Michael Corleone: Never let anyone know what you are thinking.
Michael Corleone: Friends and money - oil and water.
Michael Corleone: Your enemies always get strong on what you leave behind.
Michael Corleone: I feel I'm getting wiser now.
Kay Corleone: The sicker you get, the wiser you get, huh?
Michael Corleone: When I'm dead, I'm gonna be really smart.
Vincent Hanna: Charlene Shiherlis.
Alan Marciano: Who?
Vincent Hanna: Who? Who? What are you a fuckin' owl?
Alan Marciano: Why'd I get mixed up with that bitch?
Vincent Hanna: Cause she's got a great ass. And you got your head...all the way up it.
Alan Marciano: Jesus!
Vincent Hanna: Ferocious, aren't I? When I think of asses...a woman's ass...something comes out of me.
Justine Hanna: I made dinner for us. Four hours ago. Every time I try to maintain a constant mood between us, you withdraw.
Vincent Hanna: I've got three dead bodies on a sidewalk off Venice Boulevard, Justine. I'm sorry if the goddamn chicken got overcooked.
Vincent Hanna: I'm very angry, Ralph. You know, you can ball my wife, if she wants you to. You can lounge around here on her sofa, in her ex-husband's dead-tech, post-modernistic bullshit house, if you want to. But you do not get to watch my FUCKING TELEVISION SET!
Sharon Tiller: Get some perspective, Lowell.
Lowell Bergman: I got perspective.
Sharon Tiller: No, you do not.
Lowell Bergman: From my perspective, what's been going on and what I've been doing is ridiculous. It's half-measures.
Sharon Tiller: You're not listening. Really know what you're gonna do before you do it.
Lowell Bergman: We've got a guy who wants to talk, but he's constrained. What if he were compelled?
Mike Wallace: Oh, torture. Great ratings.
Mike Wallace: Who are these people?
Lowell Bergman: Ordinary people under extraordinary pressure, Mike. What the hell do you expect? Grace and consistency?
Jeffrey Wigand: I'm just a commodity to you, aren't I? I could be anything. Right? Anything worth putting on between commercials.
Lowell Bergman: To a network, probably, we're all commodities. To me? You are not a commodity. What you are is important.
Sharon Tiller: You won.
Lowell Bergman: Yeah? What did I win?
Lowell Bergman: Are you a businessman? Or are you a newsman?
Lowell Bergman: I never left a source hang out to dry, ever! Abandoned! Not 'til right fucking now. When I came on this job, I came with my word intact. I'm gonna leave with my word intact. Fuck the rules of the game.
Lowell Bergman: You'd better take a good look, because I'm getting two things: pissed off and curious.
Jeffrey Wigand: I can't seem to find the criteria to decide. It's too big a decision to make without being resolved in my own mind.
Lowell Bergman: Maybe things have changed.
Jeffrey Wigand: What's changed?
Lowell Bergman: You mean since this morning?
Jeffrey Wigand: No, I mean since whenever.
Don Hewitt: Are you suggesting that she and Eric are influenced by money?
Lowell Bergman: No, no, of course they're not influenced by money. They work for free. And you are a volunteer executive producer.
Lowell Bergman: In all that time, Mike, did you ever get out a plane, walk into a room and find that a source for a story changed his mind? Lost his heart? Walked out on us? Not one fucking time. You want to know why?
Mike Wallace: I see a rhetorical question on the horizon.
Lowell Bergman: I'm gonna tell you why: because when I tell someone I'm gonna do something, I deliver.
Will Dormer: This guy crossed the line and didn't even blink.
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