Visible crew/equipment: In the final musical number "Strictly off the Record", you can clearly see the shadow of the microphone boom during part of the number.
Visible crew/equipment: At the very end of the movie when they are singing in New York, you can see the camera crane for about five seconds right before the credits.
Visible crew/equipment: When CC and Hilary are bickering in the department store, as they walk over to the baby clothing cabinet, the camera pans along, and the crew and camera rig are reflected in the glass jewellery cabinet.
Visible crew/equipment: When Marius and Cosette are singing in the shot where Marius is brought home and just before the wedding scene you can see an earpiece in Cosette's ear.
Visible crew/equipment: During the premiere of The Royal Rascal's when the bad guy goes over the edge of the banister, you can see a crewman's hands catching his legs. (00:11:30)
Visible crew/equipment: At the end of 'Sit Down John' as Adams is walking out of the Assembly Room, you can see a crew light reflected in the tally/vote board behind him. It's also rather bright in a room, at night, that is only supposed to be lit by candles.
Visible crew/equipment: When Cry Baby is riding Allison to Turkey Point for the first time, you can see a white balloon with a flashing light in the right hand side for at least thirty seconds.
Visible crew/equipment: The boom mic is visible when Sally sings her "Pie in the Sky" song and when Courtney and Sally are standing in the bathroom, before Sally's face explodes.
Visible crew/equipment: When Fred Astaire is dancing in the train station, there is one shot as the camera pulls back where you can see the equipment/crew shadow on one of the public machines there.
Visible crew/equipment: In almost every scene with Stanley Tucci, you can see stage lights, crew members, or other equipment reflected in his eyeglasses.
Visible crew/equipment: In the scene where George takes Samantha into the lounge room to lie down, as she reclines on the lounge you see the shadow of the boom microphone on the ceiling moving.
Visible crew/equipment: When Sarah and Sky are talking in the mission, Sarah, is trying to get him to leave and he insists he needs private lessons from her. Sarah says something along the lines of, "Well, our doors are always open, come back anytime." On this line, she crosses to the front door, opens it, and the viewer is treated to a full view of the Havana set, complete with the word "Havana" written on it.
Visible crew/equipment: When Isabel Jeans is telephoned by Madame Alvarez and told that Gigi has refused Gaston's advances, she gets out of bed and walks across the bedroom. As she passes a cheval (full length) mirror a pair of retreating jean-clad legs and a hand feeding out cable can be seen in the reflection.
Visible crew/equipment: In the fainting scene you can see in the background on the roofs and in the windows a number of people just watching the shooting being done on the back lot. It is very noticeable in the last wide pull back shot.
Visible crew/equipment: In the officer Krupke song, set lights are visible on the stairs to the audience left and right.
Visible crew/equipment: At the start of the '500 Miles' sequence where Davy catches up with Yvonne, you can see a crew member indicating to some joggers to run into the scene on cue.
Visible crew/equipment: After Charollte's father says they could book concerts on her alone, it cuts to her father's mistress and the China cabinet behind her shows the reflection of a crew member moving around.
Visible crew/equipment: In the opening sequence when the crowd dances in front of the band inside the truck on the highway, you can see the shadow of the camera on a man's back as it makes an aerial shot.
Visible crew/equipment: In the "Roxie" number, just after Roxie sings "that means somebody everyone knows" she goes down a line of mirrors and as she does you can see three crew members with what looks to be a camera in front of the middle one. Their figures are somewhat dark, so it's a bit hard to see, but it's there.
Visible crew/equipment: In the scene where Sir John is talking to Harry Smith, as the carriage drives off, you can briefly see a modern vehicle in the window. It is a white SUV. (01:08:25)