Visible crew/equipment: After Hutch finds the ticking box with the clown and Starsky's badge inside, when it cuts to Hutch and Dobey walking toward the squad room, the cameraman and camera are reflected on the door's glass window. (00:17:20)
The Placer - S1-E7
Visible crew/equipment: Camera lights are reflected in the side of the villain's jag arrives when it arrives at the warehouse.
Cartman Gets an Anal Probe - S1-E2
Visible crew/equipment: When Chef is singing: "I'm gonna make love to you, woman!" A crew member's hand can be seen moving the character's head. This was later fixed in the DVD version, but it was not fixed in the original version.
Old School - S1-E8
Visible crew/equipment: While Charles is removing Scully's shoes, the reflection of a mounted camera can be seen in the close up shot of the bomb squad outfit. (00:00:01)
Visible crew/equipment: After Charlie comes up with the idea of creating a false master key and designing the lock that it opens, when it cuts to them back at the office the yellow T-mark can be seen on the floor by David's foot.
Visible crew/equipment: When Phillip is being bundled into the back of a van there are 4 men and Phillip in shot with no-one else on the street. As the van door closes you can see a crew member through the gap in the door. (00:02:56)
El traje del tío Jacinto - S2-E16
Visible crew/equipment: In the credits, there's a unknown person hiding behind Don Ramón (Raymond).
Visible crew/equipment: Sherlock and Joan are sitting on a street restaurant. The restaurant glass door opens in the background and you can see a light box reflected on it.
Visible crew/equipment: When Roger's holding the twins over the railing, Cindy grabs Maura, but Roger drops Vivian, and just as he lets the little girl fall we can see both hands of a crew member at the bottom of the screen.
Visible crew/equipment: When Mr. Jenkins arrives at the hotel at the end, a light screen is reflected in his sun glasses. (00:43:05)
Visible crew/equipment: When Antonio is talking to his CI, you can see the green and red place marking tape on the ground.
The Dark and Bloody Ground - S1-E3
Visible crew/equipment: When Rockford returns to his trailer and begins to tell Rocky about his ordeal with the semi in Arizona, just as Rockford says, "It tried to run me off a mountain," watch as the microphone pops up at the bottom, right side of the screen behind the glass bowl. (00:22:55)
Santa Claus - S1-E12
Visible crew/equipment: When Mark Harris shows Matlock into his office, the actors' three tape marks (one T-mark) are visible on the carpet behind the chair, and at the bottom of the screen.
Visible crew/equipment: As Joe approaches the third car with the bad guy in it, there is an unknown man, possibly a crew member, reflected in the back window where there wasn't a man before.
The Made-to-Measure Murders - S13-E2
Visible crew/equipment: A crew member's shadow is seen moving behind an open door that a character is walking by. (00:15:45)
Reformation - S3-E10
Visible crew/equipment: During the opening sequence when two hoodlums are walking out of the convenience store, a lighting rig and crew can be seen on the right-most part of the frame. (00:02:15)
Visible crew/equipment: When Trish picks up Jessica at the train station and her car leaves, filming equipment and crew members are reflected in the windows.
Episode #1.3 - S1-E3
Visible crew/equipment: During Luther's call to Alice, a boom microphone's wind protector briefly enters above his head before the scene cuts. (00:23:35)
Visible crew/equipment: At the courthouse, while the Agents are in the room with the corpse, Hurstview stands behind an overturned potted plant. After Hurstview opens Skip's safe, just as Barnes and Long exit the room Hurstview moves his foot, and the actor's green tape mark is visible on the carpet at his feet. (00:20:00)
Mondays Are for Murder - S2-E13
Visible crew/equipment: Magnum and TC are hurrying to catch an elevator in the parking garage. As they approach the elevator, you can see a cameraman against the wall on the right side that should not be there. The next shot shows the scene from that cameraman's perspective. (00:39:30)