Home Is Where the Heart Stops - S1-E7
Visible crew/equipment: When Castle and Beckett step into the elevator whilst talking about The New York Review of Books, a cameraman is reflected in the left door of the elevator as it closes and the scene ends.
The Case of the Lucky Loser - S2-E2
Visible crew/equipment: After leaving her husband at train station, Harriet takes a cab to meet a man at a cabin. After a few mins, she takes the man's car to go home. As she drives away, there's a reflection of a man, in suit with glasses (possibly the director) standing offscreen. (00:05:20)
Blood Money - S10-E8
Visible crew/equipment: During the court case when Hamilton Stewart is taking the stand and answering to McCoy you can see the white screen in the reflection of his glasses very clearly.
Woman Seeking Dead Husband - Smokers Okay, No Pets - S1-E4
Visible crew/equipment: When Shawn and Gus gets out of the car at the Mausoleum Parking, you can see the camera man reflected in the mirror inside the car.
Visible crew/equipment: When Audrey enters her father's office to find him in the middle of his Civil War recreation, a boom mic dips into the shot over their heads. (00:18:40)
Three Generations are Enough - S1-E8
Visible crew/equipment: At the beginning when the robot is lifting fingerprints from the suitcase, you can see a person walking around in the background-something not likely when there is a bomb threat.
Brother's Keeper (1 & 2) - S1-E1
Visible crew/equipment: When Leon is walking down the street, right before Crockett jumps in his car, the camera crew are visible in the shop windows the entire length of the scene, moving along with Leon.
When the Rat's Away the Mice Will Play (2) - S1-E12
Visible crew/equipment: The microphone dips into the shot at the end, just as Aunt Harriet is kissing Dick and Bruce good-bye. (00:23:20)
Visible crew/equipment: Toward the end of the episode you can see a guy with a camera reflected in the side of a silver car.
Visible crew/equipment: As Hannibal and Murdock are coming over the wall of the jail in their hot-air-trash-bag chairs, you can see that the brick is a facade as the guard shoots at them. (41:25 / 41:39). (00:41:25)
Rumpole and the Fascist Beast - S2-E4
Visible crew/equipment: While Rumpole's wife prepares the canned soup in the kitchen, several equipment shadows are moving on the wall at the top of the screen. (00:06:40)
Visible crew/equipment: In the flashback of the murderer slamming the car door on the victim's neck and breaking it, we get a clear shot of the cameraman and his camera in the car door (CSI's favorite blooper).
Visible crew/equipment: When Reid is showing the DA his closed-circuit video of Mike, several pieces of white tape stuck to the carpet are visible. These are blocking marks, put there to show the actors where to stand. (00:07:15)
Visible crew/equipment: Towards the beginning, when the Taliban steps on the landmine, you see the DEA agent getting hit with dirt and blood. In the center of the shot, you can see a few drops of blood stick to the camera lens. Incredibly easy to notice, so I'm not sure how this one slipped through.
Visible crew/equipment: When Marie goes to tell Reb about Allie seeing Lou in the showers, in a slow-mo shot of them both filmed through some bars, you can see a boom mic above Reb's head.
Visible crew/equipment: When the trainees breach a door in the hostage scenario a camera and two crew members are visible in the shot. (00:22:00)
No Big Thing - S1-E8
Visible crew/equipment: At the end, as KITT goes to jump the camper, there is a set of what appears to be mirrors to hide the obvious ramp.
The Beautiful Day in the Neighborhood - S5-E4
Visible crew/equipment: We can see crew reflected in Hodgins' car door as he arrives at the crime scene. (00:20:20)
Visible crew/equipment: When Reed asks Walters how many kids he has, the moving boom mic casts a shadow on the lockers at the top, left side of the screen. It appears again a few shots later. (00:00:50)