Exodus (1) - S1-E23
Visible crew/equipment: At the moment they have just left on the raft, and the shot goes from the raft to the beach while it is in the water, you can see a boom mic pointing up in the air. This is quite clear for all to see.
Exodus (2) - S1-E24
Visible crew/equipment: When Locke is being dragged, you can see the wire pulling him attached to his belt. (00:04:05)
Exodus (2) - S1-E24
Revealing mistake: Locke is chased and grabbed by the "monster," and is subsequently pulled through the jungle on his stomach. Just after Jack jumps and grabs him, Terry O'Quinn's right pant leg comes up and his black shin pad is clearly visible, as he is being dragged. (00:04:06)
Exodus (2) - S1-E24
Revealing mistake: When Jack hangs onto Locke, after Kate throws the dynamite into the hole, in Locke's next close-up, the wound on his forehead (grazed from Shannon's bullet) is on his right, whereas it's normally on his left. The shot is flipped. (00:05:00)
Exodus (2) - S1-E24
Continuity mistake: When Sayid puts the gunpowder on Charlie, the amount and position of the gunpowder changes between shots. (00:09:30)
Exodus (2) - S1-E24
Continuity mistake: When Hurley finds out he is at the wrong check-in desk, the staff member is holding his ticket and passport. The position of the ticket is constantly changing. (00:12:20)
Exodus (2) - S1-E24
Continuity mistake: At the airport, after Sun spills coffee on Jin, as he heads to the lavatory the large stain on his dress shirt is at the same height as the shirt pocket, yet, in the next shot the stain is much lower, below his stomach. (00:12:25)
Exodus (2) - S1-E24
Continuity mistake: When Sayid goes over to Shannon to help her with her luggage her trunk falls down open and some clothes fall out. Then Sayid picks up some shirts. But when it cuts to Shannon grabbing them from him he is holding fewer and different looking shirts than he picked up first. (00:16:15)
Exodus (2) - S1-E24
Revealing mistake: When Shannon carries and drags the luggage (some of Boone's) she breaks down and Sayid speaks to her. When he says, "It won't be too much if I carry it for you," he strokes her cheek with his left hand - note the watch. After he says, "I have a hike to lead," in the next wideshot he's still holding her face with his "left" hand. But, note the lack of watch, and her large suitcase is now backwards. They flipped the shot so his right hand would appear to be his left, to keep hand continuity, but it doesn't work. (00:17:10)
Exodus (2) - S1-E24
Continuity mistake: When Michael sits with Walt at the airport, Michael says, "If you're worried about Vincent," and the newspaper in his hands is folded and held straight up with the blue Oceanic envelope. but when he says, "Dogs fly in the luggage compartment all the time," the way the newspaper is folded and held is different, and there is no blue envelope. (00:30:55)
Exodus (2) - S1-E24
Continuity mistake: When the spotlight shines on the raft, Jin is hugging Walt in one shot and holding on to the raft in the next. (00:32:40)
Exodus (2) - S1-E24
Continuity mistake: In the shot of Michael, just as the raft hits the log, the "ladder" and sail are directly behind him and Sawyer is gone, whereas in the previous and following shots Sawyer stands on the ladder, in that exact spot. (00:34:00)
Exodus (2) - S1-E24
Visible crew/equipment: After Sawyer is rescued and pulled onto the raft, scenery or a crew boat is visible in the top right hand corner as Michael stands up. (00:34:30)
Exodus (2) - S1-E24
Revealing mistake: After Sawyer jumps into the water to retrieve the rudder, Michael tosses him the rope then shouts, "Tie it around the rudder and we'll pull you in." Three shots later, in Sawyer's close-ups, mountains are visible at the right of the screen, whereas in the previous and following consecutive shots they are surrounded only by water at this point in time. (00:35:15)
Exodus (2) - S1-E24
Continuity mistake: After Sawyer ties the rope to the rudder, they pull him toward the raft. In the shot just before Michael says, "Come on, buddy," the sail is completely up, yet in the previous and following shots the sail is down. (00:35:30)
Exodus (2) - S1-E24
Revealing mistake: On their way back to the hatch with the dynamite, Kate, Jack and Hurley run from the "monster" but Locke runs toward it. When he lands on his back the shot cuts away to the "Lost" logo floating onscreen. When it cuts back to Locke, in this shot the bruise is over his right eye, instead of his left. The shot is flipped. (00:44:50)
Exodus (2) - S1-E24
Visible crew/equipment: After Kate throws dynamite down the hole, when Jack pulls Locke up, the green straps (for device used in the stunt) going round Locke's pant leg are clearly visible. (00:46:40)
Exodus (2) - S1-E24
Continuity mistake: On the raft, when Michael walks over to Jin with the translation notebook, as Jin tinkers with the rudder, Jin's hand and handcuff change repeatedly in the following shots. (00:47:15)
Exodus (2) - S1-E24
Continuity mistake: When Charlie inadvertently releases Danielle's trap, he is hit by a downpour of falling rocks. The blood on his face, hands, etc., noticeably changes between shots. (00:49:55)
Exodus (2) - S1-E24
Revealing mistake: After Charlie receives a large gash on his forehead, from Danielle's trap, Sayid tries to seal it. When Sayid pours gunpowder in the cut, he leaves a large thick trail beside Charlie's eye and on his cheek, which he does not wipe away. There is a tight close-up of Sayid igniting the gunpowder with the flame. The gunpowder beside his eye and on his cheek should have seared his skin, but it does not. The only severe wound Charlie has later is the closed charred wound on his forehead, and though he does wipe his face back at the cave, the skin on his cheek and beside his eye are fine. (00:51:25)
Answer: Using a mold, a realistic pregnancy belly is made of latex (rubber), including the distinct belly button, to suit the proportions of Emilie de Ravin who plays Claire. It is then painted with a special paint/adhesive compound that adheres to the surface and for shots of the actual belly, additional veining and stretch marks are airbrushed on.
Super Grover ★