Other mistake: When stopping the truck and Schultz, the area directly behind Carter and LeBeau can be seen to be a matte painting. The reason is because where they are is completely covered in snow, but the open area is very little, and there is a huge snowdrift piled up at the wall.
Other mistake: When the boys are working on the "jigsaw" map, Klink and the guard come in. There is a gust of wind from their entrance. Trouble is, the gust that blows the pieces comes from behind LeBeau, blowing the pieces toward Newkirk's bunk, rather than toward the camera.
Oil for the Lamps of Hogan - S1-E14
Other mistake: Anytime Hogan steals one of Klink's cigars from the back of the humidor, he takes the hinge pin out from the left of the box (camera's right). This time, he takes out the pin, got the cigar, and put the pin back in from just what looked like just left (camera's right) of center.
Color the Luftwaffe Red - S4-E8
Other mistake: The telephone booth located by the Luftwaffe HQ appears to be one of the London police boxes.
Man's Best Friend Is Not His Dog - S4-E6
Other mistake: When referring to the barracks, usually Klink will refer to the buildings by their numbers (Barracks 2, barracks 3, etc.). In this episode, he calls the building "Building G".
Other mistake: When the head counterfeiter comes in, there is a sign on the barracks behind him that says "BARRACK 3." Two problems with this. First, Hogan and company are housed in Barrack 3. Second, there is not a Barrack building between Hogan's building and Klink's office building.
Nights in Shining Armor - S3-E8
Other mistake: In the end, Schultz tests the faucets, and they work correctly. When Klink goes to touch the faucets, watch the drain. The high pressure jet of water comes from it just when Klink is over it.
Other mistake: When Carter goes to switch the full cup for the empty one, he accidentally sloshes water on Newkirk's hand and the fan of cards in it. When Carter goes to move the cups, look at Newkirk's hand. The cup exchange happens in front of the hand. The hand is out of range of the water.
Other mistake: Hogan is listening to Klink's office with the coffee pot, and the clear top is still on the basket that is the speaker, but you can hear Klink.
Don't Forget to Write - S2-E13
Other mistake: When the recruiting officer is talking to Klink, Hogan and company listen in, as usual. The problem is the coffee pot. Any other time, they take off the top, take out the basket (which is the speaker) and plug in the power: this time, they forgot to remove the top to hear it, which would have muffled the sound. But the conversation was heard just the same.
Other mistake: In the end of the episode, after LeBeau said "Hit the deck!", the camera looks to the half-track. According to the plan, there was to be a nitro charge inside it to blow it up. Watch the tarp toward the front. It twitches upward in response to a small explosion on the ground, rather than inside. The sound effects complete the illusion.
Happy Birthday, Dear Hogan - S4-E26
Other mistake: Hogan returns to camp after meeting with the underground, after learning the Germans are setting a trap. Kinch went down in the tunnel to Radio London just before Hogan returned. Hogan asked the men, "Where's Kinch?" and he shouldn't send any messages. Since Kinch was in the tunnel, Hogan should have seen or heard Kinch in the tunnel using the radio. (00:07:50 - 00:10:45)
The 43rd, a Moving Story - S1-E23
Other mistake: When Hogan uses the water barrel periscope to spot Manor Kuhn, the first shot is from an impossible angle.
The Late Inspector General - S1-E4
Other mistake: While the General is in Klink's office making the recommendation for Klink to be commandant of all German POW camps, he mistakenly calls Stalag 13, Camp 13 three different times. Camp 13 was referenced in the black and white pilot episode.
Suggested correction: Stalag is short for "Stammlager." "Lager" is the German word for "camp." (To avoid unnecessary discussions: depending on the context, "Lager" can also mean stash, cache, storage, warehouse, bedding or bearing, but in this context it is indubitably to be translated as camp). So "Camp 13" is absolutely correct in this context.
Other mistake: Hogan is disarming a booby trap briefcase. The bomb expert tells him over the radio he has to decide to turn the handle clockwise or counterclockwise. The expert doesn't know which way to turn it. Hogan turns the handle counterclockwise and disarms the booby trap, and the expert says counterclockwise. There's no way the expert would have known which way Hogan turned the handle. (00:21:50 - 00:22:26)
Suggested correction: He didn't know, which is why he asked it as a question. He said "counter-clockwise?"
Suggested correction: Umm probably because he didn't hear a loud explosion.
Hogan and the Lady Doctor - S2-E20
Other mistake: As Hogan and company listen to Klink's office, the lid is on the speaker, so they shouldn't have been heard or at all.
Sergeant Schultz Meets Mata Hari - S3-E4
Other mistake: As the lady Gestapo spy comes into the beer hall, Schultz not only has a matchbook in hand, but keeps looking at the action between the bartender and the lady, waiting for his entrance cue.
Other mistake: The truck was stashed behind Hogan's barracks. The Kommandant's office was on the other side of the building. While stealing the boxes of gold, there would be no way that the POWs would have been able to see any approaching figure.
Other mistake: After Shultz herds the prisoners into the barracks, Hogan opens the door and motions to Newkirk in the tank to get going. Problem is, there are no side viewports for Newkirk to see Hogan, and it looks like he motions to the camera. Also, Shultz is at the wrong end of the building to see the tank go into the end of the barracks.
The Informer - S1-E1
Other mistake: Klink has on his monocle, as usual. If you look closely, the monocle is a single lens, with no frame. From Episode 2 onward, the monocle has a frame and a gallery. Also, Klink wears it at an angle, not unlike the Penguin in the original Batman series, who also wore a monocle without a frame.
