Visible crew/equipment: When Trish picks up Jessica at the train station and her car leaves, filming equipment and crew members are reflected in the windows.
Funeral at Fifty-Mile - S1-E22
Visible crew/equipment: After Jack's graveside service, Jessica, Mary, and Art walk back to the red pickup, and while they're standing there talking, the mic pops up into view in front of Mary. (00:04:40)
Visible crew/equipment: When Henry and Jessica are reading the resignation letter, state lights are reflected on their glasses.
Visible crew/equipment: When Jessica is on her horse at the barn, there's a crew member lying on the floor, watching out for Angela Lansbury.
Visible crew/equipment: When Milton arrives at the airport, the filming crew is reflected in the glass on the right.
Visible crew/equipment: When Sir John Landry walks towards the fireplace before Jessica unravels the mystery, stage lights are reflected on Jessica's glasses.
Visible crew/equipment: At the beach, when Miguel jumps in the helicopter, two filming lights are reflected on the windows.
Death Takes a Curtain Call - S1-E9
Visible crew/equipment: When Jessica and the Russians exit the theatre, the whole filming crew and cameras are reflected on the car's fender.
Visible crew/equipment: When Jessica gets trapped in the car, lighting equipment is reflected on the window.
Visible crew/equipment: Jessica is at the crime scene with the detective and walks from the back of the set to the cemetery. The moving shadow of the camera is cast on a rocky wall. (00:17:33)
Visible crew/equipment: After Seth drives Jessica downtown, lights, crew, and filming equipment are reflected on the car window.
Visible crew/equipment: When the cop grabs the coffee pot, a filming crew member with blue trousers is reflected on it.
A Very Good Year for Murder - S4-E17
Visible crew/equipment: After Tony is cured he exits toward his car. A big screen used for lighting is reflected on the side of the car.
Visible crew/equipment: When the sheriff and the mayor meet at the fix-it shop, the filming crew plus the boom mic pole are reflected on the side of the red car.
Night of the Headless Horseman - S3-E11
Visible crew/equipment: When Nate and Dorian fight at the bar they are replaced with obvious stunt doubles with totally different hairstyles.
Night of the Headless Horseman - S3-E11
Visible crew/equipment: When Jessica arrives at the station and Dorian opens the car door, stage lighting screens are reflected on the glass.
Night of the Headless Horseman - S3-E11
Visible crew/equipment: When Nate Findley rides his horse the actor's stunt is very noticeable in the wide shots.
The Bottom Line Is Murder - S3-E15
Visible crew/equipment: When Jessica rides in the car for the first time, the structure of the filming equipment is reflected on the hood.
Trevor Hudson's Legacy - S5-E18
Visible crew/equipment: When the woman picks up the hitchhiker the filming equipment is reflected on her car.
The Sins of Castle Cove - S5-E17
Visible crew/equipment: When the hairdresser buys a lot of books and leaves in her car, a huge screen and scaffold are reflected on the rear window.
