Visible crew/equipment: In the scene where Sir John is talking to Harry Smith, as the carriage drives off, you can briefly see a modern vehicle in the window. It is a white SUV. (01:08:25)
Visible crew/equipment: As Mary Poppins walks over to put the hat stand in place, the shadow of the camera plays on her dress.
Visible crew/equipment: During the final song, while they're all at the dinner table, there's a crouching puppeteer with a blonde ponytail next to the rats.
Visible crew/equipment: During the junkyard scene (after Tommy bangs his head and before the shot where he is framed by the broken TV set) you can see the shadow of a camera on a disused oven.
Visible crew/equipment: During "Shuffle Off to Buffalo" the camera tracks backwards as the set of a train opens. The track the camera is sitting on is blatantly obvious on the bottom of the screen.
Suggested correction: This brilliant shot is not photographed by a camera on a track but on an overhead crane (in order to clear the orchestra pit) so there are no tracks visible.
Visible crew/equipment: When Brenda is waiting for Yvonne outside the cafe you can see the film crew reflected in the windows of two cars that go past.
Visible crew/equipment: During the performance of "Gotta Get A Gift", there is a handheld camera shot where the turtles are walking towards the camera singing the chorus while the camera moves around them. Just before the camera cuts to another shot, a stage light can be seen in the background to the left of shot, behind Michelangelo. Additionally, two shots after this, the same stage light can be seen again in the far background and can also be seen right at the start of the shot after that for a brief moment.
Visible crew/equipment: Aladdin is running away from the guards with Jasmine: he counts to 3 and jumps from a roof. In the overhead shot there's an extra mat on the landing point to cushion his tumble and roll, which disappears in the following shot. Very visible, being white and along the parapet. (00:10:30)
Visible crew/equipment: When KC tells Eddy that she wants to be with him, the camera starts moving to the left. As it does, a shadow creeps onto Eddy's shoulder and stays there the rest of the scene.