Star Trek

Spock's Brain - S3-E1

Revealing mistake: It would seem that with the incredible advanced knowledge and furnishings that have been bestowed upon the Imorg down below, the 'Teacher' should have at least provided them with adequate high tech structuring and not the ratty, torn and warped substandard sheet rock seen on the bottom of the walls in these two camera shots. Yep, they can remove and restore a brain but can't find a place to buy good quality plasterboard. (00:23:40 - 00:33:51)

Day of the Dove - S3-E7

Revealing mistake: Chekov covers Mara's mouth with his hand when he assaults her in the corridor. Kirk intervenes and throws Chekov against the opposite wall. Brown streaks form where Chekov's hands hit the wall, most likely from the brown makeup used to create Mara's skin tone. (00:32:20)

Elaan of Troyius - S3-E13

Revealing mistake: During the battle scene, the use of special effects stock footage of the view screen, as seen over the helm from the opposite side of the bridge, briefly turns the short, brunette Ensign Chekov into a tall, thin blond guy. (00:44:20)

Jean G

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Let That Be Your Last Battlefield - S3-E15

Revealing mistake: Stock footage strikes again when Kirk orders the red alert. A shot of the bridge and view screen, with Kirk standing in front of his chair, once more switches Kirk out for a stand in, and Chekhov has gone and is replaced by what looks like from behind like a young woman or a man with a long neck. Also the central display between navigator and helm is now different from that earlier. (00:11:15)

Jean G

Requiem for Methuselah - S3-E19

Revealing mistake: When Spock examines the unknown Brahms waltz, we get a close-up of the music. Unfortunately, the hand-written score bears no resemblance whatsoever to the piece Spock has just played, though he expressly identifies it as such. (00:19:10)

Jean G

The Way to Eden - S3-E20

Revealing mistake: Due to close-ups that were cut in backwards, Kirk appears in reverse, with his uniform insignia on the wrong side, twice in this episode: once in the corridor outside sickbay, and again near the shuttle craft on Eden. (00:18:15 - 00:46:55)

Jean G

Tomorrow is Yesterday - S1-E20

Factual error: Towards the end of the show the Enterprise is leaving Earth orbit and heading towards the sun. We see the Earth diminish and the moon appear looking exactly as it does from Earth. From this angle we should be seeing the "dark side" of the moon, which looks completely different. (00:40:50)

von

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Journey to Babel - S2-E10

Amanda: And you, Sarek, would you also say thank you to your son?
Sarek: I don't understand.
Amanda: Well, for saving your life.
Sarek: Spock acted in the only logical manner open to him. One does not thank logic, Amanda.
Amanda: Logic, logic - I'm sick to death of logic! Do you want to know how I feel about your logic?
Spock: Emotional, isn't she?
Sarek: She has always been that way.
Spock: Indeed? Why did you marry her?
Sarek: At the time, it seemed the logical thing to do.

Super Grover

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What Are Little Girls Made Of? - S1-E8

Question: When the Enterprise is in orbit, it uses the Impulse engines to maintain orbit. The Impulse engines are located on the back (aft) of the primary saucer. Why were these not on or lit up? Unless they're using gravity, but there are the familiar engine sounds.

Movie Nut

Chosen answer: If they're in orbit, they're being pulled along by the planet's gravity well, therefore, impulse engines would only be used for minor corrections and would be "on standby" while in orbit, but not active. (Like keeping your car idling without revving the engine and creating plumes of exhaust).

Captain Defenestrator

Thank you for the info.

Movie Nut

Answer: Happy to help.

Captain Defenestrator

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