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Visible crew/equipment: When the orange muscle car gets to the barrels in the drag race, there is an overhead shot where a camera is reflected very briefly. (00:50:30)

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Visible crew/equipment: When the guy says to Rome that Brian is not a cop, a camera and light screen are reflected in his glasses. (00:20:10)

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Visible crew/equipment: Right at the start there is a shot of a camera panning up over a 4x4. When it does you can see the camera's shadow moving over the paint. (00:00:55)

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Visible crew/equipment: When Brian steals the Humvee, and stops for Dom to get it, there is a camera very prominently reflected in it. (01:01:50)

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Visible crew/equipment: After Brian transfers Mia in the FBI building, there is a shot of a red car with chrome bumpers. In the bumper you can see a cameraman walking forwards with the camera. (00:24:15)

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Visible crew/equipment: When the guy on the roof stands and takes aim at the window in preparation for Brian, the film crew are reflected in a window behind him. (00:13:00)

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Visible crew/equipment: Just after Dom says "T, you're up," a camera moves across Han's truck and up to the window. When it moves the shadow of the camera can be seen on the orange paint, moving. (00:03:00)

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Visible crew/equipment: When Han does the handbrake turn right at the start, you can see the camera car reflected in the chrome bumper in the closeup. Slo-mo helps but is not required. There are also skid marks from previous takes. (00:02:00)

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Visible crew/equipment: When Dom gets out his car right at the end, the camera crew are reflected in the door. (02:01:00)

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Visible crew/equipment: When Neves is talking to Dom in her apartment, a stage light is reflected in the TV. (01:18:40)

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Visible crew/equipment: In the shot of John riding under the bridge just seconds before the roof is ripped off the truck, the shadow of the camera is moving along the floor by John's bike. (00:35:15)

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Visible crew/equipment: At the end, when Sarah puts her glasses on, a light screen is reflected in them. (01:38:45)

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The Yellow Peril - S2-E5

Visible crew/equipment: When we see Mr. Chin looking round the kitchen after its painted, a light screen is reflected in his sunglasses. (00:24:35)

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Ashes to Ashes - S2-E2

Visible crew/equipment: When they discover Arthur's ashes and grandad starts to explain, a boom shadow is seen over Rodney. (00:10:45)

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As One Door Closes - S4-E7

Visible crew/equipment: When Del and Rodney run to the balcony, a boom mic is reflected in the window following them. (00:15:15)

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As One Door Closes - S4-E7

Visible crew/equipment: When Rodney says the scientific name for the butterfly, a boom shadow moves over Del's arm. (00:04:40)

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As One Door Closes - S4-E7

Visible crew/equipment: At the start when Arthur says to quieten down, there is a reflection of movement in the butter dish between Del and Rodney, that can only be the crew. (00:01:25)

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Strained Relations - S4-E2

Visible crew/equipment: When Rodney and Del are talking in the pub a boom mic is reflected in the picture above Rodney. (00:24:30)

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Strained Relations - S4-E2

Visible crew/equipment: When Del picks up the hat off the car, he starts to walk to the grave. When he does, the camera crew and equipment are reflected in the car's paint. (00:02:55)

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Strained Relations - S4-E2

Visible crew/equipment: At the start when Del is talking to Trigger, a light screen is reflected in Del's glasses. (00:02:00)

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