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The British 'ave Come - S1-E2

Visible crew/equipment: When Michelle is speaking in the back room she leans over the table and says "Listen carefully..." when she does, the boom mic dips into view above her. (00:04:20)

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The British 'ave Come - S1-E2

Visible crew/equipment: At the start Rene send Maria upstairs. When he does so, the shadow of a boom mic can be seen moving over the wall of the fireplace. (00:01:20)

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Up in Smoke - S9-E23

Visible crew/equipment: When Ziva walks into the interrogation room after the sting, the camera and operator is visible in the mirror. (00:34:30)

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Art House - S1-E24

Visible crew/equipment: When we see Doug pull up in traffic in his IPS truck, a camera shadow/reflection is on the trucks paintwork. (00:04:10)

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Train Wreck - S1-E20

Visible crew/equipment: When Carrie grabs the mail off the floor if you look in the window behind her you can see the pole of a boom mic moving around. (00:12:45)

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Supermarket Story - S1-E10

Visible crew/equipment: When Arthur is talking about the store clerk hiding yam's out the back, there is an orange marker on the floor between the two men. (00:14:20)

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Supermarket Story - S1-E10

Visible crew/equipment: When the store clerk walks off from talking to Arthur an orange T marker is visible where he was stood. (00:14:50)

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Road Rayge - S1-E9

Visible crew/equipment: When Doug's paper gets ripped up, look at Ray and Doug's feet. A blue and white tape marker is visible by each of them. (00:06:10)

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Replacements - S1-E4

Visible crew/equipment: When the damaged Sherman is from behind rolling forwards, two crew members can be seen guiding it in white T-shirts through the hedgerow. (00:33:20)

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Replacements - S1-E4

Visible crew/equipment: At the end, as they are moving out there is a high shot of two trucks driving towards the camera. The first truck reflects the camera shadow on the ground. (00:52:20)

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Paternal Affairs - S1-E5

Visible crew/equipment: When Spence is leaving after dropping off the pictures a stage light is reflected in the door. (00:08:50)

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Pilot - S1-E1

Visible crew/equipment: When Arthur confronts the guy making a sandwich, a boom mic drops into view on the right-hand side. (00:07:20)

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Day of Days - S1-E2

Visible crew/equipment: Early on the camera pans from outside the aircraft into the jump door and looks at the men. When the camera moves in a shadow moves over the guy sat by the door. (00:06:20)

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Visible crew/equipment: When Henry gets out the back of the police car at the domestic disturbance call, a crew member is reflected in the paintwork. (00:20:40)

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A Priest Walks Into a Bar - S1-E9

Visible crew/equipment: When Linda is talking to Lucifer a white screen is reflected in her glasses. This can't be the window as the window is behind her. (00:03:30)

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Et Tu, Doctor? - S1-E8

Visible crew/equipment: After the brief discussion in the hallway outside Linda's office, as Lucifer walks off a green screen is reflected in her glasses. (00:11:50)

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Favorite Son - S1-E6

Visible crew/equipment: When Linda and Lucifer are having a discussion at the end, a light screen is reflected in Linda's glasses. (00:39:10)

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Sweet Kicks - S1-E5

Visible crew/equipment: When sitting down in The Paddock Bar, the man next to Lucifer is wearing glasses that reflect a light screen. (00:12:30)

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Manly Whatnots - S1-E4

Visible crew/equipment: When Chloe shuts the door on Dan, a stage light is reflected in the glass of the door. (00:04:10)

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The Good Son - S9-E19

Visible crew/equipment: When Ziva and Tony arrive at the crime scene, a visible marker is on the floor exactly where McGee comes to stand. (00:03:50)

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