Character mistake: After the things let the dog out, Larry calls Joan and tells her that the kids let him out, and he will get him (the dog). Later, when he's downtown with the dog, he has the line about "when Joan finds out you've escaped, Conrad's out and I'm in". Where is the surprise? He already called her, so she knows!
The Cat in the Hat (2003)
1 character mistake - chronological order
Directed by: Bo Welch
Starring: Alec Baldwin, Dakota Fanning, Mike Myers, Kelly Preston, Spencer Breslin
Continuity mistake: When Larry takes out his teeth when going to sit on his chair just before the repo men come and take his TV, he puts his false teeth in a glass. Immediately after that you can see his top teeth still in.
Cat in the Hat: Don't worry, I have three plans. Plan A: Mess up a perfectly clean house. Done that! Plan B: Cut your losses and ditch the kids. That could work.
Sally: What about that one?
Cat in the Hat: Plan C: Trick Mom's boyfriend into handing over dog and lock. I don't know. I still like Plan B.
Trivia: When the dog runs out we can see another dog in a doghouse, it's the same dog from Men In Black, and it's also called Frank.
Question: What year is this film set in? The clothing and architecture don't make it clear. Is it meant to be timeless?
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Chosen answer: Theodor Seuss Geisel, or Dr. Suess as we know him, published most of his books between the late 1930's and the late 1980's. "The Cat in the Hat" was first published in 1957. Dr. Seuss' works generally tell the stories of fantastical characters in imaginary places, meant to be timeless. Illustrations and animated adaptations show buildings and objects with unusual proportions, odd shapes and bizarre functions. The live action film of "The Cat in the Hat, " however, is rooted to reality by its decidedly human child protagonists in an ordinary house in an ordinary neighborhood. The production design, costume design and set decoration of the 2003 film seem also to have the goal of achieving a certain timelessness. No date reference is given. However, there a decidedly stylized quality of 1950's-1960's suburban architecture and design, complete with its generic forms, chimneys, picket fences, and colors such as yellows and avocado greens, reflecting the common decor of the time. Similar to the 1971 TV short, which seems to provide a reference point for the design aesthetic of the film, nothing appears exceedingly futuristic nor rooted in period styles like victorian or colonial. I have also posed your question to Rita Ryack, the film's costume designer, whom I found on Facebook. If she sees my questions and decides to respond, I will add her insights to this answer.