Buffy The Vampire Slayer

Flooded - S6-E4

Continuity mistake: As the Trio are discussing their plans near the end of the episode, Jonathan's arms are crossed in closeups and in other positions in wide shots. (00:36:35)

Phoenix

After Life - S6-E3

Continuity mistake: Watch Spike's hand when he punches the wall. The punch lands with his middle knuckle in the wall, but when he looks at his hand it is mostly the largest knuckle that is bleeding. (00:24:55)

Phoenix

The Dark Age - S2-E8

Continuity mistake: At the end of the episode, Buffy complains to Willow and Xander that she will have to blow her allowance on getting the tattoo removed before her Mom sees it. Moments later when Buffy is talking to Giles, the tattoo is gone. (00:40:45 - 00:42:30)

Pangs - S4-E8

Visible crew/equipment: During the scene of the siege at Giles', there is a shot where an Indian guy jumps through the window and helps himself by holding on to the sill. If you look to the left side of the screen, you can see it's a moving wall and that several hands of crew members are holding it so it doesn't shake.

Inca Mummy Girl - S2-E4

Plot hole: When Ampata is first released from her imprisonment, why didn't she break the seal then? She knew the only way to re-mummify her was to put the seal back together, so why not shatter it completely instead of leaving it in large fragments? (00:08:40)

Shay

Dirty Girls - S7-E18

Revealing mistake: In the opening scene, where Caleb picks up the potential slayer in his truck, there is a brief shot of the two from the hood that pans slightly to the right. In doing so it reveals the edge of a screen showing a fence and trees passing by, revealing that the car is in fact stationary and in a studio. (00:02:40)

Dead Things - S6-E13

Continuity mistake: As Warren is prowling the bar, the tie camera shows a redhead walking past and then a man in a white shirt sitting at the end of the bar in the background. A moment later Warren sees Katrina sitting there. (00:08:20)

Phoenix

When She Was Bad - S2-E1

Revealing mistake: In the scene where Absalom is speaking of the Anointed one, the line can be seen where the vampire makeup meets up with his real face. This may be seen in various scenes he is in.

Innocence (2) - S2-E14

Continuity mistake: When the Judge is blown up, Drusilla and Angel leap from the balcony. In mid-air, they somersault and their backs are facing the ground as they fall, but a second later they land on their stomachs.

Becoming (2) - S2-E22

Plot hole: Spike makes it clear when talking to Buffy that he wants Angel dead. Yet later on, when Buffy confronts Angel and says she doesn't think she can take them all on alone, Spike only knocks Angel down when he easily could have staked or beheaded him.

Life Serial - S6-E5

Revealing mistake: The entire scene where Buffy is experiencing accelerated time, shadows of trees move in the wind but never actually grow or shrink. Even over short increments of time, the sun can move shadows noticeably, and judging from the speed of the people around her, Buffy is in accelerated time for at least half an hour. (00:08:25)

Phoenix

Lover's Walk - S3-E8

Continuity mistake: In the scene where Xander and Willow are stuck in the factory Xander wakes up you'll notice that the blood on his side burn closest to his ear constantly changes lengths from shot to shot. It goes from under the chin to slightly below where the blood on the other side of his side burn is. (00:30:30)

Touched - S7-E20

Spike: You listen to me. [Kneels in front of her.] I've been alive a bit longer than you, and dead a lot longer than that. I've seen things you couldn't imagine, and done things I prefer you didn't. I don't exactly have a reputation for being a thinker. I follow my blood, which doesn't exactly rush in the direction of my brain. So I make a lot of mistakes, a lot of wrong bloody calls. A hundred plus years, and there's only one thing I've ever been sure of: you. [Buffy looks away; he reaches toward her face.] Hey, look at me. I'm not asking you for anything. When I say, "I love you, " it's not because I want you or because I can't have you. It has nothing to do with me. I love what you are, what you do, how you try. I've seen your kindness and your strength. I've seen the best and the worst of you. And I understand with perfect clarity exactly what you are. You're a hell of a woman. You're the one, Buffy.
Buffy: [Quietly.] I don't wanna be the one.

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Answer: She has superpowers, ergo fast movement. The reason she outruns him so easily in "Touched" is that she stops trying to actually fight him and just dodges instead.

Shay

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