patrick Swazye kicks the statue to make it swing so they can get it inside. As they are looking at the statue, two moving men cross in back of them carring a mirror and as they pass you can see the director and camera crew in the reflection.
Visible crew/equipment: Watch carefully the scene where the raptors enter the kitchen (that angle where you can see almost the whole kitchen while raptors are coming in from the far away door). As the first raptor enters the kitchen, you can see someone grabbing its tail to hold the puppet-thing steady. (01:44:40)
Visible crew/equipment: When Carter is fighting Zhang Ziyi, she thrusts a sword into his coat. For a split second, there is a shot where a man is crouched down behind the statue on which Carter is against, looking up at Carter and Zhang Ziyi. (01:13:45)
Visible crew/equipment: In the shoot 'em up scene at the hangar near the beginning of the film, right after Tito and Wanda take down Pollux, when Troy shoots an agent in the stomach and the agent flies back - you can see at least two cable wires pulling him backwards. You can first notice the 2 wires when the agent is running in slow motion right before he shoots him. (00:14:15)
Visible crew/equipment: When Bella pulls up in her truck for her first day at Forks High, as the camera pans from her truck as she parks it into shot, you can see the camera and boom reflected in the triangular window. (00:05:35)
Visible crew/equipment: The stunt man driving the car as the Jackal enters France looks nothing like Edward Fox. His hair isn't even the same colour.
Visible crew/equipment: When the trio are driving to the City Deposit/Federal Reserve Bank, in the shot just before hitting the white/red booth, the extended crane arm with the second camera and seated cameraman are visible behind the booth (for filming from opposite angle). (01:03:25)
Visible crew/equipment: In the record store scene, the camera can be seen briefly in the reflection on the wall while it tracks Alex.
Visible crew/equipment: Marge receives the call after the execution (the first call), waking her up. The camera tracks toward the bed, and its shadow is visible on the right side of the screen.
Visible crew/equipment: During the beginning of the film whilst Tara is walking through the house, in the window to the right of the front door the camera guy can be seen during both scenes that take place during the hallway shots.
Visible crew/equipment: Near the end of the boat chase, after the railing and Frank are pulled into the water but prior to the cut to Elise slowing her boat to allow Frank to board, a member of the crew can be seen exiting the cabin of Elise's boat. (00:05:50)
Visible crew/equipment: In the second scene where the main character approaches the car, there's the filming crew visible in the right corner of the car's bumper. (00:02:30)
Visible crew/equipment: Before going into the Smithsonian Air and Space Museum, when Simmons throws the bottle of pills at Sam and says, "Slip it under your tongue..." the reflection of the moving boom mic is visible in the car window. (01:20:35)
Visible crew/equipment: In the crushing room at the end of the film, Strahm is trying to open the box where Hoffman is. As it's descending into the ground, on the side of the box you can see the feet of a crew member with white sneakers moving around. It is not Strahm's feet: he's wearing black boots. No slow-mo is required.
Visible crew/equipment: When Dewey is introduced and has a phone call with Jeffers about the leak, he is packing away files in a briefcase. On his desk there is a pad of paper beneath Dewey's mobile, and the scripted lines for Dewey's side of the phone conversation are handwritten on the top sheet, not being removed from set prior to filming. (00:08:25)