Continuity mistake: Aboard Interceptor, when Jack causes the boom to slam into Will, in that wide shot the belaying pin on the rail across from Will is seen. When Jack says, "But I can't bring this ship into Tortuga all by me onesy, savvy?" behind him to his left, the belaying pin is seen again. The lines hanging from that belaying pin differs in both shots. (00:49:35)
Continuity mistake: After Jack slams the boom into Will aboard Interceptor, then brings him back on deck, Jack points the sword at Will. In Will's close-up, the sharp edge of the blade actually faces Will's neck - the hand guard is at Jack's knuckles. However, in the next shot, a close-up of Jack, as Jack still points the blade at Will, BEFORE Jack flips the sword over, it is apparent that the sharp edge of the blade faces away from Will - the hand guard is at Jack's fingertips. (Though this is visible on the DVD, a better view is on the video.) (00:50:10)
Continuity mistake: In Tortuga, as Will and Jack are seen for the first time, in the foreground is a drunk man teetering on two barrels and another drunk man on the ground drinking what is being poured into his mouth. In this wide shot the man on the ground has his right elbow on a sack on top of a small barrel. In his next close-up, the sack on top of the small barrel is gone and now there is a tied sack between him and the shovel. (00:50:50)
Continuity mistake: When Will and Jack are in the bar in Tortuga, Will stands with his back to the wall and on that wall is a shelf with a candle. The candle height changes and the candle drippings are very different in these shots too. Also, shots in the deleted scenes. (00:52:10)
Continuity mistake: When Elizabeth is dining with the captain of the Black Pearl, he takes out the medallion, and the medallion's position changes during shots on his hand. (00:53:40)
Continuity mistake: After the scene in Tortuga, there is a shot with the moon, really big. The boat passes in front of it with a pan and when the boat travels further on screen, you see the moon again in the front, very small. The shot made it look like there are two moons. (00:54:00)
Continuity mistake: Pintel and Ragetti walk into the stateroom, Pintel carries the folded dress for Elizabeth in his arms. She walks over to them. In the next shot, the folded dress is now folded differently in Pintel's arms. Also, when they tell her she'll be dining with the Captain, Ragetti's collar is under the strap on his shoulder. After she answers them, in their next close-up, his collar is straight and over the strap. (00:54:15)
Continuity mistake: When Elizabeth is dining with Barbossa aboard the Black Pearl, cutting between the front shots and side shots she holds the turkey leg differently in her left hand. Also held differently in her right hand is the bread when Barbossa offers her the apple and she looks at the monkey between the two shots. (00:55:10)
Continuity mistake: When Elizabeth stabs Barbossa, the amount of blood on the knife changes between shots. (00:56:00)
Continuity mistake: Barbossa says, "Buried on an island of the dead what cannot be found, except for those who know where it is." In this shot only the objects in the center of the table slide down towards Elizabeth, including the two candelabras and her plate of food, having nothing to do with the object's weight. The objects that face Elizabeth on the table to her left and to her right don't move, only those on the moving center track. Also seen on DVD 2. (00:56:45)
Continuity mistake: Aboard the Pearl, in the close-up of Elizabeth hiding the dinner knife in the napkin, the base of the decorative embossed silver knife handle (area of bolster, where the blade meets the handle) is flat all the way around. However, oddly enough, when she stabs Barbossa moments later, in the close-up of the knife protruding from Barbossa's chest there are two wide ridges circling the base - obviously a different knife. (00:57:45)
Continuity mistake: When Elizabeth joins Barbossa for dinner there are candelabras on the table behind Elizabeth and Barbossa and many loose candles all around. The candle heights vary in many shots. One example: when Barbossa says, "All the scattered pieces of the Aztec gold," the candles on the candelabra behind Elizabeth are much shorter than in the shot right after when Elizabeth asks, "And the blood to be repaid?" where they're much taller. (00:57:55)
Continuity mistake: On the Black Pearl, just before Elizabeth spins the wheel on deck and knock's off Grapple's skeletal head, when she first approaches the wheel, it is fully wound up with rope. As she starts to spin the wheel, there are only about five lines of wound rope, next to the wheel. (00:59:25)
Continuity mistake: While Jack is inspecting the crew on the dock at Tortuga the sun shines from different directions in some shots. In some shots the crew's back is in shadow and in others their right side is in shadow. Also seen with the shadow of the goods in front of them, behind them, and to the left of Anamaria. This scene was shot during the course of a day. (01:01:00)
Continuity mistake: Jack removes Anamaria's hat, in the front shot her hair falls down, and in the next back shot, her hair falls again. Also, the striped scarf around her forehead changes in the arrangement of the stripes in different shots. In the front shots the yellow stripe is on top, but in the side shots the grey stripe is on top. (01:02:05)
Continuity mistake: After Jack removes Anamaria's hat and she slaps him, her hair frequently changes between front and back shots. (01:02:10)
Continuity mistake: In Tortuga, on the dock, Anamaria slaps Jack twice. In the side shot, Jack says, "You'll get another one," and she picks up her right hand and points her finger right up into Jack's face. When Will says, "That one," Jack spins around, and in this shot when he asks, "What one?" now Anamaria's left hand is the one pointing at Jack's face. (01:02:20)
Continuity mistake: In the cave, Ragetti is holding a parasol over his shoulder, rubbing his eye. In the close-up, as Pintel says, "Stop rubbing it," there's no sign of Ragetti's parasol, nor any shadow on his hair or shoulders, and the folded parasol that Pintel is holding, is much lower in the close-up, than it is in the wide shot that follows and so forth. (01:08:40)
Continuity mistake: When Will and Jack are in the cave, Will goes to hit Jack with an oar, but in the previous shot we can see Jack look at Will and slightly move his body, then in the following shot he is completely facing Will ready for the hit. (01:09:00)
Continuity mistake: Before Elizabeth's blood ritual, Jack is rowing the boat into the cave and Will is holding the pole with the attached lantern. As Jack says, "Any man who falls behind, is left behind," Will is holding the pole with his left hand high up on the pole and his right down below. In the next shot, Will says, "No heroes amongst thieves," and Will's right hand is now high up on the pole. (01:09:10)
Answer: On Disc 3, Johnny explains, "Take something as solid as Keith Richards and combine it with Pepé Le Pew... I felt... he would resemble a modern day Rastafarian..." Pepé Le Pew is a Looney Tunes cartoon character, based on Charles Boyer's romantic character, Pepé Le Moko. Pepé Le Pew, however, is a romantic amorous cartoon skunk and he has a huge flaw - his 'odor', which he emits in a grand way.
Super Grover ★