Visible crew/equipment: As Kirk gives orders to Nomad to lower screens for Spock to examine it, the shadow of the boom mic is toward the top of the screen behind Nomad. Also, the wire holding Nomad up is visible.
Where No Man Has Gone Before - S1-E4
Continuity mistake: When Kirk exits the turbolift he sits in the captain's chair, and Yeoman Smith stands behind him with barely any space between them, but in the shot facing the main viewscreen Smith is gone, and in the next shot she reappears right behind Kirk again. Smith continues to disappear and reappear in following shots. (00:04:00)
Visible crew/equipment: When Dr. Van Gelder tells Kirk that he wants asylum and his word that he won't be taken back to Tantalus, in the wideshot from behind Kirk as he moves to his right the two tape marks can be seen on the floor beside Van Gelder's feet.
What Are Little Girls Made Of? - S1-E8
Visible crew/equipment: After Roger's introduction, when Kirk tries to communicate with Rayburn for security confirmation and also when Andrea walks over to Kirk, a few actors' tape marks can be seen on the floor and rug.
Where No Man Has Gone Before - S1-E4
Visible crew/equipment: After Kirk's briefing regarding Mitchell's abilities, when Spock and Kirk are alone just as Spock says that they'll never reach an earth base with Mitchell aboard, the boom mic casts a shadow overhead until Spock steps forward, and a bit can be seen again when Spock tells Kirk that it's his only choice. (00:24:50)
Visible crew/equipment: After Uhura tells Kirk that "Captain Ramart of the Antares is on D channel," Kirk and Charlie head to the bridge, and when it cuts to Uhura the actor's tape mark can be seen on the floor behind her, where Charlie will stand when he steps out of the turbolift.
The City on the Edge of Forever - S1-E29
Factual error: This episode takes place in NYC during the 1930's, but after McCoy's phaser is stolen in the exterior shot of the buildings a fallout shelter sign can be seen. These signs were put up no earlier than 1961.
Visible crew/equipment: After the Klingon vessel's attack on the Enterprise, while returning fire just as Kirk orders to maintain firing range at 100% dispersal pattern, the set's unfinished wood plank with grey paint drip marks can be seen at the bottom of the screen. Additionally, at the end when Spock goes to stand beside Kirk's chair (also when he walks away) the actor's mark can be seen on the floor by Spock's feet.
Revealing mistake: A straight and level seam connecting the top and bottom halves of the tunnel Spock is crawling through is visible.
Suggested correction: Views of the tunnels made before the creature was wounded by Kirk and Spock appear almost perfectly smooth. It is explained that the creature exudes a powerful acid to dissolve the rock. This tunnel was made after the creature was wounded, so it is logical that the wounded portion of the creature would secrete less acid thus leaving an imperfection as the creature tunnels. This could be a case of incredible attention to detail by the set designer rather than an error revealed.
This correction is too much of a stretch to explain a perfect seam by the wounded Horta. Plus, if the Horta was secreting less corrosive substance, then that area would be less eroded, not more. If attention to detail was paid, then the area would have an outward seam, not an inward one.
The Gamesters of Triskelion - S2-E16
Visible crew/equipment: When Chekov's drill thrall sits down and nuzzles up to him in his cell, the boom shadow is visible on the wall at the upper left corner of the screen. (00:14:50)
Revealing mistake: While the interior sets for the shuttle craft provided adequate room for the actors to stand, the mock-up built for exterior shots was undersized, and too short to stand up in by several inches. So when entering or exiting the shuttle, the actors always had to duck.
Character mistake: Lt. Joey said to Lt. Sulu "You don't outrank me and you don't have pointed ears" but Joey is a junior grade lieutenant so Sulu would outrank him.
Where No Man Has Gone Before - S1-E4
Continuity mistake: When Kirk is fighting Gary Mitchell, his tombstone reads James R. Kirk. Kirk's middle name is Tiberius. Mitchell is a friend of long standing and would not have got it wrong. (00:44:30)
The City on the Edge of Forever - S1-E29
Factual error: Edith Keeler says to McCoy, "My young man is taking me to see a Clark Gable movie." In 1930, Clark Gable was an uncredited bit player who had last made a film in 1926 - Edith, a New York charity worker, would not even have encountered his name.
Revealing mistake: As the bridge crew monitors Psi 2000 on the view screen, a glitch in the special effects matte makes the planet vanish briefly and then reappear - twice. (00:12:30)
Revealing mistake: When the laser cannon starts firing at the Talosian rockface, a styrofoam block falls and rolls away on the left side of the screen. After a brief shot of the crew, we see the cannon still firing, and the exact same block falls and rolls off screen on the left again. (00:30:15)
Mudd's Women - S1-E7
Continuity mistake: As the women are beaming aboard in the transporter room, McCoy's uniform switches from the standard blue tunic to his short-sleeved medical smock and back again between shots. (00:05:55)
The Man Trap - S1-E2
Continuity mistake: When Rand brings Sulu the plate of food, it has a bowl of colored cubes on it. Then there's a cut to a close-up of Sulu eating the cubes when Green is staring at it, and the bowl is now a plate. Then in the long shot it's a bowl again. (00:24:22)
Other mistake: Spock and McCoy have a brief argument over whether Charlie could have survived on his own all those years. Because they're talking at the same time, Spock saying "Doctor" as McCoy says "Mr. Spock," the closed captioner apparently misunderstood McCoy's line. The caption has him calling Spock "Dr. Spock." (00:09:15)
Revealing mistake: In the jail cell scene, when Kirk tears a strap from the bed, his left handcuff is open. It remains open for several seconds, while he tries to conceal it by moving his right hand to block the camera's view.
