Revealing mistake: When Jessica is knocked down by the kids, she is replaced with a younger stunt double.
Continuity mistake: When Milton picks up Jessica at the airport, her bag is hanging over her right shoulder. A shot later, she is holding it with her left hand.
Visible crew/equipment: When Milton arrives at the airport, the filming crew is reflected in the glass on the right.
Funeral at Fifty-Mile - S1-E22
Visible crew/equipment: After Jack's graveside service, Jessica, Mary, and Art walk back to the red pickup, and while they're standing there talking, the mic pops up into view in front of Mary. (00:04:40)
Funeral at Fifty-Mile - S1-E22
Continuity mistake: When Jessica arrives at the sheriff's office, she is wearing boots. When she steps in, she is wearing high heels.
Funeral at Fifty-Mile - S1-E22
Continuity mistake: Carl arrives at the funeral in his RV and then heads to the house. When he arrives, it's a different model.
Funeral at Fifty-Mile - S1-E22
Other mistake: In the end credits, Jesús is misspelled Hay-Soos, phonetically.
Funeral at Fifty-Mile - S1-E22
Continuity mistake: When Jessica walks from the house to the barn at the end, she is wearing knee high brown boots. By the time she reaches the barn they have been replaced with court shoes.
Funeral at Fifty-Mile - S1-E22
Other mistake: It's a clear day not a stormy night as it should be when showing the barn in the flashback. Look closely and you can see a clear sky through the barn walls cracks.
Murder in the Afternoon - S2-E3
Continuity mistake: When Jessica is in the Lt.'s car, he scolds her, signalling with his index finger, which swaps to an extended hand an instant cut later, which is suddenly lowered yet an instant cut later. The way he holds the car keys also changes.
Murder in the Afternoon - S2-E3
Continuity mistake: The doctor steps in and calms down the actor while placing his hand on his shoulder. A shot later, his arm is lowered.
Visible crew/equipment: When Trish picks up Jessica at the train station and her car leaves, filming equipment and crew members are reflected in the windows.
Visible crew/equipment: When Henry and Jessica are reading the resignation letter, state lights are reflected on their glasses.
Revealing mistake: When the first scene at Emma's hideaway was shown, obviously the two characters Emma and Jessica were filmed seperately on the couch and then the film was put together (as both are played by Angela Lansbury). However Jessica did a lot of moving while she was talking, so Emma was looking straight across at where she had been, despite her bending down while she talked.
Audio problem: When singing "Goodbye little yellow bird" Emma blows a kiss to Oliver offstage, but she is still singing the song when she is blowing the kiss. Although it's possible she was pretending as it was part of the act, her voice wasn't even muffled by her hand.
Continuity mistake: When Emma was almost hit by a car she jumped up onto the edge of the wall and then back down onto the floor. When she landed she was facing the theatre door, but when Oliver came of the door and the shot changed, she was facing away from the wall. This happened in the transition from stunt person to Angela.
Revealing mistake: Kat pumps her shotgun several times with no shells coming out.
Plot hole: When Beverly is killed the killer shuts off the main power switch which would have turned all the lights off in the house, not just those in the bathroom. (01:31:00)
One Good Bid Deserves a Murder - S2-E17
Continuity mistake: The first time Jessica is shown asking for her room number, she asks for room 812. Later in the episode she asks for room 810.
Plot hole: Barney Kale decides to reopen a case he couldn't solve. Based on the outcome it makes no logic whatsoever. He is the murderer. Why would he bring attention to it put himself in danger? (00:46:50)
Suggested correction: He was being blackmailed by Gary Roberts. He "reopened" the case as a ruse to kill Roberts.
