Murder, She Wrote

Murder, She Wrote (1984)

38 continuity mistakes - chronological order

(13 votes)

The Murder of Sherlock Holmes - S1-E1

Continuity mistake: During the scene at the train station, Jessica's nephew introduces to her Kitt Donovan from the publishing company. Just as he says "in public relations", a man pops in the foreground - it is an extra that walks out of the rail car. In the reverse shot that follows, the same extra is only then coming out of the train. (00:09:35)

Sammo

The Murder of Sherlock Holmes - S1-E1

Continuity mistake: Episode 1-0, "The Murder of Sherlock Holmes"; Mr. Giles opens the door of the antechamber of his office, finally putting an end to Jessica's long wait. Grady right away at the first click of the lock takes his hands off his pockets and tidies up his sleeves. But in the next shot when Grady actually enters and talks to the secretary, Grady is still with his hands on his pockets repeating the gesture. (00:10:10)

Sammo

The Murder of Sherlock Holmes - S1-E1

Continuity mistake: Mr. Giles holds the telephone as he interrogates the private eye, who answers in a rather defiant way to the threat of "the local constable" getting involved. So Giles puts the receiver down, but notice that in the first shot he is passing it from the right to the left hand. In the close-up it is the right hand to hang up, though. (00:23:15)

Sammo

Death Takes a Curtain Call - S1-E9

Continuity mistake: When Jessica and the Russians escape in the Rolls Royce, the back projection is not continuous between shots. On the right side window, the place swaps between a modern city and a park. On the left window, the same people walking around are played several times.

Sacha

Murder, She Wrote mistake picture

Death Casts a Spell - S1-E10

Continuity mistake: Before Joan leaves the restaurant, she has a glass of wine on her right, but from Jessica's POV, the glass has moved to Joan's left side. Also, Jessica's glass is in front of her, but moves to the right side of the table after Joan leaves.

Sacha

Death Casts a Spell - S1-E10

Continuity mistake: When Bud and Andy arrive at Cagliostro's table, Jessica stares with her glasses on, while Joan turns her head around. An instant cut later, Jessica's glasses are off and Joan is turning her head again.

Sacha

Broadway Malady - S1-E12

Continuity mistake: When Patti is shot, Barry kneels down, places his face against hers, and lies on top of her. A shot later, from a different angle, he is away from her, repeating all previous movements.

Sacha

Murder, She Wrote mistake picture

Paint Me a Murder - S1-E15

Continuity mistake: When Ron Moody runs into the sea in pursuit of a suspect trying to escape, he shouts at Jessica to "Get the package!" In the next shot we see Jessica reluctantly follow him in, with a clear waterline from a previous take showing on her dark overcoat/cloak.

Sing a Song of Murder - S2-E5

Revealing mistake: When the first scene at Emma's hideaway was shown, obviously the two characters Emma and Jessica were filmed seperately on the couch and then the film was put together (as both are played by Angela Lansbury). However Jessica did a lot of moving while she was talking, so Emma was looking straight across at where she had been, despite her bending down while she talked.

Dan Moat

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Chosen answer: This is the very reason my brother and I used to jokingly call the show, "Murder, She Caused." It's amazing she was ever on anyone's guest list for a party, given the likelihood someone would end up deceased. As to your question, most of the time, Jessica Fletcher would have had an air-tight alibi, as she was in a room full of people, or her whereabouts were accounted for when a murder occurred elsewhere. It also seems to me that there were episodes where she, purely with respect to opportunity, could have been a suspect. I believe she even acknowledged that as a logical possibility from time to time, even though she knew, of course, she was not the killer. However, the investigation would obviously rule out the possibility of her involvement, eventually.

Michael Albert

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